Nicholas Nickleby

This film is an adaptation of the famous Charles Dickens work of the same name.

I must say I have not read the book. I enjoyed the film a lot, and hence I was surprised by the overwhelmingly negative comments on this site. I found the characters likable, believable and distinctly human. I enjoyed the interaction between good and evil characters, especially between Nicolas and Ralph. The story is tightly woven, and there is not a scene where it is followed up later. The presence of Anne Hathaway is a surprise, and her English accent is excellent! I found the ending particularly moving, and I would certainly recommend this movie to other people.

Stunning photography, outrageous characters and a powerful, emotional story: that's Nicholas Nickleby, the 2002 adaptation from the famous book by Charles Dickens. I have not read that book, so this story was new to me and I couldn't help but be impressed.

Hopefully, most people are still satisfied to see good people triumph in the end. With a Dickens story, you know there will be a lot to overcome, too, and lots of suffering and heartache along the way to a happy ending.

Douglas McGrathdid a fine job directing this film. Dick Pope, director of photography (cinematographer) made England look as beautiful as any Merchant-Ivory film I've seen. Start-to-finish the landscape of England never looked prettier. Pope performed the same kind of magic two years later in "The Illusionist," a gorgeous-looking movie. Kudos to Rachel Portman for a magnificent score, too, with a beautiful, sweeping theme song. This movie is a treat for the ears, as well.

Charlie Hunnam as Nicholas Nickleby was adequate; Christopher Plummer as his Uncle Ralph was very good and Jamie Bell as the unforgettable "Smike" was excellent. It's hard to believe he's the same kid who played "Billy Elliott" just a couple of years ago.

Jim Broadbent and Juliet Stevens as the wicked, evil husband-and-wife-team who run DotheBoys Hall, a boys boarding school, were also memorable. Dickens also had cruel people mistreating little boys and these two personify cruelty.

Two beautiful women: Anne Hathaway's as Nicholas' love "Madeline Bray" and Romola Garai as his sister "Kate" were both pleasant and easy on the eyes. As for supporting actors, I enjoyed them all as well, getting an extra smile from Timothy Spall and Gerald Horan and "Charles and Ned Cherryble" The same can be said for Nathan Lane and Alan Cumming, who provide much-needed comic relief and whimsy.

I did not recognize Tom Courtenay as "Newman Noggs." I guess I still picture him from his younger and much thinner years. It's been almost 25 years since I last saw him in "The Dresser" and he's changed quite a bit.

One other thing that was fun to observe in this film: everyone's vocabulary! , I loved how they expressed themselves, the good and the bad people

Of the many well-put sentences delivered in this well-intentioned and high-minded film, I remember Nickleby saying near the end,

"Weakness is tiring, but strength is exhausting."

Having read the novel NN a couple of times I know how rich and full of funny characters and episodes this novel is. This adaptation greatly reduces the number of events compared to the novel; though I understand a director has to make a choice what elements of a story he should put to the screen I think the director has been a bit too drastic in doing so. No reference at all to the Mantalini's, or to the downfall of the Squeerses and the closure of Dotheboys hall -I sorely missed those episodes! But what I missed story-wise was partly made up by the acting of Christopher Plummer as Ralph Nickleby and the heartrending performance of Jamie "Billie Elliot' Bell as Smike. A pity that the director also puts the accent mostly on the melodramatic aspects of a story which is full of delicious humor. This adaptation has it charms but check out the royal Shakespeare's Company's version for a faithful adaptation that does Dickens real justice!

Greetings again from the darkness. Truly exceptional adaptation of Dickens really shows how terrific writing can allow a film to work. Yes, the cast was very capable and in fact, Christopher Plummer was multi-layered, pure evil as Uncle Ralph. The Squeers team of veterans Jim Broadbent and Juliet Stevenson made escape from their "school" seem the only rational approach. Charlie Hunnam is gorgeous and capable as Nicholas, and herein lies the problem. While not for the youngest of kids, those 12 and up would probably enjoy the movie very much. As a way to touch Dickens, this is easily the least painful and most accessible for 7th through 12th graders. Why aren't audience was filled with 40 and 50 somethings who read the novel growing up and a few (like me) brought teenagers with them. My daughter and her friends loved it! Very frustrating that studios will sink millions into drawing crowds for trash like "Planet of the Apes", "XXX", "Blue Crush", etc but almost nothing into this. Of course, this offers an education in story structure and the supporting casting was inspired. In addition to Hunnam, Anne Hathaway ("Princess Diaries"), Jamie Bell ("Billy Elliot"), Nathan Lane and Alan Cumming were all excellent. Tom Courtenay was funny and pitiful at the same time. Yes, the story is like much of Dickens, it provides hope for those who seem to have little. Good prevails over evil. Personally, I like that approach.

If Dickens were with us today, he would delight in the stock shenanigans of Michael Milken and the outrageous dysfunction of the Osbourne family. Speculation and family chaos rule his `Nicholas Nickleby,' directed on film by Douglas McGrath (`Emma') and starring Christopher Plummer as cold Uncle Ralph and Jim Broadbent as cruel Wackford Squeers.

The idyllic thatched cottage in Devonshire with its white smoke pluming to heaven contrasts sharply with the dark satanic mills of London spewing black smoke into every home and hovel. The eponymous hero, played by Brit TV star Charlie Hunnam, travels both worlds to defend the honor of his sister, overcome the tyranny of his uncle (Plummer), and find love. Along the way Broadbent's boarding-school proprietor, reflecting the workhouse slavery of 19th century England, helps his uncle sabotage Nickleby's spirit and endanger his best friend. But Nicholas also meets the delightful Cheeryble brothers, one of whom is Mike Leigh regular Timothy Spall in an uncharacteristically cheery role.

England is lovingly represented in this film by a cinematography wedded to landscape like a Constable painting, gentlemen appearing as stately as in a Reynolds, and women appearing to be sitting for Gainesboro. All seems well represented without being overdone or obvious.

Like a good Dickens novel, the filmed `Nicholas Nickleby' can't help but drive home lessons about honesty and family. Reliance on both will bring happiness. My only question is how did the Golden Globes ever nominate this as a comedy?