Dragnet

No, this is not the 1967 version.

And this is not 1967 anymore.

This show has been rebooted in a very effective manner. I think this is not only the best show in ABC's lineup, but it is one of the best shows on network television. This show is a textbook example of how you update an old television show into the 21st century. Furthermore, the casting and acting is very effective. Ed O'Neill and Ethan Embry play their roles very well. I hope this show remains on the air for some time. It is well worth it.

What began as an outstanding updated version of the classic cop/detective show was picked and hacked at by TV executive dolts until it finally bore little or no resemblance to the original, and did away with a central character.

TV executives are absolutely clueless. The show did not instantly get top rating, and therefore Mr. Moneybags or Mr. Big Cigar or whoever over at the network called up and said, "Change it so we get more sponsorship and I can afford to put another wing on my chalet in the south of France. Oh, and my wife wants a solid gold Maserati for her birthday."

If they had left the show alone, it would have gained steam and become a very successful series. Instead, they ruined it and then threw it away.

Ed O'Neil was excellent as Joe Friday.

This show takes a cast of top-notch pros (like Lindsay Crouse and Erick Avari, just to name two) and uses their talents to the hilt.

The storytelling is taut and well-paced, the secondary characters very well-written (check out Cleo the hooker in "Silver Strangler").

In a word, I like this show.

I have listened to the original. YES, listened. Dragnet was originally a radio show. Not that at 45 I'm old enough to have heard it live but I have heard tapes.

The later television show with Harry Morgan as the partner aired every night after the 6 PM news where I grew up. Joe Friday was not cynical he was a flag waving TRUE BELIEVER. There were never dirty cops in the original Dragnet, the crooks were all bad guys and Joe and his partner put as much energy into catching the thief of a Baby Jesus statue as they did in finding a murderer. They didn't worry so much about "civil rights" and TECHNICAL things like that. They were only interested in arresting the crooks. I don't think Joe Friday ever cracked a joke or took a drink. They SAID that all the cases were REAL but I have read that it was partly due to the way you could define "real" in those days.

Ed is playing Joe Friday as at 21st Century cop. There may have been a better choice for Friday but I don't know who. The chemistry between the two leads seems great to me. I love the way Mike Post has updated the theme, One of the most easily recognizable TV Themes ever! The new version sounds like L.A. to me. Frankly just because of that I was willing to give it a chance. It showed some respect for it's predecessor.

I am enjoying the show and I think it will last a while. Sometimes you can go home.

It may seem unimaginable that an iconic television series such as Jack Webb's Dragnet could be updated and still do justice to the original's charm and quality, but Dick Wolf and others behind the gripping Law & Order television series apply the strengths of their previous efforts into a superb updating of Webb's immortal series on the most famous working detective in the annuls of the LAPD.

Ed O'Neill is still most famous for his role of Al Bundy in Married.....With Children, but few remembered how he tackled the role of Popeye Doyle in the eponymous 1986 TV film sequel to The French Connection, and though not as gripping as Gene Hackman he nonetheless did a commendable job in a very difficult role. O'Neill really flexes dramatic muscle as Detective Joe Friday, in a much-faster-paced version of the classic series that at times reads like a real documentary, a goal Webb strove to achieve throughout the original run of Dragnet but which Dick Wolf and company have the resources to pull off.

While this new version of Dragnet is more keyed toward crime-solving and has a much greater intensity as a result, it nonetheless leaves some room for levity, such as in the recently-aired Bel Air kidnapping episode where the perp makes a deal with the LAPD to rat out his boss, but is arrested anyway because the FBI wants him. "We're local, they're federal," deadpans Ed O'Neill's Joe Friday, a line more fit for Ben Alexander's Frank Smith or Harry Morgan's Bill Gannon than Joe himself.

Ed O'Neill has thus succeeded in keeping an iconic character in TV history "alive and working," and TV land's LAPD knows that its most famous working detective is still on the job in the 21st century.