Un Amor, Una Pasión, Un Adiós

This movie travels farther on 8 gunshots, 2 kisses and 100 clichés than should be possible. Yet it still works. Brilliant.

As I was driving home from the theater, I tried to figure out how it got away with movie staples like the pages of a novel manuscript blowing across a beach or the impossible series of fortuitous coincidences without the entire audience standing up and screaming, "I've seen that a million times before! And you've pushed beyond the edge of believability!" But the actors were so enchanting and the screen so filled with believable extras that I forgot to care. A friend who saw it with me said it transported him to Paris so perfectly that he was disappointed when we left the theater and realized we were still in Indiana.

Overall, a romantic-comedy-thriller with subtlety, wit and elan.

'Bon Voyage' is a pallid Gallic farce set during the early days of the Nazi occupation of France. The over-complicated plot revolves around a self-absorbed movie actress directly or indirectly involved with a patsy author, a spineless government official, Nazi collaborators, and French resistance fighters attempting to smuggle heavy water over to England.

Though the movie does exude a certain manic energy at times, director Jean-Pierre Rappeneau too often mistakes movement for style - in the naïve hope, apparently, that if he just keeps everyone running around from one location to another, we won't have time to notice that there really isn't anything fun or interesting going on in the story department. The final result of all this ceaseless hubbub is that the film simply ends up wearing us out trying to keep up with it, an exhaustion compounded by the fact that we often aren't quite sure who all these people are and what it is they're exactly up to. The movie looks great physically and Rappeneau does have a certain way with crowd scenes, but those virtues are really all for naught when the characters and storyline are both so conspicuously unengaging.

The movie features at least two legends of modern French cinema, Isabelle Adjani and Gerard Depardieu, who, along with the rest of the cast, capture the arch mannerisms necessary for a film with its roots essentially planted in Feydeau farce. Regrettably, the film, for all its excessive huffing and puffing, fails to come to life on the screen, an unhappy turn of events given all the energy and talent involved in its making.

I have little to add to the raves and cogent analysis of the Briton below, and I will certainly not re-tell the story. What is there to say?, but there is a multiplicity of characters (incl. cameos of historical figures), all kinds of situations . . . set in a historical events that most people with (my) cursory knowledge of French history would be hazy about.

BON VOYAGE is great film. WHY can I not be cultured like everyone else and know French? To understand this movie, MAN ON THE TRAIN, TIME REGAINED, WIDOW OF ST. PIERRE . . . and on. Yet more evidence of a jejune life, just an intellectual roue.

Run, don't walk. See it.

An interesting pairing of stories, this little flick manages to bring together seemingly different characters and story lines all in the backdrop of WWII and succeeds in tying them together without losing the audience. I was impressed by the depth portrayed by the different characters and also by how much I really felt I understood them and their motivations, even though the time spent on the development of each character was very limited. The outstanding acting abilities of the individuals involved with this picture are easily noted. A fun, stylized movie with a slew of comic moments and a bunch more head shaking events.

7/10

This movie was unique in the fact that it took place in the few months prior to and during the Nazi invasion of WWII. This gave the film a hectic atmosphere, as the French government and those surrounding it are in constant chaos while fleeing the approaching Blitzkrieg. For once we see the great disruption that war causes to millions of innocents, not just the horrors that occur on the front. However I don't agree with he genre characterization that it is a comedy- as it is a very entertaining blend of mystery, double-crossing and drama, as well as a few funny moments. Gerard Depardieu didn't have a overbearing role in the film, but played just one of the many interesting characters that are introduced. I was also surprised by Peter Coyote's French and German language skills - and I think it's worth commenting that an American was included in a French film - and I'm glad to say he held his own. Of course Ms. Adjani and Virginie Ledoyen play excellent roles- there's just something about those French ladies...