Shangai Kid en Londres

I saw this movie only to accompany my children, but I absolutely loved it! Had never seen a Jackie Chan movie, but now I want to see Shanghai Noon too, so we will rent that one. There were several adult references and I don't mean sexually, but funny references only adults would remember. Be sure to stay for the credits as the outtakes are great. I want to see it again!

Jackie Chan and Owen Wilson get together again in "Shanghai Knights," the sequel to "Shanghai Noon." It's difficult to say which I like better, although the two seem a little more at home in "Noon." "Knights" is a movie not to be taken seriously. The soundtrack attests to that, being mostly British invasion rock from the 1960's. And there is a lot of historical fudging, not the least of which is Owen Wilson's dialogue and attitude. He just seems so miscast as a cowboy. What keeps this movie from going wrong is Jackie Chan's amazing moves. Here he shows where he shines as an action-comedy star. And the martial arts styles of Fann Wong and Donnie Yen are no slouch either! So, never mind the anachronisms, just prepare to admire Jackie Chan.

The implied promise of a sequel is that it will give you what you got from the first movie, but that promise is often broken. Shanghai Knights is an exception, giving the audience that same mix of goofy dialogue and slapstick martial arts that made the first movie so much fun. This time the duo heads to England, allowing them to make a bunch of incredibly silly jokes about England and Sherlock Holmes and Charlie Chaplin. The movie is essentially one long wink, and if you like that sort of humor your likely to find much of it amusing. At times I thought they pushed the anachronistic dialogue a little too far, as when Owen asks the gorgeous Fann Wong if she works out, but overall it works pretty well. Chan supplies a number of very entertaining fight sequences along with his usual goofy charm and the end result feels like a more actiony version of a Hope/Crosby road movie.

This sequel is actually better and funnier than the original. It also has cooler fight scenes too. It is actually a pretty good movie. I laughed really hard in the theater. The story is about a former chinese warrior Chon Wang (Jackie Chan) who after his father gets killed by a ruthless heir of the thrown, seek vengeance on him with the help of his old partner Roy O'Bannon (Owen Wilson) and his sister from China who told him about the death of his father. This one has actually more action and is more funny than the original by a long shot. I personally think that Shanghai Noon and Shanghai Knights are way better than the Rush Hour movies. I would say this is probably one of Jackie Chan's best movies, and his best comedy for sure. I would recommend this to fans of both Owen Wilson and Jackie Chan and Action/Comedy fans as well. Grade: B-.

Well, a Lifetime Achievement Oscar may be the only category that's open to the aging but impish martial arts virtuoso, Jackie Chan, whose latest series-sequel, "Shanghai Knights" is...excellent, fun, entertaining.

My kid got into Jackie Chan films a while back and we have a half-shelf of $5.99 videotapes of the young Chan. Poorly shot with howlingly funny dubbing they nonetheless catch a Kung-Fu master at the height of his considerable prowess.

Hollywood and Jackie's sincere but imperfect effort at learning English led to a series of films that are high budget such as "Rush Hour" with its sequel and "Shanghai Noon," now followed by this film. Each has a sidekick for the irrepresible Chan but "Shanghai Knights " is the first where the faithful companion is a strong character in his own right.

"Shanghai Knights" begins with the Peking (not Beijing, it's the end of the nineteenth century) murder of Chan's dad and the theft of the Imperial Seal (a device to mark documents, not a pet). Chan is a Nevada sheriff who upon learning of the homicide and theft sets off to New York City to find his pal, played formidably and with evident relish by Owen Wilson.

The duo head for London where an unending series of misadventures brings the heroes, along with Chan's gorgeous and martial arts-skilled sister (Fann Wong) into the path of such diverse characters as little Charlie Chaplin, Her Majesty Queen Victoria, Jack the Ripper and others. Of course all ends well and if the martial arts terpsichore is less breathtakingly complex than its predecessors - well, let's cut Jackie some slack.

The film is PG-13 but Wilson provides a measured but running dose of raunch aided by a bevy of scantily clad beauties. There's no doubt HE had a terrific time making the movie.

Director David Dobkin keeps the pace moving and pays humorous tribute to films and stars from the Gilded Age of the cinema. I won't spoil the amusing surprises but listen to the music as the intrepid trio (sister now a full-fledged partner) waft to and fro in a caricature of nineteenth century London. Sad to say most moviegoers won't recognize the well-executed takeoffs of some great moments in film.

As always, a special Chan treat are the outtakes before the end credits, scenes that prove making these films may not be good for the health of the no-longer-young star or his cast but they all have a blast (literally).

And here's good news for the many who will enjoy this movie. I don't know if there will be a "Rush Hour III" but last week I couldn't get within 150 feet of the venerable Yonah Schimmel's on the Lower East Side's Houston Street. Chan and crew were filming a sequel to this new release - a flunky stopping pedestrian traffic told me the title would be "Shanghai Knish!" I can't wait.

7/10.