La revolución de las ratas

Willard Stiles (Crispin Glover) is a lonely and deranged man living in an old mansion with his sick mother Henrietta Stiles (Jackie Burroughs). His father committed suicide after losing his own company to his former partner and friend Frank Martin (R. Lee Ermey). Due to a clause in the selling contract, Willard can not be fired from his job while his mother is alive. However, Frank abuses of Willard, humiliating and spending a horrible treatment with him in front of his colleagues. The basement of Willard's house is infested of rats and mice, and Willard capture a beautiful white mouse in a trap. Willard rescues the mouse, calls him Socrates and becomes his friend. Socrates is a leader and the other rats obey him, except the huge Ben. The animals are trained by Willard, who uses them for his revenge. This weird tale about loneliness, friendship, greed and revenge has the same style of most Tim Burton's movies. It is a black comedy very dark, quite gothic, having weird characters, but great performances and good effects. Although dealing with a nasty theme (rats and mice), it is not a disgusting film. It is not recommended for all audiences, but I liked it a lot. My vote is eight.

Title (Brazil): `A Vingança de Willard' (`The Revenge of Willard')

New Line had only six weeks to promote this film -- according to the outstanding documentary on the DVD -- and blew it anyway. They were targeting teenage boys when they should have been targeting older people and teenage >girls<.

Glen Morgan directs in a very interesting stylized fashion almost as eccentric as David Lynch or Tim Burton, and Crispin Glover gives a knockout performance in the title role. It's a dark, twisted story, just as it should be; the original WILLARD lightened up the very strange novel, but this one takes several big steps in the direction of the novel. (Not so far as to have Willard Styles wear a rat mask, though.)

The movie does have some awkward elements; the pacing is a bit off, probably because the structure is askew a bit, but overall, it's a fascinating, creepy movie, very well made with fine performances. And either the original ending or the reshot one would have satisfied me.

One of the least successful movies of the year, when it should have been one of the most, is Willard, the remake of the Bruce Davison version. It has everything going for it, and it was really the dismal marketing campaign that brought it to its early demise. If more people had given it a chance, then hopefully it would have been more successful and more people would have been able to see this masterwork. That's what Willard is, it's a masterpiece, at least of the movies of the last ten years or so. No movies have been up to par in so many different levels.

Crispin Glover puts in the best acting performance of the year, and possibly one of the best of all time is the title character. He has a dead-end job at his late father's business, now run by his father's partner, Frank Martin (R. Lee Ermey), who just keeps him on until Willard's mother (Jackie Burroughs) dies. When his mother makes him go look for rats, Willard finds one, keeps it, and names it Socrates. He discovers more, and they do whatever Socrates tells him. However, a huge rat named Ben wants control, and fights with Socrates for power, while Willard uses the rats for his own sociopathic will.

As I said earlier, Willard has everything going for it. I'll go one at a time. The directing, by X-Files alum Glen Morgan (also written by him and co-produced with James Wong) was perfect. He has an obvious style (and probably studied Hitchcock in college), and creates a sense of realism in this implausible movie. Also, Morgan's screenplay has some of the best humor to come out of a movie this year, especially from Ermey and Burroughs. I won't spoil them, although they're still funny on repeat viewings.

The acting, especially by Glover, who isn't a forerunner in big Hollywood names, is spectacular. Glover portrayed a young, aimless man so well. No one can scream like this man can. He's not afraid to let go and let his emotions run him over. He must have some deep repressed memories. Ermey is outstanding, but, then again, when is he not? He just plays an evil character, and that's what he's great at. Laura Elena Harring (Mulholland Drive) does what she can with her very small role. I noticed she tried to repress an accent, but I couldn't tell from where. Sounded Spanish, but I digress. Burroughs is great, although more of her (not really looking at her, though…she's hideous) would have been great.

Morgan takes what could have been disastrous and turned it around to become a truly creepy film. Willard shows the side of every person who wants to do something evil, but can't find the will to do it. That's where Willard succeeds, you end up rooting for someone you normally wouldn't because he's doing something that you desperately want to do.

Willard is a modern masterpiece, one that will thankfully find a huge audience on DVD.

My rating: 8/10

Rated PG-13 for terror/violence, some sexual content and language.

Gloriously weird, Crispin Glover's performance seems to boil out of the rage-fueled emotionalism of an era before Botox: think Kirk Douglas and Burt Lancaster, blended with the latter-day fragility and introspection of Sean Penn. This role gives him the room to show off some astonishing gifts.

Glover is the best but far from the only reason to recommend this remake, superior in most ways to the 70s original. (There's some homage along the way, including a tongue-in-cheek set piece done to Michael Jackson's famous warble, "Ben". How time has made that hymn to interspecies love sound creepy!) Writer-director Glen Morgan has crafted a chewy little parable about capitalism, and his sardonic depiction of the real rat race, with a reliably savage Lee Ermey flogging his office employees behind a motivational sign reading "Prudent Aggression," gives the film more than the usual B horror subtext. The production design is sweet, too.

A terribly nice 100 minutes, and one of the best B horrors since Reanimator.

Mr. Culkin should have taken the role that this movie offered him. For an actor who is trying to prove something to the industry in Hollywood, this movie is an excellent example. Crispin Glover has had a reputation in the film industry as a strong, yet weird actor. Many of the roles that he has received makes Crispin look crazy if not odd. Here, Crispin shows his serious and comic side. The movie alone holds up as a gritty thriller. A horror movie none-the-less, Willard is an interesting film that we don't see too often. A well made movie with decent production value, the cast adds to its greatness. Much like River's Edge, the audience is left wondering where Crispin Glover came from. No longer a young actor, Crispin has worked his way up to become a veteran performer and a good actor.