Monsieur N.

Very well done! Great film! Well acted. Well written. Good directing. Good camera work. Beautiful visually from both the directing/camera work, and the picturesque scenery. Great acting performances all around.

I like how the film isn't just in French, or just in English. The English characters speak English to each other, and speak French to the French. The French characters speak French. This gives the film a realistic feel.

Great storytelling. The viewer falls prey to Napoleon's charismatic charm as much as those who knew him in person, and we come to feel for him, as if he is a victim of his imprisonment, rather than a deposed tyrannical dictator paying for his vast crimes. His humbled situation brings out his humanity and weakness, yet he still retains his dominance, but through subtler control than his former meglomanical ways. It is almost as if he has lured the audience into routing for him and pitying him, while he secretly pulls our strings.

It is also refreshing to see the human side of a once powerful ruler, and brutal military commander, through witnessing his relationships and interactions with others. We tend to only see powerful world leaders in their public personas, without getting to voyeuristically peer into their private lives, and therefore, they seem larger than life, rather than a human being going through the things we all go through in life. Life plays no favorites, nor spares anyone based on title or fame.

I am a history buff, and I enjoy most well made historical films, but I think anyone would enjoy this. It has intrigue, romance, action, dialog, storytelling, conjecture, moving moments, something for everyone. It is not "boring history", but the juicy bits that fell through the cracks, that cannot be found in a text book, the story within the story so to speak. The film is based on a combination of know facts, and explored theory. It is an intriguing conspiracy theory, that could well have happened. We may never know the whole truth about Napoleon's fate, but isn't it fun to explore the what ifs, especially the ones that make a glorious story? As with Billy The Kid, Jessie James, Elvis, & Jim Morrison, among others, Napoleon's legend is romanticized, and made even grander by the thought that he may have cheated death and fame, and "rode off into the sunset"...

Watch the film, you'll enjoy it.

What a surprise.....who thought that Antoine de Caunes of eurotrash fame would deliver such a fantastic film. The actors are without exception fantastic notably Phillippe Torreton as a thoroughly convincing Napoleon and Siobhan Hewlett a young actress who just lights up the screen...she plays the english love of Napoleon from 15, 20 and 40 flipping from french to english dialogue and i hear this is only her second job..she is definitely one to watch. Aside from the acting the film is visually stunning and so true to the period..i researched a lot about napoleon when i did my history degree and it really captures the essence of st helena where napoleon was exiled . go and see it

Director Antoine de Caunes has adapted Rene Mansor's fine screenplay concerning the enigma that still exists as to the final resting place of Napoleon Bonaparte into a film that relates the period of history from 1816 to 1840 during which time the bifurcated responses of the British and French to the legend of Napoleon initiated the scandal that still piques our interest.

Opening in 1816 Napoleon (the brilliant Philippe Torreton) is imprisoned on the island of St. Helena along with his most trusted supporters and various citizens who elected to follow him into exile - with an eye on Napoleon's fortune when he dies. There is a new British Governor appointed, Hudson Lowe (Richard E. Grant), who is steely and determined to prevent Napoleon's escape and yes, even protect the British government from the costly extended prison expenditures a prolonged exile will produce. Lowe appoints Basil Heathcote (Jay Rodan) to sit in watch of the Emperor/General only to come under the spell of the mysterious Napoleon and the spell of a young girl Betsy Balcombe (Siobhan Hewlett) who is in love with Napoleon. Others among Napoleon's party include the Montholons (Stephane Freiss and Elsa Zylberstein) the latter of whom Napoleon keeps as his mistress and impregnates, Cipriani (Bruno Putzulu) his butler and half brother, Ali (Igor Skreblin) his bodyguard, Marshal Bertand (Roschdy Zem) his aide de camp, among others. Napoleon's self perception as the Emperor makes him unavailable to close scrutiny and rumors fly about his proposed escapes and about the British idea of poisoning him. There is great mystery surrounding Napoleon's ultimate death and burial and this mystery is what drives the story in flash forward sequences to the investigation of Napoleon's ultimate exhumation to see if the man buried in Les Invalides in Paris is actually Napoleon Bonaparte - and if not, where is the true Napoleon buried? The period atmosphere on St. Helena is scrupulously recreated, allowing a superb playing ground for the many fine performances by an excellent cast. We see Napoleon as we've never seen him, a multi-dimensional character with whom we, as viewers, tend to sympathize. This is not only due to the fine script but also to the unique portrayal by Philippe Torreton. The film is in both French and English, with English subtitles for the French only. And therein lies the fault of this otherwise superb film. The ambient sounds of the crashing sea and the annoyingly loud musical score by Stephan Eicher cover the English dialogue to such an extent that it cannot be heard most of the time. This is a film that would greatly benefit from re-mastering to add English subtitles for the entire film AND by making it available in full screen instead of the widescreen that reduces much of the action to miniaturization! Otherwise, this is a superb period piece that opens questions about historical accuracy that invite investigation. Grady Harp

Viewers of this film need to be aware that the movie is VERY speculative--sort of a "what if" version of history. In this case, the "what if" is whether or not Napoleon could have escaped from his second exile--the one on St. Helena. However, instead of a documentary-style piece, it is a dramatization of those who knew him in his final years. And, it does a pretty convincing job in this department.

The acting, direction and writing well all good, though I think the movie might have benefited by a little bit more energy. After all, if it is asking us to suspend belief regarding the plot, perhaps they could have infused a little more energy. Oh well, I still enjoyed it and think lovers of history out there will feel the same.

PS--for parents, there is a brief nude scene. It's not THAT explicit, but you might want to consider this when letting your kids see this.

Of the thousands of movies I've seen so far, this is the first one which made me think of the "wasted talents" expression. I had never EVER seen so many fine actors giving so dreadful performances (Frédéric Pierrot, Elsa Zylberstein,and so on). The "aging" make-up is quite awful and, to make it worse, lit broadly. The use of music (e.g. love at first sight for the young aide de camp) is at times so caricatural that I could feel most spectators around me smile awkwardly. So far, Antoine de Caunes has been quite a good actor, but seeing this one and "les morsures de l'aube" I think he should start considering quitting. Please Antoine, give up that "master of balantree" project ; I doubt you deserve it.