Chihwaseon

That's right. Ohwon (the painter and the main character) is an exceptional person. What strikes me most is the message this film might address to all of you people there. And the message is sad. It says that, it's very difficult to do anything that's amazing or maybe even genius without having to obey the governments, establishment and other VIPs of this world. And even if you try, you might not be able to bear it. It is about the battle of a single person with a system. With many systems.

A great film of this wonderful Korean director. Please see it if you do have an opportunity.

Not sure why the other comment on this film was so negative, but I loved this movie. I am a student of Asian art with a particular love of Korean art, culture and history. I thought this movie borough a very controversial and interesting character to life. Jang Seung-up is one of the (maybe the most) famous Korean artist and continues to be revered as a master. Given the tumult of the time in which he painted and his own conflicted nature, it is amazing that he produced so much work, in so many styles and with such skill. This movie honors his talent while taking a direct look at his erratic and somewhat self-destructive personality. The cinematography in MY opinion was beautiful, many of the outdoor panoramic shots looked like Korean landscape paintings (which I found a lovely conceit rather than "overly arty") and I think that Choi Min-sik portrayed Jang Seun-up with a necessary intensity and unpredictability. I would highly recommend this film to art lovers and movie lovers alike.

Wow, What a wonderful film-making! Mr. Im has done it, again!

His last work, ChunHayang (2000) was a great film, but this one is even greater. Selected as an official feature film in the Canne Festival for the second time in a two-year row, this 66 years old director is getting better and better at what he is making of with a Korean culture.

Simply, Chihwaseon is about a great Korean painter, '(Ohwon) JANG, Seung-Up' who was considered as a prodigy in the late Nineteenth century. The basic story of this film tells the life of Jang, Seung-up, and the historical background of his time. He was an orphan, but in his teens, he was picked up by a noble man, called, Kim, Byung-Moon. This Mr.Kim becomes a mentor of Jang as well as life-long friendship, and continues to support his great talent that he knew in the first place. With Jang's great effort and natural talent, his fame grows faster and faster as the strength of his country, Korea falls down.

Jang's personality portrayed in the film is very complicated, and one of the best actors in Korea, Choi, Min-sik goes deep inside of Jang's soul. Suffering eyes reveal the struggle of a great artist's life. He is very serious sometimes, but all of sudden, he changes to a wild maniac. He drinks like an alcoholic, and sleeps with courtesans anytime. Even, he said in the movie, "without an alcohol and a woman, I can't draw. (An alcohol and women are my only inspirations)" In the peak of the fame, to develope his own style, he travels all around the country, and never gives up his pride as an artist for the authority or money. I don't want to give out every details, but I think you surely did get some ideas about the film.

The most amazing thing about this film is a cinematography. It is just so breath-taking how they captured every beauty of landscapes. Yes, each scene is like a work of Jang's painting. And the script is perfect, too. It mainly deals a deeper meaning of what makes a true artist. For example, Kim advices to Jang in the movie that 'before one holds a paintbrush, one has to set an aim in life'. This is very moving and inspiring line, and there are many more.

Go See this Film if you are going to be in the Canne Festival.

Chihwasun will be the greatest film ever made that deals with the life of a painter in film history.

The fire gives all...

This is one of film's most masterful meditations on artistry. Set in 19th century Korea it tells the story of the famous painter Ohwon, but rather than stick to saucy anecdote, melodrama, or psychological egg hunting, it portrays a series of episodes throughout his life, all of which are beautiful works of art in themselves. It gives no interpretation of these episodes, but leaves them for the viewer to ponder along with the paintings of Ohwon himself. In this way, the viewer enters into the same sort of contemplation as Ohwon, and minus his talent can "feel" their way into the inspiration of his paintings.

Part of why this is so effective is the utterly masterful evocation of 19th century Korea and the musical/artistic world that Ohwon moved in. There are so many gorgeous shots of the world outside the paintings that we get a mirror effect where we see the beautiful world inspiring Ohwon, Ohwon living and looking in that world, and the works of art he creates, all mirroring off one another.

The story is told with extreme economy. A feeling evoked is hardly ever lingered with or explained, it just appears quickly then is gone for the next one to appear. As an analogy it is a sort of Mozartian work of art (endless and quick succession of great ideas) rather than Beethovinian (Obsessive lingering on one great idea). It has a classical restraint, much like Ohwon's paintings. There is really no music hinting how to feel except a few classical Korean pieces used with great effectiveness in several scenes (and mostly played by characters in the movie). One haunting image, if I remember correctly, is of a flock of birds soaring away over the blue mountains while a female singer croons

"This life is like a dream, and only death will awaken us"

One telling line of advice in the film, from one of Ohwon's teachers, is that "the painting lies between the strokes." The film follows that attitude as there is so much matter *between* what is spoken and described in the film. I have seen it twice and it was very rewarding on the second viewing. A very terse film, with little in the way of obvert explanation, one could see how it is Im's 96th film. It is an artistic masterwork. Like Ohwon's great friend and mentor tells him in describing one of his paintings, "Not a single stroke is wasted."

I compare it to Andrei Rubylev in quality, though in style it is very different. It is much easier and more directly entertaining to watch, but classical in form where Andrei is gothic.

All in all highly recommended to almost anyone except appetite junkies. Both times I left the film I felt a wonderful spiritual renewal.

One point of Ohwon's life that intruiged me was that his mad drinking and raving began suddenly after visiting the noble who told him that "Good art can come only from great knowledge and learning." The next brief scene Ohwon was very angry, and the next blasted drunk as he often remained for the remainder of the film. I am curious why the nobles words effected him so much and drove him to the drinking that dominated the rest of his life. Or was it just a coincidence?

What a movie! I have always liked the Asian style of shooting, and this movie does not disappoint at all! Photography is breath-taking, ranging from amazing landscapes to whirls of colours. The main actor is really realistic in representing the painter (whose paintings are astonishing). The ending is also very well chosen, very poetic. The only remark is that they should have maybe shown a bit more deeply the connection between his inspiration and his abuse of alcohol and women. But altogether this is an excellent film!