Bertie and Elizabeth

This isn't a review so much as it is an explanation. In the film, King George V is at dinner with David, Bertie, Elizabeth Bowes-Lyon, the Archbishop of Canterbury, and Queen Mary. David asks George V "why this obsession with ritual?" and George V replies "Monarchy is ritual, boy. That's why. Doing things in the prescribed manner. You've read your Badgett...". Badgett is how the closed captioning spells the word.

I have tried several times to locate anything named or written by Badgett and have always come up empty. So I began to play around with the spelling of Badgett. And I stumbled upon Walter Bagehot who wrote a book called, "The English Constitution", which was originally published in 1867. After the Reform Act of 1867, an extensive addition was added in the 2nd edition of 1872.

The book explores the nature of the English Constitution and its relation to Parliament and Monarchy. This is, I believe, the book David has supposedly read which sets out how to do things in the prescribed manner.

I saw this mini series last year on Masterpiece Theatre here in the USA and loved it so much I bought the DVD. It was refreshing to see another side to the Wallice/David romance. I was appalled just how spiteful Wallis/David were to Bertie and Elizabeth. No wonder the Queen Mum and the Queen despised Wallis so much. Wallis came across as a power hungry witch who seemed to wear the trousers in that relationship.

The casting for this mini series was superb. The young actresses who played theyoung Princesses Elizabeth and Margaret through childhood and young women, their likenesses were uncanny. I wish I could say the same for Robert Hardys portrayal as Roosevelt. He would have been better off playing Winston Churchill in my opinion.

I agree wholeheartedly with the poster that they was disappointed that the quote from Elizabeth during the blitz "I'm glad we were bombed, now I can look the East End in the face" wasn't used. David Wilby was amazing as Bertie, I truly felt so much compassion for his struggle with his stammering. And he overcome it with the help of his beloved Elizabeth (the delightful Juliet Aubrey). What a wonderful couple they were. An excellent story,

It made me so proud to be British. 10 out of 10 from me. High praise indeed as I don't usually watch Royal romance dramas.

This television film shows a lot promise despite the historical inaccuracies. It's problem is the fast paced progression through history that provides little opportunity for character exploration and more in depth look at how George VI become one of the best loved and most respected of English Kings. Otherwise, the performances are quite good and the writing in certain scenes is first rate. It's worth a look despite it's obvious flaws.

American Audiences might find the portrayal of the Duke and Duchess of Windsor a bit harsh after years of romantic conditioning but as Russell Baker notes in the segment that is shown after the film on the DVD it represents a more accurate picture of how those in the UK came to view Edward VIII.

Now I really liked Bertie and Elizabeth on the whole. It is sumptuously filmed, with beautiful photography, costumes and scenery, and the music is beautiful. And the casting is wonderful, James Wilby is surprisingly good as Bertie while Juliet Aubrey is charming as Queen Elizabeth. Alan Bates is a wonderful George V and Eileen Atkins gives another solid turn as Mary, while Charles Edwards was good as Edward VIII(David).

Though David Ryall seems underused and Robert Hardy is wasted(my opinion) as Roosevelt, somehow I didn't feel he was right for the role, and both actors were given little to do. The pacing is good as is the direction and there are some charming and witty moments in the script.

However, some characters aren't developed with care as much as the other characters, David is quite flat character-wise and Wallis is like a witch here. Also the story has some glaring inaccuracies as well as some moments and people that are either underdeveloped, mentioned and then forgotten or not even mentioned. In spite of the good pacing in general, there are one or two scenes that are too tedious and overlong.

Overall, worth seeing for some good acting, music and visuals, however for those looking for a history lesson or a completely true story they are perhaps better off reading a book on the subject. 7/10 Bethany Cox

Before THE KING'S SPEECH (2010) there was BERTIE AND ELIZABETH, a glossy costume-drama concentrating on the public life of King George VI (James Wilby). Dominated by his tyrannical father (Alan Bates), and cast into the shadows by his playboy brother David (Charles Edwards), Bertie grows up almost afraid of his own shadow with a stammer that becomes more pronounced in stressful situations. He marries Lady Elizabeth Bowes-Lyon (Juliet Aubrey), who becomes his emotional as well as his spiritual rock. Together they visit Lionel Logue (Michael Elwyn), the speech therapist who begins his treatment by having the three of them lying on the floor. Although somewhat confused by this unorthodox approach, Bertie agrees, and slowly acquires self-confidence.

Giles Foster's production celebrates Bertie/ King George for his selfless devotion to duty. Despite his character flaws, he accepts the job of being King and undertakes it to the best of his ability. His loyalty is contrasted with his brother's fecklessness; despite an obvious surface attractiveness, David is too self-interested to become an effective monarch. He would rather spend his time cavorting with Wallis Simpson (Amber Rose Sealey) and exchanging malicious gossip about his brother's shortcomings.

Inevitably this ninety-minute production telescopes historical events, especially towards the end of Bertie's life (the seven years between the end of World War II and his death in 1952 are perfunctorily dealt with). Yet this does not really matter: what is more important is to note the way Bertie learns how to deal with events - especially the privations of the London Blitz. The scene where he and Elizabeth visit London's East End in the wake of an air-raid is particularly effectively done, showing the way in which social divisions no longer mattered at that time: everyone shared similar experiences of suffering.

Aubrey's Queen Elizabeth comes across as an eminently practical personality with a pathological hatred of her brother-in-law. On the other hand she, like her husband, are loving parents, providing a safe and secure environment for Lillibet (Naomi Martin) and Margaret (Jenna Molloy) to grow up in.

BERTIE AND ELIZABETH might not be historically very exact, but it nonetheless celebrates those particularly British virtues of understatement and stoicism.