The Stabilizer

This film is extreme fun, I've seen with my friends so many times that the VHS tape is badly worn. Luckily Troma has released this gold nugget on DVD.

What I've noticed about "The Stabilizer" is that there are "homages" to other movies. The scene where the Stabilizer is taken captive to meet Victor at a pool house is exactly like a scene from the James Bond film "For Your Eyes Only". And the picture of The Stabilizer in the death scene of the girlfriend looks very much like the poster from "Cobra", starring Sylvester Stallone.

Some gems in the movie:

The guy that says "babyyy, babyyy" and eats a lizard. The shot of what looks like the asscrack but actually is the armpit. The "Location Map".

I recommend "The Stabilizer" to everyone who likes action and insane violence. Two thumbs up!

Professor Provost has invented a "Narcotics Detector",so he is kidnapped and tortured by Indonesian crime boss Greg Rainmaker.It's up to American super cop Peter Goldson aka The Stabilizer to stop his violent reign.Actually The Stabilizer's past is quite traumatic,because his fiancée was raped and stomped to death by Greg Rainmaker.Teaming up with a local officer and two female assistants The Stabilizer begins bloody revenge towards Greg Rainmaker and his ruthless cohorts of petty criminals...Extremely over-the-top and cheap action flick from Arizal.The amount of violence is simply insane.The performances are flat,the one-liners are endlessly quotable and there are even two scenes of lizard munching.If you are a fan of "Deadly Prey" or Cirio Santiago's mindless action flicks give "The Stabilizer" a shot.8 shoot outs out of 10.

I saw this flick way back in the late 80s on a rented vhs. Revisited it recently. Its an over the top cheesy action entertainment. During the era of Schwarzenegger, Stallone, Willis, JCVD, Seagal, etc there was the curly, greasy, poor man's Stallone, Peter O'Brian aka The Stabilizer.

Check out the clothes n the hairstyle man. The Stallone/Cobra look-a-like picture (fishnet tshirt) is priceless man. The villain spitting on it is even better.

A guy on a motorcycle flying through a window, unique way of breaking into someone's home. Motorcycles breaking concrete walls, tires of motorcycles hitting people's head like footballs.

There are fists, feet and arrows flying by. God bless the 80s for such over the top action flicks n for the immediate love making scenes.

The Stabilizer fights tons of thugs with machine guns, dodges torpedoes, dodges bullets, he can scuba dive, he can even fight with his hands tied behind his back. But the best is the chopper sequence. U have to see it to laugh out loud. This movie is non- stop action. The barrel bouncing off of the head, the tires bouncing the head, hero shooting while keeping his arm tilted, etc Did I forget to mention the spiked shoes. The acting n dialogues r atrocious but the action nailed it.

The film is laden with atrocious 80s clothing. Ill fitting blazers, loose shirts, curly mullet hair, triangle shaped earrings, the actress' orange dress n her kicks r a big lol.

It has more car chase, car mayhem, car plunging into lake, explosions, etc than a Michael Bay film.

Was the arm pit scene which resembled buttocks' cleavage done on purpose?

The music during the smooch scene is epic. The film has a man who eats lizards, villain's henchmen wearing sleeveless without having any biceps.

How the mohawk haircut villain's henchman escapes during a fight sequence is beyond me. The film is full of empty cartons, huge empty boxes n hell lottuva empty drums. The empty drums r kept for a purpose by the director. It comes handy to the hero during a fire escape.

What's the most violent movie of all time? Rambo III? Commando? Robocop? Add these three very violent together, and you still won't equal the carnage in The Stabilizer, the wildest, silliest, craziest action movie I have ever seen. For one hundred minutes things blow up and people die in dozens of strange ways. It will make you laugh and cheer, and when it's all over you'll be more than a little exhausted. This movie is a buried gem, a cult classic sadly lacking a cult.

The Stabilizer is the nickname of our hero Peter Goldson (Peter O'Brian), a large oily man with a curly mullet. He arrives in Indonesia on the trail of the villainous and mean Greg Rainmaker. We know he is evil because he is only referred to by his full name ("I hate SCUM like Greg RAINmaker!") and utilizes a method of killing that is so horrible I can't even utter it here. Wait, yes I can. He steps on people in spiky shoes. Greg Rainmaker: Cleat Killer.

When Greg Rainmaker isn't pouring alcohol on women for their sexual pleasure, he's kidnapping important professors and heading a huge underworld empire. It's up to Goldson (A Jewish action hero? Gevalt!) and his motley crew of sidekicks to stabilize the situation by killing everyone and blowing lots of stuff up. Maybe "stabilize" has a different meaning in Indonesia.

And the violence, oh the violence. This is a film unwilling, nay, uncapable, of letting five minutes of screen time go by without some sort of explosion, knifing, car crash, or squib interrupting the dialogue. The violence is extreme; not graphic and bloody, just really weird. For example, The Stabilizer & company invade one of Rainmaker's warehouses (by driving through a solid concrete wall on a motorcycle, of course). When perched on the balcony, with heavy fire coming from below, The Stabilizer does the one thing he can do. He drives off the balcony into the guy's head, his front tire bouncing off it like a basketball. Astounding.

From the overly-gratuitous love scenes (Both major female characters hop in the sack with the hero of their choice not two minutes after they speak to them alone for the first time) to the poorly dubbed dialogue ("Victor, you talented bastard!") The Stabilizer has it all. This is a film for the ages, right up there with Citizen Kane and Gymkata. It is not widely available in release. If you find it anywhere for any price, buy it and relish the insanity.

I would like to start by saying I can only hope that the makers of this movie and it's sister film The Intruder (directed by the great unheralded stylist auteur that is Jopi Burnama) know in their hearts just how much pleasure they have brought to me and my friends in the sleepy north eastern town of Jarrow.

From the opening pre credit sequence which manages to drag ever so slightly despite containing a man crashing through a window on a motorbike, the pitiless destruction of a silence lab, the introduction of one of the most simultaneously annoying and anaemic bad guys in movie history and costume design that Jean Paul Gautier would find ott and garish. Make no mistake; this is a truly unique experience. Early highlight - an explosion (get used to it, plenty more where that came from!) followed by a close up of our chubby heroine and the most hilarious line reading of the word "dad" in living memory. And then... the theme song...

Yeah, this deserves its own paragraph. Sung by AJ, written by people who really should wish to remain anonymous, it makes the songs written for the Rocky films sound like Schubert. This is crap 80's hero motivation narcissism at an all time high, with choice lyrics such as "its only me and you, its come down to the wire" and much talk of having to "cross the line" (it'll make sense in time - our hero cares little for the boundaries of bona fida police work) abounding. Not to mention the Indonesian Supremes cooing the film's title seductively. At this point anyone wishing to switch off officially has no pulse.

Our hero is Semitic cop Peter Goldson (essayed brilliantly by Intruder star Peter O'Brien), the "stabilizer" of the title. The man's bull in a china shop approach to crime fighting and particularly his less than inconspicuous undercover work truly leaves much to be desired, but he is without question an entertaining guide through the mean streets of downtown Jakarta, with local sleaze ball connection Captain Johnny in tow, as well as Peter's own waste of space partner in fashion crime Sylvia Nash, who does little. So many highlights, so little time - the "slide please" arrogance of Peter's not all too convincingly argued case against chief baddie Greg Rainmaker (Intruder fans will know hirsute slimy bastard Craig Gavin as the monstrous John White - helluva name eh? No! Oh well...), the x marks the spot location map stupidity, our hero taking horrible advantage of heroine Tina Probost during a moment of weakness on her behalf, the latter turning up at a sting operation dressed like a member of a particularly flamboyant dancing troop. And believe me that barely covers it.

There wasn't even time to go into the plot revolving around the hunt for a drug detection system and a kidnapped professor with an alarming but commendable amount of national pride. Or our hero turning up at a funeral dressed as if an extra on Boogie Nights. Or the absolutely hysterical craic between Captain Johnny and Goldson - two guys have never made more heavy weather of buddy buddy shtick than these clowns. The trowel was possibly too subtle me thinks.

Ah it tails off people, and you never thought scenes of wanton destruction and general mayhem could be so unbelievably boring, but the character interaction is stupendous, the dialogue truly priceless and the incompetence on show somehow endearing. Oh and the shoes people - watch out for the shoes!