Agrega una trama en tu idiomaThis movie captures the unlikely connection of three men. An ex-con biographer, a janitor turned publisher and U.S. President George W. Bush whose paths to power and popularity become tangle... Leer todoThis movie captures the unlikely connection of three men. An ex-con biographer, a janitor turned publisher and U.S. President George W. Bush whose paths to power and popularity become tangled in the controversial book Fortunate Son.This movie captures the unlikely connection of three men. An ex-con biographer, a janitor turned publisher and U.S. President George W. Bush whose paths to power and popularity become tangled in the controversial book Fortunate Son.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado en total
George Bush
- Self
- (material de archivo)
Orrin Hatch
- Self
- (material de archivo)
- (as Orrin G. Hatch)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I thought that this was a well-done documentary, but didn't have the same response as I think was intended, or at least that the other people who left comments had. I found the two characters, Hatfield and Hicks, totally manipulative - hamming it up for the camera. Of course, Hatfield put his money where his mouth is at the end, but that last scene - where Hicks just starts getting teary and then weeps openly - my husband and I went into hysterics. It was like watching a bad acting class. The story is interesting, and I've read the book in the past - but (and I'm NOT a Bush supporter, for sure) the most compelling part of it is the initial tell-all biography of Hatfield. I ended up buying that 2.99 on-sale edition that included it.
Excellent documentary of what goes into publishing a banned book. The book being suppressed by the rich and powerful, in this case, being "Fortunate Son", an unauthorized biography of George W. Bush, Jr. (the still unimpeached president at the time of this writing).
You also get a tragedy for your money along with a well-done soundtrack. And if that's not enough, significant parts of the book are revealed so that you don't even have to buy the book after seeing the movie. But you'll want to.
You also get a tragedy for your money along with a well-done soundtrack. And if that's not enough, significant parts of the book are revealed so that you don't even have to buy the book after seeing the movie. But you'll want to.
This documentary actually turns out to be quite a lot more than a political polemic, and it's all the better for it. Naturally, extreme lovers of Bush will be put off immediately, but no surprise there. And, people looking for straight Bush bashing may be disappointed as well. This is not an expose into the darker side of the Retard King, and it purposely goes easy on the conspiratorial tone. There is a significant, though not entirely fleshed out, subtext about media control and the consequences of that, but mostly this is a story about some fascinating, driven, rather demented people and their travails amongst the big fish. In other words, it's most entertaining and enlightening on a human level, not a political one.
I will say that the 'revelation' at the end is so extreme that it changes the perception of the entire narrative, and it's something which the movie itself never entirely comes to grips with. The way it's structured does give the momentum of the drama a naturalistic feel, but I wonder if there wasn't a better, more upfront way to rework it and maintain the impact.
However, the sense of howling into the wind is subtle and well played, and the real human drama of people striving to be more than they actually are (even by duplicitous means) opens up a whole range of connections between GWB, the author and the publisher. The idea that the publisher and the author are to some extent frauds, or at the very least unabashed showmen, would call into question the validity of the whole documentary if the approach didn't feel genuinely vérité, which is why it works much better as a depiction of flawed humanity than as an investigation into the (also interesting) issues with the book, media, etc.
I will say that the 'revelation' at the end is so extreme that it changes the perception of the entire narrative, and it's something which the movie itself never entirely comes to grips with. The way it's structured does give the momentum of the drama a naturalistic feel, but I wonder if there wasn't a better, more upfront way to rework it and maintain the impact.
However, the sense of howling into the wind is subtle and well played, and the real human drama of people striving to be more than they actually are (even by duplicitous means) opens up a whole range of connections between GWB, the author and the publisher. The idea that the publisher and the author are to some extent frauds, or at the very least unabashed showmen, would call into question the validity of the whole documentary if the approach didn't feel genuinely vérité, which is why it works much better as a depiction of flawed humanity than as an investigation into the (also interesting) issues with the book, media, etc.
Watching this documentary isn't simply watching a film about someone writing something negative about George W. Bush. Bush takes a backseat to the story of the two individuals who believed in freedom of the press and freedom of attempting to find the truth. The question of how the PERCEIVED credibility of writers and publishers affects a written product is surfaced and the connection is (justifiably so) questioned. I thought the movie really showed how the written word is not judged by its content but rather by its environment, something that most people working in the literary profession would like to deny. And I wish Sanders Hicks all the best - he comes across as a very mature calm man despite his youthful antifa looks and behaviour.
At some point in the movie, I could not help but shake the feeling that writing truthfully about Bush was like a mummy's curse - which is rather eery considering that these are based on ancient myths and legends.
At some point in the movie, I could not help but shake the feeling that writing truthfully about Bush was like a mummy's curse - which is rather eery considering that these are based on ancient myths and legends.
The reviews spin this movie as a Bushies keeping the little man down documentary. It isn't. The movie never editorializes the way Michael Moore movies do. Heck, it didn't even have to be about politics at all as much as it attempts to explain why we are constantly reading how miserable the rich and famous are...
The movie is about a little guy that wanted to play with the big kids. Unfortunately, he got what he wanted. After writing several small time bios of people like Star Trek's Captain Picard, James Hatfield decides to hit the big time by writing a bio of then Governor George W. Bush. It worked -- for four days. The movie is about how an average, everyday guy reacts when the microscope of fame is turned back on him. Will he rise to the occasion and become a hero or be beaten down like a dog? Better yet, how would you react if all of your secrets were bared for all to see and judge? That's the question this movie explored for me.
The movie is about a little guy that wanted to play with the big kids. Unfortunately, he got what he wanted. After writing several small time bios of people like Star Trek's Captain Picard, James Hatfield decides to hit the big time by writing a bio of then Governor George W. Bush. It worked -- for four days. The movie is about how an average, everyday guy reacts when the microscope of fame is turned back on him. Will he rise to the occasion and become a hero or be beaten down like a dog? Better yet, how would you react if all of your secrets were bared for all to see and judge? That's the question this movie explored for me.
¿Sabías que…?
- ErroresTitle incorrectly states 7 November 2001 instead of 2000 as date of Presidential Election
- ConexionesFeatures 60 Minutes (1968)
- Bandas sonorasDeath to Muzak
Lyrics by Sander Hicks
Music by White Collar Crime
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