Agrega una trama en tu idiomaWhile Microsoft may be the biggest software company in the world, not every computer user is a fan of their products, or their way of doing business. While Microsoft's Windows became the mos... Leer todoWhile Microsoft may be the biggest software company in the world, not every computer user is a fan of their products, or their way of doing business. While Microsoft's Windows became the most widely used operating system for personal computers in the world, many experts took issu... Leer todoWhile Microsoft may be the biggest software company in the world, not every computer user is a fan of their products, or their way of doing business. While Microsoft's Windows became the most widely used operating system for personal computers in the world, many experts took issue with Microsoft's strict policies regarding licensing, ownership, distribution, and alter... Leer todo
- Dirección
- Guionista
- Elenco
- Narrator
- (voz)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
So, you will derive from this film software has started "open source" and when companies started to button it up the people just moved on to other forms of creating and maintaining open systems.
The film is fun in its self as it lets those there were in the movement see themselves in retrospect and those that missed the boat to catch up. Too bad it cut short being 2002 to miss the inroads of Linux and Fedora both as a replacement and coexistent in the information technology world of today.
The value of this movie are the interviews with the key persons of the various open source and free software movements, though it becomes quite tiresome to sit and wait for the goodies. What really brings the credibility down is the overly hostile reading of the letter by Bill Gates and the traditional Microsoft bashing through the entire production, combined with the heroic soundtrack during the interviews of the "good guys". It gives the over all impression of really being a sales pitch for a church from a bunch of overly enthusiastic believers, though without the visionary parts that can make it a document of its context of production.
In conclusion, even though far between, there are some good bits in this documentary that could make it worth watching if you have a special interest in the open source movement. Just be aware that you might also get some chills of embarrassment in between.
Complaints first. Unfortunately, "Revolution OS" is a short film, and it devotes a disproportionate amount of time to the emergence of Linux-related companies and the precipitous rise and then fall of their stock prices. Although it may be hard now to imagine someone seeing this film without already knowing that story, it's misleading for the film to present this spectacle without making it clear that these stocks were only a few of hundreds of computer stocks that shared the same fate. By devoting so much time to the buildup of commercial excitement about Linux and then concluding the film with the collapse of Linux company share prices, "Revolution OS" gives the impression that the recent history of Linux is contained in the boom-bust story of Linux stocks, leaving the uninformed viewer to conclude -- what? That the stock market has rendered final judgment on the value of open source? That the apparent importance of Richard Stallman and Linus Torvalds was just a delusion of tech-crazed investors?
This distorted presentation is apparently due to the filmmakers' lack of understanding that the open source and free software phenomena have significance beyond Linux's impact on the commercial software market. So many other avenues could have been explored: the economic and social impact of the availability of free software in developing nations; perspectives from the economic theory of information; the utility of the ongoing creation of useful software by open source development teams; the applicability of licenses such as the GNU General Public License to everything that can be seen as information, including musical compositions and other intellectual creations; and last but certainly not least, the contributions of free software and open source ideas (and their opponents' ideas) to debates over intellectual property, perhaps the defining issue of this generation.
Simply mentioning some of these ways in which the free software and open source movements have the potential to influence society would have paid sufficient respect to the complexity of the subject, but after allotting generous time to philosophical and historical exposition, the filmmakers inexplicably revert to the simplistic public perception of Linux circa 2001: a bunch of geeks who almost got rich. In fact, if you only saw the last third of "Revolution OS", you would think it was a mock-affectionate eulogy for Linux geeks' dot-com dreams.
On the up side, the stars of "Revolution OS" are treated fairly, and their foibles generate plenty of humor, especially their ego clashes. When Richard Stallman accepts an award named after Linus Torvalds, he unleashes a simile about Torvalds' role in the success of Linux that left me laughing at its cleverness, Stallman's baldness in demanding his share of credit, and the (probably justified) assumption he makes of his audience's intimate familiarity with "Star Wars."
"Revolution OS" also deserves credit for the care it takes to portray the differences and disagreements between individuals, their common ground, and their varying attitudes toward unfree software. Merely recognizing that the difference between free software and open source software is important enough to present to a lay audience puts this movie in my good graces.
Overall, "Revolution OS" will be better understood and appreciated by people who are already familiar with the subject matter. Non-geeks, however, will find considerable enlightenment, especially if they follow up by reading _The Cathedral and the Bazaar_ (which is available on the web) and the articles by Richard Stallman and others on the "Philosophy of the GNU Project" page at the GNU web site.
Of course, since 2000, Linux has made great strides into the server market, the desktop market (even Walmart sells computers with Linux now), and the embedded market. Cell phones, Palm PDAs, cameras, camcorders, cars, networking, Tivo, cable boxes, etc. all run by Linux now (or soon will, according to announcements from manufacturers).
The days when you needed to learn a dozen different operating systems are gone. Learn Linux and you know how everything works. The best part is that if you don't like the way something works, you can change it. That, and it's free! Make copies for all your friends, legally. Tens of thousands of high-quality free software products (office suites, graphics packages, video processing, everything imaginable). Tech support is provided by tens of thousands of volunteers.
It's hard to understand how this change from paying for software to free software happened; for many people not involved in the process, it's still news to them.
If you want to know how this all happened, Revolution OS will give you the background you need to understand the way the software business works now, and in the future.
¿Sabías que…?
- TriviaUnusual for documentaries at the time, this was shot entirely on 35 mm film, and mostly with anamorphic lenses.
- Citas
[when awarded the Linus Torvalds Award]
Richard M. Stallman: So, very ironic things have happened, but nothing to match this. Giving the Linus Torvalds Award to the Free Software Foundation is sort of like giving the Han Solo Award to the rebel fleet.
- ConexionesReferences La guerra de las galaxias (1977)
- Bandas sonorasThe Free Software Song
Lyrics by Richard Stallman
Performed by The GNU/Stallmans
Selecciones populares
- How long is Revolution OS?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Революционная ОС
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 3,500
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,500
- 25 ago 2002
- Total a nivel mundial
- USD 3,500