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I thought this movie would be just a Hong Kong version of Charlie's Angels, but it is not. The movie was about two sisters who became professional killers because of their traumatic childhood of witnessing the murder of their father. Their father has developed a high-tech GPS technology just before his death. The sisters used this technology to aid them in their profession. The effect used on this movie is a lot like Matrix'. I thought the movie used the effect properly and therefore, the movie itself is a lot of fun to watch. The storyline is rather predictable, so also is the drama. However the fighting scene is cutting edge. Any scene that can make Vicky Zhao (Zhao Wei) looks like a vicious fighter is worth seeing :)

"So Close" is a terribly unremarkable and uncharismatic title for a movie that should have been called, simply, "Sexy Action Chicks!". There's a lot of cool action and style, mostly to do with wire-aided martial arts and the three immensely appealing leading ladies, who were obviously having fun doing this. So if you like Asian action and kick-ass heroines, this is a must-see.

The premise with two girls being an action team, one a computer whiz and the other a field agent, is extremely similar to the comic book "Birds of Prey", which was also a short-lived (but abominably bad) TV series recently. Being martial arts assassins, the characters can also be compared with other comic book action chicks like Elektra or Lady Shiva, or, for that matter, Danger Girl. This movie seems very comics inspired.

Unfortunately, there is also some bad news: the story is pretty awful. In fact, you hardly notice it. The film-makers almost appear to have forgotten about it. Once again Asian producers do not realize the importance of having a proper plot. This is formulaic assassin/police/revenge clichés ad nauseam, with nothing even remotely original or surprising. One of the girls has a crush on the female police officer, and while that's sure-fire fodder for male fantasies, it's also gratuitously voyeuristic. Oh well, peace be with that - I admit I enjoyed it! Also, this was the first time I saw Karen Mok (outside of cameos), and she made a great impression. She's not drop-dead gorgeous, but she makes what she has go a long way! And she's a very sympathetic kind of person.

The CG effects were a little grating, esp. all the smashing glass. You'd think it would have been cheaper to just use real glass - but I guess they didn't wanna clean up afterward! Some of the other effects, like the elevators and many of the shots of the office building, were very well made.

I would have liked to rate this movie very highly, but at the end of the day it doesn't have much substance. It does however have beautiful women, some cool fight scenes, and great style. The entertainment value is definitely not bad, but I can't rate it higher than a 7 out of 10.

(Edit: Actually, yes I can! In hindsight I think it has enough intriguing elements, also story-wise, to warrant an 8 rating, and that is what I have now revised my rating to.)

SO CLOSE (2002) is a high-tech action adventure from Hong Kong that revives the girls-guns-and-kung fu genre that once attracted fans to HK cinema from all over the world. This one is an update by director Corey Yuen of exactly the kind of films he used to make back in the day like YES, MADAM! (1985), with Michelle Yeoh and Cynthia Rothrock, RIGHTING WRONGS (1986), with Rothrock, and SHE SHOOTS STRAIGHT (1990), with Joyce Godenzi and Carina Lau.

SO CLOSE is a little more pumped-up, with more beautiful female stars, more CGI and wire work, and a high tech veneer that permeates every aspect of the characters' lives. There are three main characters--all female and all played by top Hong Kong stars--Shu Qi (THE TRANSPORTER), Vicki Zhao Wei (SHAOLIN SOCCER), Karen Mok (BLACK MASK). The first two are absolutely stunning while Karen Mok opts for a no-nonsense, scrubbed-down, ready-for-action policewoman look--which is still damned attractive. The women get a lot to do here and are seen frequently in close-up. What more can fans of these actresses ask? Well, there is more. They also create strong, confident, vulnerable, emotionally-charged characters who interact a lot with each other. Shu Qi and Vicki play sisters, Lin and Sue, who hire out as a high-tech hit team to go after high-profile corporate criminal types. Karen plays the policewoman who takes it upon herself to go after the sisters, but also bonds with them and even offers a significant helping hand at one point.

That's pretty much all the plot you need to know, although there are plenty of subplots, including a burgeoning romance between Lin and a young man she once knew who's come back into her life. There are abundant flashbacks, achieved largely through digital video home movies, showing the two sisters as young girls playing with their parents, whose brutal murders (also seen in flashback) were engineered to steal the father's invention of World Panorama, a surveillance system with unlimited capacity. These murders propel the girls into their lives of crime--and vengeance.

The high-tech aspects are particularly clever and imaginative. The sisters each carry a watch that can pretty much do everything (cell phone, surveillance camera, computer, detonator, etc.). At one point Sue is in a car chase through the streets of Hong Kong and dials Lin on her headset for help. Lin uses a surveillance satellite to track Sue and keep her away from the pursuing police cars, all while she herself is using two automatic pistols to ward off a raid on her house by a team of assassins. Later, during the final raid, the two opposing sides use different tricks to fool the other side with manipulated surveillance camera coverage.

Do the action scenes deliver? Yes, they do. Granted, the actresses are not fighters and have to rely on stunt doubles, quick cuts and wire work, but they pull it off (certainly better than the girls in the CHARLIE'S ANGELS films do). Is the action far-fetched? Yes, but it will have you smiling and cheering, not groaning. These girls are the good guys and you care about them and want them to triumph.

Kung fu fans will welcome the presence of Yasuaki Kurata as one of the villains. This Japanese star has been in Hong Kong films for over 30 years (including HEROES OF THE EAST and FIST OF LEGEND) and he's still going strong.

The film is best appreciated in its Mandarin-language version, in which you get to hear Shu Qi and Vicki speaking in sync-sound in their own voices, although if you've got the HK import DVD with both language tracks, you can toggle back to the Cantonese track for Karen Mok's scenes, so you can hear her speak in her own voice.

This could have been awesome. And at times, it gets there. This is basically a Hong-Kong Charlie's Angels. Usually I avoid making statements like this, but it's hard not to since Charlie's Angels does seem to be a major point of reference. It is based around two young, attractive women with an expanse of gadgetry at there disposal, whose work gets in the way of their love life and who get to kick major ass. The only difference is that the women are hired assassins, rather than hired crime fighters. The film makers seem to openly acknowledge where they stole their ideas from, giving Lynn's character the codename of 'The Computer Angel'.

The plot is non-sensical, the script wooden and the characters basically huge cardboard cut-outs. But then, this is a Hong-Kong action movie after all, and the plot is really just an vague structure to link together the visually arresting action sequences. And the action sequences, on a whole, are very well executed. At times they stretch too far. They try and acheive the visual trickery of Charlie's Angels, The Matrix, Crouching Tiger et all, but, due to the smaller budget, don't always pull it off sucsessfully.

The idea of women rolling about in t-shirts and tiny shorts by day, and kicking ass by night, is either hugely empowering or deeply degrading to women everywhere, depending on which side of the fence you are on. And the plot development of the criminal and the police officer earning new respect for each other by joining forces seems to be the blueprint for all H-K action flicks.

At the end of the day, if you like your movies big, dumb and action packed, this is really good fun. It's just been done a lot better. The film does get one superlative though, gaining the title of "most blatant product placement ever".

While Shu Qi is, of course, exquisitely beautiful, her robotic acting quickly becomes boring and is not what makes So Close such a great action film. Thankfully, the film is primarily a female 'buddy' film, focussing on Shu Qi's kid sister co-bandit Vicki Zhao and Zhao's evolving relationship with policewoman Karen Mok. Zhao and Mok manage to infuse a standard HK action plot with emotion and complexity, and the film becomes "The Killer" meets "24 Hours." Great cinematography, great action, and loved the shots of Zhao biting her lip with tension and Mok mouthing words at Zhao. Could have done without two gratuitous flying scenes of Zhao near the end, though, which add a jarring CTHD note to the otherwise enjoyable action. But the final sword fight is magnificent. Zhao could become a great actress.