Un coche de carreras llamado Lightning McQueen es desviado en Radiator Springs, donde encuentra el verdadero significado de la amistad y la familia.Un coche de carreras llamado Lightning McQueen es desviado en Radiator Springs, donde encuentra el verdadero significado de la amistad y la familia.Un coche de carreras llamado Lightning McQueen es desviado en Radiator Springs, donde encuentra el verdadero significado de la amistad y la familia.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 28 premios ganados y 34 nominaciones en total
Cheech Marin
- Ramone
- (voz)
Tony Shalhoub
- Luigi
- (voz)
Guido Quaroni
- Guido
- (voz)
Jenifer Lewis
- Flo
- (voz)
Paul Dooley
- Sarge
- (voz)
John Ratzenberger
- Mack
- (voz)
- …
Jeremy Piven
- Harv
- (voz)
Opiniones destacadas
Pixar again shows us their superior skills in 3D animation and to a lesser extent this time, the storytelling. There is so much attention to detail, that you are left gazing at the screen in awe. The 2 hours races by, and afterwards you are left with the satisfaction of having just seen something quite unique and surreal.
It's a kids film of course, so there is little need to point out the predictable story elements - which exist in Cars more so than previous Pixar films such as The Incredibles. Cars is less daring, is safer in its approach. There are no surprising or wild deviations on the fairly straight road the story follows. But nevertheless, it's all very cool stuff, and the story is entertaining enough. Cars is a must see Pixar film - even if the visuals steal the show.
It's a kids film of course, so there is little need to point out the predictable story elements - which exist in Cars more so than previous Pixar films such as The Incredibles. Cars is less daring, is safer in its approach. There are no surprising or wild deviations on the fairly straight road the story follows. But nevertheless, it's all very cool stuff, and the story is entertaining enough. Cars is a must see Pixar film - even if the visuals steal the show.
"Cars didn't ride on it to make great time; they rode on it to have a great time."
It's not hard to make a successful movie. It's simple, really. Exceed my expectations. Make me feel. Force me to care. Deliver a somewhat clichéd message, but deliver it in such a way that the meaning resounds. Teach me the same lessons that your characters learn. And above all, entertain.
Pretty easy, right? Well, at least Pixar makes it look that way because with Cars they have once again succeeded.
I'll be honest; I had my doubts about the movie. How would they be able to take a story featuring nothing but vehicles, with nary a human in sight, and keep my interest for a full two hours? Animals are one thing, but could Pixar successfully master the personification of modes of transportation?
Yes, they could, and they did.
Thanks to Director Lasseter's strong attention to detail, going so far as to insist that the vehicles bend and gesture in ways that were true to their construction, every car and truck truly becomes a unique character and personality. And along with those characters and personalities comes a story which yes, contains a well-traveled theme, but it comes with so much charm that even Grouchy McKilljoy's hard little heart can't help but be warmed.
Don't worry if you're not a racing fan; I assure you it's not a requirement to enjoy the movie. I love watching muscle cars race the quarter mile (ask me about my '69 Camaro), but NASCAR doesn't do it for me. That's another aspect about the film that gave me pause. I once fell asleep at a NASCAR qualifying race, despite the 90-degree heat and ear-splitting decibel levels, so would Cars keep me awake and interested? Within five minutes my worries began to slowly subside as I happily settled in for the ride.
Animation should be about bringing imagination to life. Give us something that can't be done in live action. Cars does this so effectively that it almost seems a redundancy to comment on how Pixar continues to raise the CGI bar. The scenery on screen is awe-inducing to the point that it's getting harder to distinguish the real from the created. The filmmakers have gone so far as to perfect reflections in the cars and to pay careful attention to weeds growing out of cracks in the sidewalk. I don't see any way you could not be visually stunned.
But impressive visuals are little comfort if I'm not presented with a story that I care to follow. No problems there. If you're the kind of person who loves to go "awwwww" at movies then prepare to be satisfied. What I appreciate the most is that, at the risk of causing some youngsters to become restless, time and attention has been given to character and story development. Lasseter and his team stood their ground and resisted any pressure to trim this to a runtime more suitable to those with limited attention spans, and I thank them for it.
As I said earlier, Cars hit the starting line with a disadvantage. I didn't greet it with a warm smile. I crossed my arms, furrowed my brow, and dared it to prove my preconceived notions wrong.
It proceeded to exceed my expectations. It made me feel for its characters and forced me to care about McQueen's journey, both to California and to a different viewpoint on life. Sure, the "slow down and enjoy the scenery" message may seem a little routine, but it's a message I took to heart.
Immediately following the movie I was on the Internet looking up information regarding Route 66. I'm now ready for a road trip void of interstates and efforts to beat my best time. I feel like slowing down a bit and exploring the unknown. Give me the scenic route, and give me more finely-tuned, detailed movies like Cars. That's all I ask. Two hours of entertainment that make me care, even if briefly, about something other than myself and what goal has to be accomplished next.
See? It was simple, really. At least Pixar made it look that way.
It's not hard to make a successful movie. It's simple, really. Exceed my expectations. Make me feel. Force me to care. Deliver a somewhat clichéd message, but deliver it in such a way that the meaning resounds. Teach me the same lessons that your characters learn. And above all, entertain.
Pretty easy, right? Well, at least Pixar makes it look that way because with Cars they have once again succeeded.
I'll be honest; I had my doubts about the movie. How would they be able to take a story featuring nothing but vehicles, with nary a human in sight, and keep my interest for a full two hours? Animals are one thing, but could Pixar successfully master the personification of modes of transportation?
Yes, they could, and they did.
Thanks to Director Lasseter's strong attention to detail, going so far as to insist that the vehicles bend and gesture in ways that were true to their construction, every car and truck truly becomes a unique character and personality. And along with those characters and personalities comes a story which yes, contains a well-traveled theme, but it comes with so much charm that even Grouchy McKilljoy's hard little heart can't help but be warmed.
Don't worry if you're not a racing fan; I assure you it's not a requirement to enjoy the movie. I love watching muscle cars race the quarter mile (ask me about my '69 Camaro), but NASCAR doesn't do it for me. That's another aspect about the film that gave me pause. I once fell asleep at a NASCAR qualifying race, despite the 90-degree heat and ear-splitting decibel levels, so would Cars keep me awake and interested? Within five minutes my worries began to slowly subside as I happily settled in for the ride.
Animation should be about bringing imagination to life. Give us something that can't be done in live action. Cars does this so effectively that it almost seems a redundancy to comment on how Pixar continues to raise the CGI bar. The scenery on screen is awe-inducing to the point that it's getting harder to distinguish the real from the created. The filmmakers have gone so far as to perfect reflections in the cars and to pay careful attention to weeds growing out of cracks in the sidewalk. I don't see any way you could not be visually stunned.
But impressive visuals are little comfort if I'm not presented with a story that I care to follow. No problems there. If you're the kind of person who loves to go "awwwww" at movies then prepare to be satisfied. What I appreciate the most is that, at the risk of causing some youngsters to become restless, time and attention has been given to character and story development. Lasseter and his team stood their ground and resisted any pressure to trim this to a runtime more suitable to those with limited attention spans, and I thank them for it.
As I said earlier, Cars hit the starting line with a disadvantage. I didn't greet it with a warm smile. I crossed my arms, furrowed my brow, and dared it to prove my preconceived notions wrong.
It proceeded to exceed my expectations. It made me feel for its characters and forced me to care about McQueen's journey, both to California and to a different viewpoint on life. Sure, the "slow down and enjoy the scenery" message may seem a little routine, but it's a message I took to heart.
Immediately following the movie I was on the Internet looking up information regarding Route 66. I'm now ready for a road trip void of interstates and efforts to beat my best time. I feel like slowing down a bit and exploring the unknown. Give me the scenic route, and give me more finely-tuned, detailed movies like Cars. That's all I ask. Two hours of entertainment that make me care, even if briefly, about something other than myself and what goal has to be accomplished next.
See? It was simple, really. At least Pixar made it look that way.
This is EASILY the movie I've watched most in my life. Back when I was young, I would have this on repeat. My parents said I used to HAVE to watch this movie every day for a certain period of time or I would get mad. Well, until now, I hadn't seen it in like 6 years until now. It was just as I remember, and extremely nostalgic. I can't be bothered to wonder why this movie gets the hate that it does. In fact, it's one of the best Pixar films. Idk if the nostalgia is blinding me, but for me this was (so far) one of the better Pixar films. A great character arc for Lightning McQueen, an amazing redemption for Radiator Springs, just a magical movie. I will forever hold this movie close to me and never let go. Imo, this is one of THE movies.
Fun fact: I own all 36 original car action figures from the race at the beginning.
Fun fact: I own all 36 original car action figures from the race at the beginning.
Animated films are not my favorite genre and I am not a Nascar fan. I anticipated that I would reflect on the 2 hours in a movie theater as quality family time rather than quality entertainment but this movie had me hooked from the beginning. My kids did not have my background to understand Route 66 history but they didn't need it. The loved the film for other reasons. I lived in small towns where a day is fueled with hope of what might come over the horizon. I have actually been cow tipping and laughed at the tractor scenes. I really appreciate the part of the theme of a successful member of a younger generation listening to and profiting by the wisdom of someone older. Far too many children's shows revolve around a plot with stupid adults and the youth needing to save the world. This film perhaps restored, for me, a little faith in our entertainment industry. This is one movie the whole family really can enjoy. See this movie if for no other reason than to support the production of this type of message.
I read a write-up about Cars several months ago, so I was vaguely aware of it when a friend suggested we go see it today. I had no idea where the plot would lead, but figured a Pixar film was a good bet.
The film was marvelously rendered; several times I could have sworn I was watching real film footage instead of animation, especially scenes showing passing landscapes.
The characters were also cleverly drawn, with subtle touches viewers might or might not notice, such as goatees, mustaches, horns, and udders (I'll say no more about that - you'll have to find out for yourself) represented by various car or tractor parts.
Finally, the "Monument Valley" sort of landscape where the majority of the story takes place was a car lover's dream, where you could pick out parts of Tuckers, Deusenbergs, Packards, and Rolls Royces, carburetor filters, hood ornaments, and other automotive goodies.
Even if you're not a motor-head, the story is heartwarming, the characters are entertaining, and the humor keeps coming at you at all levels - kids to adults. I'll be getting the DVD because I know I'll have to watch it over and over to catch all the puns and "in" references.
I look forward to it already.
The film was marvelously rendered; several times I could have sworn I was watching real film footage instead of animation, especially scenes showing passing landscapes.
The characters were also cleverly drawn, with subtle touches viewers might or might not notice, such as goatees, mustaches, horns, and udders (I'll say no more about that - you'll have to find out for yourself) represented by various car or tractor parts.
Finally, the "Monument Valley" sort of landscape where the majority of the story takes place was a car lover's dream, where you could pick out parts of Tuckers, Deusenbergs, Packards, and Rolls Royces, carburetor filters, hood ornaments, and other automotive goodies.
Even if you're not a motor-head, the story is heartwarming, the characters are entertaining, and the humor keeps coming at you at all levels - kids to adults. I'll be getting the DVD because I know I'll have to watch it over and over to catch all the puns and "in" references.
I look forward to it already.
¿Sabías que…?
- TriviaThis was Paul Newman's last American feature film before his death of lung cancer in 2008. It turned out to be the highest-grossing movie of his career. George Carlin died of heart failure three months earlier. This was the highest-grossing film of his career as well.
- ErroresWhen Lightning McQueen wakes up in the impound yard, the boot is on the driver's side front tire. Mater hooks up to Lightning's rear to tow him in. He should have hooked to the front since one of front tires was incapacitated.
- Citas
Lightning McQueen: He's won three Piston Cups!
Mater: [spits out fuel] He did WHAT in his cup?
- Créditos curiososThe credits contain a dedication and retrospective of characters voiced by Joe Ranft, a Pixar writer who died in 2005.
- Versiones alternativasThe UK version features Top Gear (1978) host Jeremy Clarkson as the voice of Harv instead of Jeremy Piven. This version is also available worldwide as an audio track on Disney+.
- ConexionesFeatured in Siskel & Ebert & the Movies: Cars (2006)
- Bandas sonorasLife Is a Highway
Written by Tom Cochrane (as Thomas Cochrane)
Performed by Rascal Flatts
Produced by Dann Huff and Rascal Flatts
Recorded by Justin Niebank and Mark Hagen
Mixed by Justin Niebank
Rascal Flatts appear courtesy of Lyric Street Records
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Detalles
Taquilla
- Presupuesto
- USD 120,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 244,082,982
- Fin de semana de estreno en EE. UU. y Canadá
- USD 60,119,509
- 11 jun 2006
- Total a nivel mundial
- USD 461,996,328
- Tiempo de ejecución
- 1h 56min(116 min)
- Color
- Mezcla de sonido
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