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IMDbPro

Imagining Argentina

  • 2003
  • R
  • 1h 47min
CALIFICACIÓN DE IMDb
6.1/10
3.6 k
TU CALIFICACIÓN
Antonio Banderas and Emma Thompson in Imagining Argentina (2003)
DramaRomanceThriller

Un hombre tiene el poder de ver el destino de las personas desaparecidas, con la excepción de su propia esposa amada.Un hombre tiene el poder de ver el destino de las personas desaparecidas, con la excepción de su propia esposa amada.Un hombre tiene el poder de ver el destino de las personas desaparecidas, con la excepción de su propia esposa amada.

  • Dirección
    • Christopher Hampton
  • Guionistas
    • Lawrence Thornton
    • Christopher Hampton
  • Elenco
    • Antonio Banderas
    • Emma Thompson
    • Rubén Blades
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    3.6 k
    TU CALIFICACIÓN
    • Dirección
      • Christopher Hampton
    • Guionistas
      • Lawrence Thornton
      • Christopher Hampton
    • Elenco
      • Antonio Banderas
      • Emma Thompson
      • Rubén Blades
    • 44Opiniones de los usuarios
    • 21Opiniones de los críticos
    • 27Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Fotos26

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    + 18
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    Elenco principal78

    Editar
    Antonio Banderas
    Antonio Banderas
    • Carlos Rueda
    Emma Thompson
    Emma Thompson
    • Cecilia Rueda
    Rubén Blades
    Rubén Blades
    • Silvio Ayala
    Irene Escolar
    Irene Escolar
    • Eurydice
    Fernando Tielve
    Fernando Tielve
    • Orfeo…
    Héctor Bordoni
    • Pedro Augustín
    Maria Canals-Barrera
    Maria Canals-Barrera
    • Esme Palomares
    • (as Marí'a Canals)
    Leticia Dolera
    Leticia Dolera
    • Teresa Rueda
    Anthony Diaz-Perez
    • Policeman 1
    • (as Anthony Díaz Pérez)
    Luis Antonio Ramos
    Luis Antonio Ramos
    • Policeman 2
    Carlos Kaniowsky
    Carlos Kaniowsky
    • Rubén Mendoza
    • (as Carlos Kaniowski)
    Stella Maris
    • Concepta Madrid
    Concha Hidalgo
    Concha Hidalgo
    • Octavio Marquez's Grandmother
    Ana Gracia
    Ana Gracia
    • Hannah Masson
    Horacio Obón
    • Victor Madrid
    Amparo Valle
    • Julia Obregon's Mother
    Cielo Verano
    • Julia Obregon
    María Nydia Ursi Ducó
    • Plaza Mother 1
    • (as Maria Nydia Ursi)
    • Dirección
      • Christopher Hampton
    • Guionistas
      • Lawrence Thornton
      • Christopher Hampton
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios44

    6.13.6K
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    Opiniones destacadas

    8oli-79

    Finally, A Film With Purpose

    This was truly enjoyable movie in many ways.

    The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.

    This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.

    This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.

    Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.

    Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.
    tedg

    Until the Next Time

    I am pretty sure that it is not possible for someone other than an Argentine to make a film about this subject and have it matter. These are people who at the beginning of the terror supported it wholeheartedly. The military simply responded to what they saw was a terrorist threat by arresting without process and torturing. Starting small means starting; once you cross the line, everything else is trivial. And so 6 years of what ramped up to 3o police murders a day in Buenos Aires.

    So this thing lacks power as a story about Argentine horror. But even through all its faults, it still rings true and haunts about things at home: power corrupted and evil. Torture to protect citizens never does.

    The film is incredibly muffed, in pretty much all dimensions except...

    There are two good scenes. One is when the husband of the newly missing wife is comforted by his daughter in a somewhat sexual way. This was made for American consumption, and though the interaction may be genuinely Latin, the implication in this context is plain. It was a powerful scene and sets up all that follows.

    The second powerful scene is the unveiling of a spy. There is only a second that matters, when the man knows he is revealed and you see not panic but blame to his informant. It happens fact but it matters.

    Otherwise, what we have is a powerfully conceived set of folding narratives: a man as a playwright (precisely as in "The Lives of Others") in a film with deliberate dissonance. And him further as a psychic, telling the story to us and other characters as it happens to him. In other hands, this could have worked, especially with the intended fold from then there to now here.

    Tangos, l'exil de Gardel, was not good, but still better and at least genuine.

    Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
    8aStRaLoN

    Excellent movie, Bandera's finest performance

    Dear iggimarco, Coming from a country that has a similar past with Argentina i can say that the movie touch me deeply like you. Greece experienced its 7 years of cruel dictatorship 1967-1974. Seven long years that left too many scars.

    Every now and then i will hear someone of my family talking about the suffer of those years although they rarely talk about what they've been through.

    Indeed those who don't know, who are lucky (or not) enough to come from countries that never experienced that kind of horror will judge the movie based on script, lighting, acting etc. Those who know will feel the movie evoking all those feelings of deep sorrow and pain.

    Movies like this should always be made. It is another way to maintain memory of the fallen alive and to make sure that...never again (as the movie tells us in the end)
    4rainstorm79-1

    An Argentinian view

    The first thing I'd like to say is I've been reading people's comments about this movie, and I'm really touched at how much people round the world know about the worst period in Argentinian history. As regards the movie itself, I wouldn't like to disrespect anyone, but I think it is a lousy portrayal of real events. I agree with someone that the title allows for the viewer to expect a free interpretation rather than an accurate historical account. I disagree with someone about the images of torture being too many and too cruel. I think they were too soft. I've seen at least twenty Argentinian movies dealing with this topic (actually, I'd say nine out of ten Argentinian movies have at least one referent to it). The point is, no one can make a movie about "El Proceso" but an Argentinian citizen. It's nothing to be proud of, but it's our burden. I didn't have anyone missing, but I grew up with this, and it'll never be over for us. I understand the good intentions of everyone involved in this movie, and I think it's important that people in other countries let the world find out what happened here, but if you really want to know, you should see local accounts, without fake accents (subtitles are not that bad once you get used to them). Oh, and just for the record, the oppressors were ten times more somber and disgusting than what the movie shows. Most of them still feel the same way about everything they did, and as someone said, justice in this country is a lost cause. I just pray it never happens again. Thanks for reading.
    10iggimarco

    cruel reality

    Please excuse my English, now that it is my third language. I was born and raised in Argentina; I currently work in Buenos Aires at a café, until I get my bachelor degree in naval architecture. As crazy as it might sound, my grandfather disappeared in the 1970s, and never came back. Perhaps to you… this was just a movie, you can rate it as you want or give the names you like to. But I found myself dumb founded with this film, I felt the worst anguish while seeing it, and forced myself to keep on watching and to keep on remembering. I can not find words in English nor Spanish to describe how deeply this movie has gotten to me. It's been a long time since it happened, but I see most of this film as my mind portraying old stories that my grandmother used to tell me when I asked about the dad of my dad. A film where reality is described at its best and where a part of me knows that justice in this country is just a word with no meaning, it was before, and it is now. I win nothing by saying this, nor I feel better, I just thought that perhaps I should comment on the impact the movie has had on someone like me, a normal guy who studies and works in country where future has little by little lost its meaning.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      When it became clear that two additional scenes would help the script, a) the quarrel about whether Cecilia should publish her article and b) the flashback scene why Cecilia and Carlos got married, there was a little competition going on between Writer and Director Christopher Hampton and Dame Emma Thompson, who wrote their versions of those scenes. Thompson's version of the flashback scene was finally agreed on.
    • Errores
      When Cecilia is seen by Carlos in the roof of "Casa Rosada", there is a modern surveillance camera near the characters. Those cameras were not available in 1976.

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    Preguntas Frecuentes18

    • How long is Imagining Argentina?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 16 de abril de 2004 (España)
    • Países de origen
      • España
      • Reino Unido
      • Estados Unidos
      • Argentina
    • Sitios oficiales
      • Manga Films (Spain)
      • UIP (United Kingdom)
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Kayıp Hayatlar
    • Locaciones de filmación
      • Buenos Aires, Distrito Federal, Argentina
    • Productoras
      • Multivideo
      • Arenas Entertainment
      • Myriad Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 8,899
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,752
      • 13 jun 2004
    • Total a nivel mundial
      • USD 383,106
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 47 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital EX
    • Relación de aspecto
      • 1.85 : 1

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