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IMDbPro

Carrie

  • Película de TV
  • 2002
  • Not Rated
  • 2h 12min
CALIFICACIÓN DE IMDb
5.4/10
12 k
TU CALIFICACIÓN
Angela Bettis in Carrie (2002)
Trailer 1
Reproducir trailer2:06
1 video
99+ fotos
Supernatural HorrorTeen HorrorDramaHorrorSci-FiThriller

Agrega una trama en tu idiomaCarrie White is a lonely and painfully shy teenage girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both her classmates and her domineering... Leer todoCarrie White is a lonely and painfully shy teenage girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both her classmates and her domineering, religious mother.Carrie White is a lonely and painfully shy teenage girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both her classmates and her domineering, religious mother.

  • Dirección
    • David Carson
  • Guionistas
    • Bryan Fuller
    • Stephen King
  • Elenco
    • Angela Bettis
    • Patricia Clarkson
    • Rena Sofer
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.4/10
    12 k
    TU CALIFICACIÓN
    • Dirección
      • David Carson
    • Guionistas
      • Bryan Fuller
      • Stephen King
    • Elenco
      • Angela Bettis
      • Patricia Clarkson
      • Rena Sofer
    • 183Opiniones de los usuarios
    • 40Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Videos1

    Carrie
    Trailer 2:06
    Carrie

    Fotos130

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    Elenco principal32

    Editar
    Angela Bettis
    Angela Bettis
    • Carietta 'Carrie' White
    Patricia Clarkson
    Patricia Clarkson
    • Margaret White
    Rena Sofer
    Rena Sofer
    • Miss Desjarden
    Kandyse McClure
    Kandyse McClure
    • Sue Snell
    Emilie de Ravin
    Emilie de Ravin
    • Chris Hargensen
    Tobias Mehler
    Tobias Mehler
    • Tommy Ross
    Jesse Cadotte
    • Billy Nolan
    Meghan Black
    Meghan Black
    • Norma Watson
    Chelan Simmons
    Chelan Simmons
    • Helen Shyres
    Katharine Isabelle
    Katharine Isabelle
    • Tina Blake
    David Keith
    David Keith
    • Detective John Mulchaey
    Miles Meadows
    Miles Meadows
    • Kenny Garson
    Sean Tyler Foley
    Sean Tyler Foley
    • Lou Garson
    • (as Tyler Foley)
    Laurie Murdoch
    Laurie Murdoch
    • Principal Morton
    Michael Kopsa
    Michael Kopsa
    • John Hargensen
    Michaela Mann
    • Estelle Horan
    Jodelle Ferland
    Jodelle Ferland
    • Little Carrie
    • (as Jodelle Micah Ferland)
    Deborah DeMille
    • Estelle's Mother
    • Dirección
      • David Carson
    • Guionistas
      • Bryan Fuller
      • Stephen King
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios183

    5.412K
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    Opiniones destacadas

    7EarthAD

    If you read the book, you know the remake was better.

    I do not care how many of you read this and think "What a moron." Because I am not, I am right. Anybody can call themself a Stephen King fan because they've seen all his movies. Well, if you've never read his books then you're not a Stephen King fan, you're a horror movie fan. I read Carrie for the first time when I was 10 years old. It was the scariest, most f'ed up book I had read. (Remember I was 10, before Carrie I read Goosebumps and Freckle Juice) And my dad told me there was a movie. I had heard of it before, of course. So, I rented it. Sissy Spacek, Piper Laurie, and John Travolta were good, but the thing is they were the hottest stars at the time. Travolta was a teen hunk from Kotter and Sissy was your "girl next door" type. The original is a classic, I will never deny that. It's one of the best horror movies of the 20th century. Even though the acting was superb, Spacek wasn't the perfect Carrie, because she is pretty. Carrie was awkward and weird looking. Bettis is attractive, but in a creepy sort of way. Clarkson was a much better Mrs. White, because Laurie portrayed this wild, gospel radio type woman yelling out Christian nonsense. Mrs. White was described in the book as a insane woman with a sane face. Okay, let's be honest, Travolta sucked in Carrie. He was playing the role he ALWAYS did in the late 70s, a stupid, pretty boy. The guy that played Nolan in the remake portrayed him as a insane, extremely psychopathic. And Chris and Billy's relationship in the original wasn't as convincing. In the book, they were kind of a match made in heaven, they were both sadistic and cruel people. The only things I have to say about the original is Amy Irving was a better Sue, and the original Miss Desjardins was better too (the gym teacher). All in all I thought the remake of Carrie wasn't as classic as the original, but was more according to the book and they picked the characters well. 9/10
    6LanceBrave

    A Secret Rage Burning Inside

    The problem with remaking "Carrie" is two-fold. First off, the original Brian DePalma film is such a defining classic. Any additional version will be compared unflatteringly to that original. Secondly, the story follows a clear, well-known formula. Every version of "Carrie" has to end with the main character wreaking telekinetic havoc at the prom. The question of remaking "Carrie" becomes whether or not the performances justify telling a story everyone knows the ending to. This was the question facing the 2002 television version of "Carrie" and is the question currently facing the brand new, Chloe Moretz-starring remake.

    So, do the performances justify the film? Kind of. A screening of "May" is what convinced the producers that Angela Bettis was the perfect choice for the role of Carrie. No doubt, the two characters are similar, disenfranchised loners who strike back violently against their tormentors. However, Angela Bettis makes Carrie not only very different from May but different from Sissy Spacek's Carrie. Spacek played the character as a wounded animal. Bettis' Carrie, meanwhile, plays like a PTSD victim. She keeps her head down, taking abuse silently. She's more spastic, seemingly going into seizure like trances. Bettis' naturally nervous qualities are played up, her eyes and forehead twitching. However, this Carrie has a secret rage burning inside of her. She bottles up her anger at the world. A more bitter or even sarcastic side shows through during her interactions with mother or schoolmates. Spacek's Carrie was a poor girl who snaps suddenly, unexpectedly. Bettis' Carrie is a ticking time bomb. The differing interpretation allows Angela to make the part her own. It's a very good performance from a great actress.

    Patricia Clarkson also goes in a very different direction from what Piper Laurie did in the original. Laurie played the role as over-the-top, high opera. Clarkson goes in the opposite direction. Her Margaret White rarely raises her voice. Her threats are quiet and subtle. She doesn't have to yell and scream to make her point. She plays her religious fanaticism as a frightening truth, someone who believes unerringly. Clarkson is excellent, far more believable then Laurie's campy theatrics. It's the only true advantage the 2002 version has over the 1976 version.

    The 133-minute long film, originally aired in two halves over two nights, hews more closely to Stephen King's original novel. It reinstates the epistolary format, a police detective interviewing the surviving high school students about what happened that night, the events recalled in flashback. The narrative reshuffling does little to change the flow of the story. Carrie still gets her period in the girl's changing room, freaks out, discovers her powers, faces her religious fanatic mother, gets invited to the prom by Tommy Ross, has pig's blood dumped on her, goes nuts and kills a lot of people. Several missing scenes from the book are reinserted. Small meteorites fall from the sky when Carrie is born. When she's six years old, after an encounter with the neighbor's daughter, the same thing happens. After the massacre at the prom, Carrie walks through Chamberlain, Maine, destroying most of the town.

    I'm not sure how to feel about the extended run time. In some ways, it allows the material to breathe more. A few of the additional scenes add nice character development. Chris Hargensen has a scene where she interacts with Carrie alone, that shows Chris to have some depth as a character. When Kandyse McClure's Sue Snell talks to Carrie about make-up, it's humorous, expands on the two's relationship, and provides more insight in Carrie's opinions. The pre-massacre prom scenes are surprisingly good. Carrie and Tommy Ross talking in the car is unusually sweet. Miss Desjarden's monologue to Carrie about post-high school life is wonderful as well, especially Carrie's reaction to it. As Carrie and Tommy dance, Angela gets a great moment, expressing gratitude to the young man. The detective subplot doesn't add much but the cop looking through Carrie's completely empty, unsigned year book is rather heartbreaking. Then again, several scenes are unnecessarily extended. The pig bleeding scene goes on far too long. A moment of Carrie freaking out in class, shattering her desk, adds nothing. The principal talking with a lawyer has no effect on the rest of the film. Though Emilie de Raven's Chris is less blatantly psychotic then Nancy Allen's, her boyfriend Billy becomes a cold sociopath for no particular reasons.

    The biggest problem with 2002's "Carrie" is that it can't compete with the 1976's version thrills. The CGI-filled prom massacre lacks the visceral punch of the original. DePalma's unique style ramped up the intensity. David Carson's comparatively flat direction adds little. The rampage through town is well executed but seems superfluous. Carrie's powers are often overdone, with her cracking desk, throwing bikes through the air, or wrapping a truck around a tree. Considering Carrie's obvious anger, her not having any memory of the rampage is a cheat. Laura Karpman's score isn't bad, blatantly recalls Pino Dinaggio's work at times, but isn't as impressive.

    Of course, the ending is different. For some reason, producer Bryan Fuller decided "Carrie" would make a great set-up for a series. Carrie White survives and goes on the road with Sue Snell. The series would have been "The Fugitive," with a telekinetic teenage girl as the protagonist. This, of course, was a terrible idea. If 2002's "Carrie" maintained the book's ending, it perhaps would have been a stronger film. As it is, it's not a bad effort. It can't compare to DePalma's version and is frequently mediocre. Still, the two lead actresses lend what otherwise would have been a forgettable product some elegance.
    PeachHamBeach

    I was QUITE impressed!!!

    I bought this DVD even before seeing this movie because I like Angela Bettis a lot!!! She is very good at playing misfits who are sweet, innocent and DEADLY!!!

    And I'd heard a lot of people criticize this TV remake of the Sissy Spacek film. The guy at Blockbuster even said, "You're buying the REMAKE???"

    Like I said, I like Ms. Bettis's work. She was FABULOUS in a similar role in the film MAY. I figured that would be just about ALL I'd like about this version of Carrie. After all, everyone knows that TV movies are never as good as theatrical ones, right???

    But as I watched this movie, I was very impressed. The performances of Bettis and Patricia Clarkson as Carrie's holy roller mom were outstanding and chilling. But the writer of this TV script also deserves a nod. I've never been more impressed with TV writing before. It was just clever, with humor, and unpredictable.

    The special effects were not perfect, but they were impressive for TV. The guy who played Carrie's date was TOO OLD to be a high school kid. The girls who were mean to her were well acted, and the guy who slaughtered the pig was a real psycho. His eyes looked crazy even.

    Good movie. I give it an A.
    artizon

    Carrie's third time

    Carrie was originally a nerdy girl who was tormented over and over. Next, she was a goth who was videotaped having sex. This time, she's an epileptic girl struggling with life as a whole. Instead of doing a third one, the people decided to do something that people would rather see- remake the original loosely and transform it into a polished version of the book. While I do love the original, this one is closer to the book. There are a mere three things that I hated- the ending was stupid and Patricia Clarkson was too toned down for the role. They should have gone with a direct clone of Piper Laurie's flawless version of the character. Also, th pig blood dumping scene sucked this time. Ironically, all of the original's blonde characters are brunette here, and vice versa. The ending sort of copied the graveyard sequence at the end of the first one, but isn't as scary. But as a whole, this third in a blooming series was quite good and worth a few watches.
    Jimmy-154

    They're all Gonna Laugh at You"

    I have read the book and seen the original 1976 movie, numerous times. When I saw this advertised and heard that it followed the book, I knew I had to see it! It was interesting to see the book brought to life in a film. Even though it was modernized with Carrie making references to the internet, Chris using a cell phone, etc. I really enjoyed watching it, even though I still have to say that the original 1976 movie is still a classic! For some strange reason, during the prom scene where the blood is poured on Carrie, I was actually waiting to hear the famous line, "They're all gonna laugh at you!" That was such a nice touch in the original, but very difficult to duplicate. I also noticed in the credits that Jasmine Guy was in this film, but I looked and was not able to see her anywhere. The only thing I did not like is the fact with it being on regular television, the commercial breaks interrupted some of the good parts. Just when I was really into watching it, a commercial appears! Overall this movie was enjoyable to watch and to see a classic book and film come back. I am not much on remakes, but this one was not that bad. Still, nothing can hold a candle to the original!

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Bryan Fuller added some more positive dialogue about religion after he was asked to do so by David Keith, so that the film would not appear to be overtly anti-religion. One example is when Carrie makes statements about her own faith as opposed to her mother's views.
    • Errores
      Carrie's hair is already wet and there is already blood splashed all over the floor when the first drops hit her face.
    • Citas

      Margaret White: You've gone so far astray, I fear for you.

      Carrie White: You really think I'm going to burn in hell, Momma, just for going to my prom?

      Margaret White: I don't want to think about what's going to happen to you. Sin knows you now. It will find you.

      Carrie White: Momma...

      Margaret White: Your sin will find you, Carrie, and when it does, not even Jesus can help you.

      Carrie White: [exasperated] Jesus will help me. He will help me if I really need him.

      Margaret White: Not if he doesn't love you anymore.

      Carrie White: Jesus loves everybody, Momma - even me!

    • Versiones alternativas
      In an alternate cut of the film, it appears there is a shot of the inside of the gym during the roof collapse where we see characters such as George Dawson, Ruth Gogan and several other character be crushed by the falling debris of the roof.
    • Conexiones
      Featured in De Palma (2015)
    • Bandas sonoras
      Outside, Looking In
      Written by Mark Nubar, ShyBoy, and Jeeve

      Performed by Hypnogaja

      Courtesy of Access Denied Music

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    Preguntas Frecuentes7

    • What is 'Carrie' about?
    • Is 'Carrie' based on a book?
    • Does Margaret White have telekinesis as well?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de noviembre de 2002 (Canadá)
    • Países de origen
      • Estados Unidos
      • Canadá
    • Idioma
      • Inglés
    • También se conoce como
      • Stephen King's Carrie
    • Locaciones de filmación
      • British Columbia, Canadá
    • Productoras
      • MGM Television
      • Province of British Columbia Production Services Tax Credit
      • Trilogy Entertainment Group
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 12 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
      • Dolby SR
    • Relación de aspecto
      • 1.78 : 1

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