La Trampa

Don't be fooled by everyone's comments on how horrible or how boring this movie is. Sure, if you are looking for an Academy Award-winning drama, you won't get what you wanting to see. I mean look at the star role! ITS OWEN Wilson. Some of his more recent films include Starsky and Hutch, Shanghai Knights, Royal Tenebaums, Zoolander, Meet the Parents, Shanghai Noon, I mean COME ON. As soon as I saw he was in it I knew it was a comedy, and I was expecting a not-so-great storyline and some "controversial" things being said. If you want to see a comedy, then see this movie.

I, went, expecting a comedy, got one, and I give it a 8 out of 10.

Jack Ryan (Owen Wilson) has a tendency for bad decisions and bad luck, including ending up on the wrong side of the law, so he's fled to Hawaii. Unfortunately, his luck is going just as badly there. He hits his boss, loses his job, and is thrown in jail. After he gets out, he sees Nancy Hayes (Sara Foster) and falls for her, even though she's the mistress of an island bigwig, Ray Ritchie (Gary Sinise), and then some. Together they hatch a scheme to rip-off Ritchie, but how many people are involved, and how?

Was it that this large, talented cast was just looking for a paid vacation in Hawaii? I've liked most of the cast's previous films--I've seen tens of them from each principal cast member, and think there have only been a few I would pan. I've liked all of the adaptations of writer Elmore Leonard's work that I've seen so far (although admittedly, I haven't seen anywhere near the majority). But The Big Bounce is just a big, boring mess. I haven't seen any of screenwriter Sebastian Guiterrez or director George Armitage's previous work, so maybe we can blame them.

The biggest problem is that nothing much happens in the film for over half of its length, and when something does happen (primarily at the very end of the film), it is so poorly constructed that it's not very clear what's going on. Most of the film is more of a realist drama about, well, nothing, where Armitage seems to have directed his cast to say all of their lines with bizarre pauses, like they're severe asthmatics, and where Guiterrez' dialogue seems to primarily consist of banalities and non-sequiturs. There were a few moderately funny bits (the break-in at the cop's house, Bob Jr. (Charlie Sheen) visiting Nancy at an awkward time), but even those weren't laugh-out-loud hilarious when they should have been, and more often than not the script's attempts at humor fell flat, as did its attempts at realistic dialogue, intrigue, and just about everything else.

The large cast is primarily wasted. The only person not cruelly underused is Owen Wilson, and Wilson seems to be at a loss with the material. There are some nice shots of scenery, even if a lot of them are composites. I also thought the soundtrack songs were okay to good.

I haven't read Leonard's book yet, but I can't imagine that it's as uneventful, dull and ultimately confusing as this film. Even if it were, surely a script could be constructed out of the material that gradually weaves the various main characters' threads in a compelling and humorous way, leading up to an exciting twist ending. But such a script isn't to be found here.

Even if you're a big fan of the cast or Leonard, The Big Bounce is only worth watching to demonstrate that talented ingredients will not necessarily produce a successful film.

Considering the cast and the fact that it was an Elmore Leonard adaptation, I wanted to see this flick. However, it was disappointing. The film (though very small) moved at an extremely lethargic pace with hardly anything happening (except in the last 5 minutes or something). I haven't read Leonard's book so I can't comment on how fair it was to the script. There isn't much of a story as pretty much nothing happens in more than half the movie. The non-compelling ending is very badly written and we are left to figure out the plot holes. Why just the ending, the whole film is boring. The dialogues are, now I don't use this word often but, lame. A few funny moments include the breaking in the cops house, the fight between Sheen and Wilson while the girl watches.

Sadly, the cast has been wasted. Wilson and Foster have no chemistry. Being a talented actor, Wilson deserves a better movie. Poor Morgan Freeman hardly has anything to do except utter a few wise (not really) words. Sheen and Sinise have insignificant roles. Newarth springs a surprise but is hardly there. Foster is alright.

On the flip side, the cinematography gives us a wonderful tour through exotic Hawaii. It makes me want to go there and at times, I thought maybe the director and cast just happened to be there on holiday and decided to make a film. The soundtracks quite okay too. Thankfully it's a short film too so one not need to suffer too much. Even to fans of the cast and Leonard, this will be a disappointment.

"The Big Bounce" is not a boring film, but it is certainly unremarkable. It is too often the case that the film feels like a six-episode television series that has been scrapped and then condensed down into a 100 minute feature. It is rich in character diversity and snappy put-downs; overflowing with a sense of people coming and going in and out of one another's universes that can often be refreshing and is laden with micro-narratives pertaining to heists; betrayals and collapsing marriages, but there is no finished product – no substance to really sink one's teeth into.

Owen Wilson plays Jack Ryan (no, not that one) – a handsome conman who has served time for his petty crimes but now lies low on a Hawaiian island and works on a construction site. He's cool; calm and amusing. When he breaks the law, in infiltrating the glamorous surroundings of a beach house hosting a pool party so as to nab a couple of hundred in notes to tide himself over, he does it in such a way that we cannot quite hate him for it.

Ryan lands himself in some trouble when he clobbers a foreman with a baseball bat following an altercation on his work-site that involves protesters unhappy at the desecration of their lands to make way for a new hotel. Fired, and told menacingly by the henchman (played by Charlie Sheen) of his ex-boss that he should leave the island, he finds solace in working as a handyman for Morgan Freeman's district judge Walter Crewes on a small holiday-camp he runs on the side.

It is around this time that he meets Nancy (Sara Foster), a blonde twenty-something beach-bimbo with a backstory of city-based exotic dancing and a fetish for criminality – not a dangerous girl, but one who is fast and loose and too pretty for Ryan to turn away from when she demonstrates an interest in him. The reason for this is, of course, that he himself has a penchant for criminality, albeit petty burglaries. The relationship occupies the bulk of the film's middle third – Nancy, already having an affair with the chap who wants to build that hotel, is thus able to garner access to yachts and luxury villas otherwise off-limits where the endless teasing; flirting and talking plays out.

Sadly, there is no real substance to this core relationship: Nancy is turned on by criminals and Jack commits crimes. Elmore Leonard, author of the novel from many years earlier upon which the film is based, would later bring a character similar to Jack Ryan together with a federal marshal in "Out of Sight" – two binaries that should repel but who eventually come to attract. Rum Punch, later adapted as "Jackie Brown", possessed at the core of it a far tougher love story to bring to life between the eponymous Brown and Max Cherry.

Eventually, Nancy digs out that the man to whom she plays mistress possesses the sum of $200,000 nearby – located, as it happens, in a safe in one of these luxurious homes he owns. She hits upon the idea that they could steal it, but Ryan already has an angry foreman in a neck-brace out for payback; an on-off criminal accomplice in the form of Frank (Gregory Sporleder) saying he needs $1500 to pay off some bad people and a job to hold down for Crewes who has his own plans for Ryan...

The film is not remarkably well made – it is bouncy in that way "Get Shorty" and "Jackie Brown" are without ever being frivolous, but does not amount to the satisfying experience those films were. We are provided with endless shots of surfers to transist between scenes, while the close ups of the rolling white waves as they crash into the beach as Nancy and Jack make love is just clumsy. On one occasion, there is a particularly silly sequence whereby Nancy nips back and forth between the first and ground floors of a house to appease Jack and another male visitor (with whom she is additionally having an affair) without the other knowing either of them is present.

There is a certain style and a certain logic to the film, although I am perplexed as to why one character seems to spend the duration of the film trying to talk Ryan out of doing something which is crucial to a plan of his own that he has up his sleeve for later on. When all is said and done, this is tough to recommend as both a genre piece and as a standalone accomplishment.

This is one of those movies that will slip through the cracks, but it's really not "bad". It's actually pretty GOOD, right up until... it doesn't have an ending. The ending seems to imply yet another twist - but it makes NO sense, and leaves more questions than it answers. The ending seems like they ran over-budget or over-time, and just stopped. The ending, it must be warned, SUCKS.

Maybe they couldn't afford a real ending; but the movie is pretty good up until then. It's a fun ride to a dead-end. Morgan Freeman settles into his part like he'd been waiting for it. Gary Sinise has a stifled role, but delivers his lines beautifully. Charlie Sheen is very nearly perfect as a slightly-dim, slightly confused henchman, and playing subtly against-type. Bebe Neuwerth appears as a boozy wife and gives far more to the part than is on the page, also against type, and perfectly-acted. Vinnie Jones stands-out too...

This movie could NOT fail - but it does. When it ends, you want to kick someone - the director or producers or studio financiers - for stopping what COULD have been so great! This movie has a painfully tiny scene with Willie Nelson and Harry Dean Stanton playing dominoes... I'm only a fan and don't know him personally, but I just KNOW that Elmore Leonard himself would stop any plot just to listen-in and watch to listen to those two guys play dominoes!

Owen Wilson is actually quite brilliant with the intricacies of the Elmore-dialogue that survive in the script! Don't say I'm wrong until you watch his scenes with Morgan Freeman in this movie. NOBODY was carrying anyone, and that's the truth. See the scenes with Charlie Sheen too - and there's a bouncing something there they keep between them. Someone on IMDb wrote "Charlie Sheen looks fat and stupid and like an ass" or something equally blind. What he DOES is play a different kind of self-effacing part, a *character* a bit of a boob - but also good and a bit "whipped" - do yourself a favor, and watch how NOT "Charlie-Sheen" he plays it - you might recognize a thing they call "acting".

Ahem, Sara Foster was the femme fatal, and the camera followed her far too much. She's gorgeous and who can blame the camera, and she gave a perfectly creditable performance; really, she was fine. Given something over a dozen better actors constantly on-hand (and the seeming final plot!) her time could have been cut a bit... but with this cast, and the first 80 minutes, this really could have been GREAT. Ignore it as the Sara Foster swimsuit video. There are some great performances hidden here. See this movie, and pretend the sequel is coming - or something.

Or don't see it - because you'll just wish it ended better.

As a shaggy-dog-story, this should end with a punchline. I'll end it the way movie ends instead, with build-up and seeming logic and then just stopping.