[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

Dah

  • 2002
  • Not Rated
  • 1h 29min
CALIFICACIÓN DE IMDb
7.4/10
8.9 k
TU CALIFICACIÓN
Dah (2002)
Drama

Agrega una trama en tu idiomaA visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.

  • Dirección
    • Abbas Kiarostami
  • Guionista
    • Abbas Kiarostami
  • Elenco
    • Mania Akbari
    • Amina Maher
    • Kamran Adl
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    8.9 k
    TU CALIFICACIÓN
    • Dirección
      • Abbas Kiarostami
    • Guionista
      • Abbas Kiarostami
    • Elenco
      • Mania Akbari
      • Amina Maher
      • Kamran Adl
    • 36Opiniones de los usuarios
    • 73Opiniones de los críticos
    • 86Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 4 nominaciones en total

    Fotos22

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 15
    Ver el cartel

    Elenco principal8

    Editar
    Mania Akbari
    Mania Akbari
    • Driver
    Amina Maher
    • Amin
    • (as Amin Maher)
    Kamran Adl
    Roya Akbari
    • Prostitute + Lover
    • (as Roya Arabshahi)
    Roya Arabshahi
    Amene Moradi
    Mandana Sharbaf
    Katayoun Taleizadeh
    • Dirección
      • Abbas Kiarostami
    • Guionista
      • Abbas Kiarostami
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios36

    7.48.9K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    robertvannsmith

    Ten Deserves A "10"

    "Ten" makes the third Iranian film I have seen. I was very impressed with the last two I saw and so I decided to see this one and I was not disappointed.

    Abbas Kiarostami gives "reality tv" (movie ?) a whole new meaning by having a mini camera installed on the dashboard of a car to video tape what appears to be a woman's daily driving routine.

    There are ten segments that are video taped (hence the title of the movie) as she drives to and from her daily activities.

    First off, we get to see her and her son, Amin, discussing her divorce from Amin's father and how displeased Amin is with the fact that they divorced. Amin, of course, is bitter, as most children are who have had to live thru a divorce. He desperately wants to go live with his father.

    Two more times throughout the movie we see Amin and his mother furthering their discussion and we get to see how their relationship continues to deteriorate.

    Amin's mother and her sister are seen in one segment discussing Amin and his behavior and the aunt even gives her opinion that it might be better for the boy to go live with the father on a full time basis for a while.

    We also see Amin's mother give an old lady a lift to a mauseliam so the old lady can go do her religious rituals.

    Amin's mother also gives a lift to a hooker and talks with her for a while in hopes to get her to chose a different life.

    All in all, the movie shows a deeply sensitive woman who wants to help others and be there for her son while being her own person.

    It's truly a heart felt movie to see how caring she is even though her relationship with her son appears doomed.
    9dcplaw

    To Watch Foreign Films is to Understand that We're All Alike...

    The premise is very simple. A beautiful Iranian woman, married to her second husband (in a society that makes divorce nearly impossible for women to obtain) drives her car around town. She takes her son to a swim meet, goes shopping with her sister, gives an old woman a lift to Prayer, etc. The title of the film refers to the fact that there are 10 "chapters" to the film, each representing a different conversation she has with her various passengers on different days. By experiencing these exchanges, the viewer can expect a crash course on middle class life in Iran. Like middle class life anywhere, there are the written rules and conventions that one must obey, and then there are the practicalities, and the REalities. There is what is true, and what people tell themselves is true; what they want, and what they tell themselves they want. As in any society on earth, including this highly controlled, religiously based one, there is the hypocrisy. And we can soon see from the conversations our Driver has with her passengers, that there are also the largely unspoken hopes, fears, needs and insecurities of these people, who often appear to be going through the motions of life, rather than truly living it.

    The film mostly focuses on how women view this world; but their perspective is primarily organized around and driven by their relationships with men, be they fathers, boyfriends, husbands or sons. The film is difficult to watch at first, because things quickly escalate into discomfort with the driver's very first passenger, but sticking it out is well worth the investment, as the exchanges each build on the ones that came before it, getting progressively deeper and deeper.

    The women in this film are covered from head to foot, but still manage to lay themselves completely bare to us. It's a very simple concept, elevated to an amazing accomplishment. You will learn a great deal about life in Iran, people in general, and possibly yourself. I expect to be thinking about this movie for weeks, if not much much longer.
    9Babak

    intriguing, exploratory and honest

    Ten is an intriguing movie. Kiarostami explores the abilities of digital camera by mounting it at just two fixed angles on the dashboard of a car, showing us almost only the driver's and the passenger's faces. Such a stationary structure surprises by its moving content, which takes shape as the movie unfolds.

    The driver is a young Iranian divorcée, recently remarried, whose conversations with a son, sisters, a young and an old woman makes up the ten episodes of the movie.

    The performance taken from the kid is astonishingly natural, and other characters also appear to be just playing their everyday lives. Kiarostami opens an eye through the little gap of its two fixed digital cameras on the mundane facts of the Iran's capital life as experienced by a typical middle-class woman. The plots are so natural no one can find a better way of experiencing the knotted, contradictory complexity of such a woman's life in Iran from outside. The flow is of the scenes is smooth and the dialogues are, at least to the Iranian audience, courageous and funny, though familiar at the same time. It's a movie worth watching more than once.
    9turkam

    A Wonderful Film............

    I have seen many impressive Iranian films over the years. "Ten" may be the very best of them for a variety of reasons. I think the film is remarkable because it looks so simple, but I imagine setting up the camera and capturing the realistic dialogue and plot-line we see in the film had to have taken a lot of preparation. I also think the director deliberately chose scenery to accommodate the backdrop of the film, and he must have driven around Teheran constantly to figure out which images to put in the background. I think the scenes with the murals of new arch-conservative president are very telling. "Ten" seems to have a lot of messages under the radar, including the subversive powers of all governments (certainly including our own in America) to censor art. I think the relationship between the mother and her son is a very poignant one, and it shows how children and adults simply live in different spheres of the universe. Film is strikingly similar in some aspects to American independent filmmaker Rob Nilsson's film "Signal 7" which came out over 20 years ago.
    10nycterr

    Beautiful film and simple Lesson of cinema.

    The film shows ten rides of a female cab-driver in modern Teheran. The protagonist (a sunglasses-wearing beautiful woman) share a ride with her son, her sister, an old faithful lady, a prostitute and a female stranger. She discuss life and social issues, and repeatedly argue with her son about her recent divorce with the boy's dad.

    The movie is technically interesting and well shaped.

    ---- Structure The film rolls the 10 sequences introduced by a a classic old school countdown which creates a sense of formal structure, giving the film an apparent "rigid" putting the audience as "analyst".

    ---- Camera and Sound Only two camera angles are used in the film (beside an odd little part where we see the prostitute outside of the car ...). And the sound is very basically real and full (city's life and traffic).

    ---- Content But above all, despise what some will say about the apparent boringness of the film, the content is amazingly absorbing. The issues raised are universal (divorce, women's position in society, love, despair, faith ...) and perfectly rendered by these non-actors.

    One last point, the female protagonist is BEAUTIFUL !

    Más como esto

    Zire darakhatan zeyton
    7.7
    Zire darakhatan zeyton
    El viento nos llevará
    7.4
    El viento nos llevará
    Shirin
    6.7
    Shirin
    Like Someone in Love
    7.0
    Like Someone in Love
    10 on Ten
    6.7
    10 on Ten
    Mossafer
    7.5
    Mossafer
    Zendegi va digar hich
    7.9
    Zendegi va digar hich
    Avaliha
    7.2
    Avaliha
    El sabor de las cerezas
    7.7
    El sabor de las cerezas
    Copia fiel
    7.2
    Copia fiel
    Mashgh-e Shab
    7.8
    Mashgh-e Shab
    Nema-ye nazdik
    8.2
    Nema-ye nazdik

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Apart from Mania Akbari, actors are non-professional. The young boy is played by her own son and their relationship is partly based on real-life elements.
    • Errores
      Car windows, both driver's and passenger's, vary between being closed, part-open or open between shots.
    • Citas

      Prostitute: [to a Married woman] You are wholesailers. We are retailers.

    • Conexiones
      Featured in 10 on Ten (2004)
    • Bandas sonoras
      Walking In The Air
      Written and Performed by Howard Blake

      © Chester Music Limited represented by Première Music Group

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes18

    • How long is Ten?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 18 de septiembre de 2002 (Francia)
    • Países de origen
      • Irán
      • Francia
    • Sitio oficial
      • Southwestern University Filmmakers
    • Idioma
      • Persa
    • También se conoce como
      • Ten
    • Locaciones de filmación
      • Teherán, Irán
    • Productoras
      • Abbas Kiarostami Productions
      • Key Lime Productions
      • MK2 Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 105,990
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 10,559
      • 9 mar 2003
    • Total a nivel mundial
      • USD 452,895
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 29 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
    • Relación de aspecto
      • 1.66 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    Dah (2002)
    Principales brechas de datos
    By what name was Dah (2002) officially released in India in English?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.