CALIFICACIÓN DE IMDb
5.7/10
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TU CALIFICACIÓN
Justo antes de la boda de su hija, un podólogo afable descubre que el padre de su futuro yerno es un espía internacional.Justo antes de la boda de su hija, un podólogo afable descubre que el padre de su futuro yerno es un espía internacional.Justo antes de la boda de su hija, un podólogo afable descubre que el padre de su futuro yerno es un espía internacional.
- Dirección
- Guionistas
- Elenco
A. Russell Andrews
- Agent Will Hutchins
- (as Russell Andrews)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Steven Tobias (Two Time Oscar-Winner:Michael Douglas) is a CIA Operative, who's pretends to be an international armed dealers to the European Bad Guys. But he has a tough week, when his only son (Ryan Reynolds) is getting married in a couple of days to his sweet girlfriend (Lindsay Sloane). But he hasn't meet his son's girlfriend or her father Jerry Peyser (Albert Brooks) and his wife Katherine (Maria Ricossa). Now Steven has to make up for lost time for his son and his new family in-laws. But the problem is that Steven is still working undercover, when he takes them to a Chinese Restaurant. When Jerry goes to the bathroom, he overhears Steven talking to a informer (Tamara Gorski) and seeing Steven fighting with a guy, who has a gun. Now Jerry finds himself in hot water, when Steven is forced to protect Jerry from the bad guys and especially the FBI. Which the FBI Agents (Lead by A. Russelll Andrews) thinks Tobias is a rogue agent. Now Jerry has to play along with Steven. Steven wants Jerry to pretend to be an assassin as "The Fat Cobra" to impress a french terrorist (David Suchet). But this french bad-guy has a secret about his sexuality and he tries to put the moves on Jerry! Now Steven and Jerry are forced to get along as the wedding is coming soon. Which they have to accept each other differences for their kids and being future in-laws as well.
Directed by Andrew Fleming (The Craft, Dick, Nancy Drew) made an amusing comedy that has plenty of laughs and an heart as well. This is a remake of the well-remember 1979 film, a movie that i haven't seen yet. Douglas and Brooks are excellent in this movie, which sadly it was an Box Office disappointment. When it was release in the spring of 2003. Which it's too bad, because this movie is certainly more enjoyable than the average Hollywood comedy. The cast seems to be having a great time including Robin Tunney and Candice Bergen, who have their own funny moments as well. But it's Suchet is the biggest scene stealer in the movie, along with Douglas and Brooks. Suchet is the funniest character in the picture in his memorable supporting role. The soundtrack is good as well. If you are a fan of Fleming's work or especially that cast, don't miss it. Watch for some amusing cameos as well. Screenplay by Nat Mauldin (Downtown, Dr. Dolittle, Open Season) and Ed Solomon (Bill and Ted's Excellent Adventure, Men in Black, Super Mario Bros). Based on a screenplay by Andrew Bergman (Blazing Saddles, Fletch, Striptease). (****/*****).
Directed by Andrew Fleming (The Craft, Dick, Nancy Drew) made an amusing comedy that has plenty of laughs and an heart as well. This is a remake of the well-remember 1979 film, a movie that i haven't seen yet. Douglas and Brooks are excellent in this movie, which sadly it was an Box Office disappointment. When it was release in the spring of 2003. Which it's too bad, because this movie is certainly more enjoyable than the average Hollywood comedy. The cast seems to be having a great time including Robin Tunney and Candice Bergen, who have their own funny moments as well. But it's Suchet is the biggest scene stealer in the movie, along with Douglas and Brooks. Suchet is the funniest character in the picture in his memorable supporting role. The soundtrack is good as well. If you are a fan of Fleming's work or especially that cast, don't miss it. Watch for some amusing cameos as well. Screenplay by Nat Mauldin (Downtown, Dr. Dolittle, Open Season) and Ed Solomon (Bill and Ted's Excellent Adventure, Men in Black, Super Mario Bros). Based on a screenplay by Andrew Bergman (Blazing Saddles, Fletch, Striptease). (****/*****).
A new "odd couple" is born with a new spy-film twist.
Michael Douglas is Stephen Tobias, a rugged deep-cover CIA agent, who focuses more on his work that his life with his son, Mark (Ryan Reynolds) or his now ex-wife, Judy (Candice Bergen).
It turns out that Mark is about to get married to beautiful Melissa (Lindsay Sloane) but has yet to meet Mark's parents. Mark assures her that is a good thing. But Melissa's parents, Jerry (Albert Brooks) and Katherine (Maria Ricossa) insist on meeting at least Mark's father.
During the first meeting between Mark's father and Melissa's parents, mild-mannered foot-doctor Jerry stumbles in on one of Stephen's spy plans and finds himself swept up in Stephen's mess on the eve of his daughter's nuptials. How will this revelation effect the up-coming marriage and will the two fathers live long enough to get back to the wedding?
"The In-Laws" is one of the biggest surprises I have seen this year. I never thought in a million years that this film would be as funny as it is. The odd pairing of Brooks and Douglas pays off tenfold. Their odd pairing and hilarious antics made me think some of the classic film, "The Odd Couple". The film also reminded me a little of the 80s comedy, "Real Men" because of its off-beat way of bringing the audience into the story.
Brooks hasn't been this funny in years. His neurotic schtick, which is probably more famous when played by Woody Allen, gives his character such innocence. There were so many priceless moments involving Brooks and how he relates to the spy-world.
Douglas seems to have journeyed back to his Jack Colton character, which he played in "Romancing the Stone". There is definitely some of Colton in Tobias. You can really see it when Douglas allows Tobias to put his guard down. That was always the funniest part of Colton and it is the same for Tobias.
Another great thing about this film is the caliber of people who are in the cast. You have some great upcoming comedy actors like Reynolds and Sloane and on the other side veterans like Bergen and Brooks. I wanted to see more of Reynolds since he is such a great comedic find. I have high expectations for that guy. I also really enjoyed Sloane when she was in the short-lived WB series, "Grosse Pointe". I so miss that series. She to has a great potential to be more if given the chance in comedy.
This film knows where its strengths are and it continues the laughs over and over. I just wish we could have had more time with the supporting cast.
The film also has some interesting uses of music in its soundtrack. For instance the opening scenes involving Michael Douglas escaping from one of his spy missions involves a great car chase and a gun battle but the whole scene's overture is accented by Paul McCartney's infamous James Bond theme, "Live & Let Die". It is a great addition as it seems to help build the spy feeling of the scene. Throughout the film there are interesting musical additions, which help put interesting slants and accents on the various scenes.
"The In-Laws" was such a surprise and is by far the funniest movie I have seen this year, thus far. (4 out of 5) So Says the Soothsayer.
Michael Douglas is Stephen Tobias, a rugged deep-cover CIA agent, who focuses more on his work that his life with his son, Mark (Ryan Reynolds) or his now ex-wife, Judy (Candice Bergen).
It turns out that Mark is about to get married to beautiful Melissa (Lindsay Sloane) but has yet to meet Mark's parents. Mark assures her that is a good thing. But Melissa's parents, Jerry (Albert Brooks) and Katherine (Maria Ricossa) insist on meeting at least Mark's father.
During the first meeting between Mark's father and Melissa's parents, mild-mannered foot-doctor Jerry stumbles in on one of Stephen's spy plans and finds himself swept up in Stephen's mess on the eve of his daughter's nuptials. How will this revelation effect the up-coming marriage and will the two fathers live long enough to get back to the wedding?
"The In-Laws" is one of the biggest surprises I have seen this year. I never thought in a million years that this film would be as funny as it is. The odd pairing of Brooks and Douglas pays off tenfold. Their odd pairing and hilarious antics made me think some of the classic film, "The Odd Couple". The film also reminded me a little of the 80s comedy, "Real Men" because of its off-beat way of bringing the audience into the story.
Brooks hasn't been this funny in years. His neurotic schtick, which is probably more famous when played by Woody Allen, gives his character such innocence. There were so many priceless moments involving Brooks and how he relates to the spy-world.
Douglas seems to have journeyed back to his Jack Colton character, which he played in "Romancing the Stone". There is definitely some of Colton in Tobias. You can really see it when Douglas allows Tobias to put his guard down. That was always the funniest part of Colton and it is the same for Tobias.
Another great thing about this film is the caliber of people who are in the cast. You have some great upcoming comedy actors like Reynolds and Sloane and on the other side veterans like Bergen and Brooks. I wanted to see more of Reynolds since he is such a great comedic find. I have high expectations for that guy. I also really enjoyed Sloane when she was in the short-lived WB series, "Grosse Pointe". I so miss that series. She to has a great potential to be more if given the chance in comedy.
This film knows where its strengths are and it continues the laughs over and over. I just wish we could have had more time with the supporting cast.
The film also has some interesting uses of music in its soundtrack. For instance the opening scenes involving Michael Douglas escaping from one of his spy missions involves a great car chase and a gun battle but the whole scene's overture is accented by Paul McCartney's infamous James Bond theme, "Live & Let Die". It is a great addition as it seems to help build the spy feeling of the scene. Throughout the film there are interesting musical additions, which help put interesting slants and accents on the various scenes.
"The In-Laws" was such a surprise and is by far the funniest movie I have seen this year, thus far. (4 out of 5) So Says the Soothsayer.
What do you get when you put a neurotic Jewish foot doctor from New York together with a CIA agent on a case to bust an arms-smuggling ring? And then have their kids get married? You get Albert Brooks and Michael Douglas as `The In-Laws', a remake of a film by the same name from 1979. Unfortunately, the marriage of these two actors doesn't seem as compatible.
Both movies follow essentially the same plot line: the daughter of a conservative and traditional family man from New York is about to marry the son of a CIA agent who happens to be in the midst of cracking a huge international case wide open. When things go inadvertently awry, the fun begins as the doctor gets caught up in the scheme and almost blows the whole thing, and gets himself and his soon-to-be in-law killed at the same time.
What made the original movie work is precisely what failed about the current version: the movie is not supposed to be about the `sting', it's supposed to be about the relationship between the neurotic in-laws. In the case of the doctor, Albert Brooks is perfectly cast as the doctor/father, blundering and fearful exactly as you expect him to be, as he faces everything from near death to being in a hot-tub with a dangerous (and gay) arms dealer. He eventually learns to ease his anxiety and deal with his situation, just like his predecessor, Alan Arkin, did in the original film.
The problem with the film has more to do with Michael Douglas' role. Unlike his predecessor, Peter Falk, Douglas is far too polished. The role of Steve Tobias is supposed to be that of a quirky, unassuming and somewhat innocent but lovable guy, much the character Falk made famous in his series, `Columbo.' With Tobias, you never really know whether his stories are true, or if he can be trusted, or even if he knows what he's doing. This would drive anyone nuts if they were in a tight situation with this guy, and Falk was made for this role. Douglas, however, is quite the contrary. He's not nuts enough he can't be; that's just not him. He's too good looking. In the original film, you never really knew if Tobias was a CIA agent till quite close to the end of the film, whereas the new film makes only one half-hearted attempt at hiding the fact, but it doesn't really fool anyone. Because of how poorly Douglas was cast, and how too many quirky aspects of the film were replaced by high-tech effects and more modern and threatening villains, there is no chemistry between anyone to carry the movie.
On the positive side, `The In-Laws' certainly had its share of comedic lines, and I found myself laughing far more often than the movie deserved to be laughed at. But that's me. I love Albert Brooks, and I make no apologies or excuses for being easily amused. That said, I left the film disappointed. In fact, so much so, that I rented the original film again, just to enjoy it one more time. Not that I want to turn this into a video review, but it should be noted that the original 1979 version is well-worth seeing, especially if you were a Columbo fan.
Both movies follow essentially the same plot line: the daughter of a conservative and traditional family man from New York is about to marry the son of a CIA agent who happens to be in the midst of cracking a huge international case wide open. When things go inadvertently awry, the fun begins as the doctor gets caught up in the scheme and almost blows the whole thing, and gets himself and his soon-to-be in-law killed at the same time.
What made the original movie work is precisely what failed about the current version: the movie is not supposed to be about the `sting', it's supposed to be about the relationship between the neurotic in-laws. In the case of the doctor, Albert Brooks is perfectly cast as the doctor/father, blundering and fearful exactly as you expect him to be, as he faces everything from near death to being in a hot-tub with a dangerous (and gay) arms dealer. He eventually learns to ease his anxiety and deal with his situation, just like his predecessor, Alan Arkin, did in the original film.
The problem with the film has more to do with Michael Douglas' role. Unlike his predecessor, Peter Falk, Douglas is far too polished. The role of Steve Tobias is supposed to be that of a quirky, unassuming and somewhat innocent but lovable guy, much the character Falk made famous in his series, `Columbo.' With Tobias, you never really know whether his stories are true, or if he can be trusted, or even if he knows what he's doing. This would drive anyone nuts if they were in a tight situation with this guy, and Falk was made for this role. Douglas, however, is quite the contrary. He's not nuts enough he can't be; that's just not him. He's too good looking. In the original film, you never really knew if Tobias was a CIA agent till quite close to the end of the film, whereas the new film makes only one half-hearted attempt at hiding the fact, but it doesn't really fool anyone. Because of how poorly Douglas was cast, and how too many quirky aspects of the film were replaced by high-tech effects and more modern and threatening villains, there is no chemistry between anyone to carry the movie.
On the positive side, `The In-Laws' certainly had its share of comedic lines, and I found myself laughing far more often than the movie deserved to be laughed at. But that's me. I love Albert Brooks, and I make no apologies or excuses for being easily amused. That said, I left the film disappointed. In fact, so much so, that I rented the original film again, just to enjoy it one more time. Not that I want to turn this into a video review, but it should be noted that the original 1979 version is well-worth seeing, especially if you were a Columbo fan.
I wasnt excepting a good movie after seeing it flop and the boxoffice and hearing the reviews that people saying about the movie. But I personally loved it. Its a cute little movie that deserves much more credit then it got. I recommend this movie to everyone. I give this 4/5 stars
A remake of the original 1979 cult classic, 'The In-Laws' is A Decent Entertainer, that doesn't bore. Sure, it's not all-out funny & gripping, but it arrests your attention & provides fair entertainment nevertheless.
'The In-Laws' Synopsis: Right before his daughter's wedding, a mild-mannered foot doctor discovers that his new in-laws are international smugglers.
'The In-Laws' has its moments for sure. In the first-hour, especially, there are some really nice sequences. The second-hour, does lose pace, but it doesn't drag, thankfully. The Screenplay is fast-paced, but it could've been tighter in the second-hour. Andrew Fleming's Direction is fair. Cinematography & Editing are functional.
Performance-Wise: Michael Douglas & Albert Brooks deliver superbly. Both of the veteran actors, also share a striking on-screen chemistry from start to end. Ryan Reynolds is passable. Lindsay Sloane is good. Robin Tunney does fairly well. Maria Ricossa & Candice Bergen support well.
On the whole, 'The In-Laws' is a decent watch.
'The In-Laws' Synopsis: Right before his daughter's wedding, a mild-mannered foot doctor discovers that his new in-laws are international smugglers.
'The In-Laws' has its moments for sure. In the first-hour, especially, there are some really nice sequences. The second-hour, does lose pace, but it doesn't drag, thankfully. The Screenplay is fast-paced, but it could've been tighter in the second-hour. Andrew Fleming's Direction is fair. Cinematography & Editing are functional.
Performance-Wise: Michael Douglas & Albert Brooks deliver superbly. Both of the veteran actors, also share a striking on-screen chemistry from start to end. Ryan Reynolds is passable. Lindsay Sloane is good. Robin Tunney does fairly well. Maria Ricossa & Candice Bergen support well.
On the whole, 'The In-Laws' is a decent watch.
¿Sabías que…?
- TriviaThe last name of the bride's family is Peyser. Penny Peyser played the bride in the original No disparen, soy dentista (1979).
- ErroresA submarine never would be able to get into the Great Lakes undetected, as Lake St. Clair's deepest point is 27 feet. The conning tower would be exposed the entire way.
- Citas
Steve Tobias: This wedding is going to be as normal as butter on mashed potatoes.
- Créditos curiososAs the end credits start, the camera moves out over the water. After a while, Angela Harris (Robin Tunney) is seen waving and calling for help.
- ConexionesFeatured in Multiple Takes with Albert Brooks (2003)
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- How long is The In-Laws?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The In-Laws
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,453,431
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,319,848
- 25 may 2003
- Total a nivel mundial
- USD 26,891,849
- Tiempo de ejecución1 hora 38 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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