Una alianza de malhechores, liderada por Frieda, busca apoderarse de la Tierra de los Cuentos de Hadas. Pero cuando Ella se da cuenta de que su madrastra quiere arruinar su existencia de cue... Leer todoUna alianza de malhechores, liderada por Frieda, busca apoderarse de la Tierra de los Cuentos de Hadas. Pero cuando Ella se da cuenta de que su madrastra quiere arruinar su existencia de cuento de hadas.Una alianza de malhechores, liderada por Frieda, busca apoderarse de la Tierra de los Cuentos de Hadas. Pero cuando Ella se da cuenta de que su madrastra quiere arruinar su existencia de cuento de hadas.
- Premios
- 1 nominación en total
- Dwarf 1
- (voz)
- (as John De Maggio)
- …
- Stepsister 2
- (voz)
- (as Jill Talley Kenny)
- …
- Witch 1
- (voz)
- (as Tress Mac Neille)
- Amigo 2
- (voz)
- (as Robert F. Paulsen III)
- Wolf 1
- (voz)
- (as John Polito)
- Amigo 1
- (voz)
- (as Philip G. Proctor)
- Munk
- (voz)
- Stepsister 1
- (voz)
- (as Kath E. Soucie)
- …
- Additional Voices
- (voz)
- (as Lee Arenburg)
Opiniones destacadas
The storyline here takes a peek into what can actually go wrong, if "happily ever after" gets traded for "happily never after". Fate as it seems, in Fairy Tale Land, is managed in a castle top by a caretaker wizard (George Carlin) and his two bumbling helpers Mambo (Andy Dick) and Monk (Wallace Shawn). In their lair, there's the book of fairy tales which dictates the lives of everyone in the land, a remote controlled looking glass for that big-brother peep into their lives, and a set of scales, which can be tipped into Good or Bad directions to influence the proceedings of the fairytale.
Central to the plot, despite a host of other familiar and identifiable tales like Sleeping Beauty and Little Red Riding Hood, is that of Cinderella's. Ella (as she is known here, voiced by Sarah Michelle Gellar) as usual is being bullied by her wicked stepmother (aren't they always), voiced by Sigourney Weaver, and ugly stepsisters (Kath Soucie and Jill Talley), and we encounter the same scenario about going to the Prince's (Patrick Warburton) ball, fairy godmother, pumpkin coach, glass slippers and all. Only that this time, the spotlight is put on the Prince's kitchen helper Rick (Freddie Prinze Jr), the chief protagonist and narrator of the story.
Rick secretly loves Ella, and cannot fathom why the entire kingdom is smitten with the buffoon of a prince charming - Prince Humperdink. It seems to copy the formula set out by Shrek, that if you have a prince, making him a less than perfect specimen character-wise, to draw out the laughs. In the presence of his incompetence, Rick and Ella gotta combine forces to save their land and restore order when Ella's stepmother gains control over the wizard's staff and lair. That about sums up the plot.
Delivery wise, the animation looked rather uninspiring. 3D animated movies have reached a certain threshold, and no longer commands the wows. It's not that it isn't gorgeous, just not fantastically so. The voice talents are relatively unknowns, except for the leads, and seemed to have gone the opposite direction to the mantra of filling the movie with as many recognizable stars as possible, in order to put attention to the story and dialogue. Sadly, the story's rather plain, with an expected ending, and the dialogue, lacking in wit and spunk. There are scenes which try to be funny, but just fall flat.
In an animated movie where fairy tale characters run amok, the movie coasts along without much madness infused. But definitely easy enough for its intended target audience - the children - to understand and enjoy.
Though a cute idea, it ended up as only that ... a cute idea. Fortunately, the acting was well suited to this shallow attempt to entertain. Comparing it to Shrek and Hoodwinked is rather unfair, since this movie is no where near their league.
If you have absolutely nothing to do on a cold and rainy day, and you get hold of a free ticket, pick up a newspaper on your way to the theater and read what the critics have said about it. If you decide to see it, on those terms, you have at least been warned.
I agree with those of you who liked the film, and I also agree with those of you who didn't. Hollywood lacks imagination these days with spoofs, re-makes and slight plot changes. But, that's the media's fault... so, for a movie that had to compete with all the stuff out there, it was good.
And Freida, by the way, looked like the Step-Mother from the original Cinderella, but with more attractive hair and a little more leg. Their 'busts' are the same size, just Frieda has a cleavage line.....Don't agree? What Cinderella again -smirk- Thanks for readin'!
-The Horror Whore-
The thing to ignore is the thing we are supposed to place foremost, all the dialog, acting, story and pacing. Its just dreadful. Enough said about that.
But. It has two things that interested me.
One is simply the idea. It is a movie of a fairy tale inside a movie about manipulating fairy tales, inside a movie narrated by someone who seems to be outside both movies (he actually gets to stop the film physically) but at the same time trapped in the innermost movie. There's magic to explain some of this, but only a part. Its a very clever concoction.
But the other thing was some of the characters. Well, they vary so; I guess I really mean the two women in front, Ella (Cinderella) and her redhaired stepmother. Its how they are rendered. Ella seems to be the only character whose face seems outside the cartoon world she inhabits. She's clearly a version of Audrey Hepburn with each of her attractive feature made a little more so. Its really quite good.
The bodies are another thing. Not since Betty Boop's boobs were stilled by the censors, have we seen a young body as naturally sexy as this. There's nothing seductive or intended or cheap or erotic about it. Its just that all the parts move as they should, under modest clothes. I really was amazed, especially at the attention paid to her rear end.
The step mother is something else. She moves with exaggerated erotic intent. She has huge bosoms and a nearly invisible waist. And then again huge thighs. Where the younger just walks, this puffy dominatrix swings. There's clearly some intent by the filmmaker here to get some sort of message across about the undesirability of overt sexuality. It zoomed right past me just in my astonishment at Ella's motion.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
We all know how fairy tales go, the happily ever after ending, but did you ever wonder if there was some sort of monitoring going on to make sure that everyone had a happy story? Well, that's what this story is about, only Cinderella has another man in her life that wants her heart, a slave, Rick, who wants a happy ending of his own. But when Cinderella's step mom finds out about the monitoring, she takes over and wants the villains for once to win the day.
Happily N'ever After is a silly film, but it was all in good fun, you have got to admit that the prince character was pretty funny, when he was admitting all his failures and started crying. There were some fun moments also, I think people were a little too harsh on the film, just give it a look for yourself, it's not unique, but it's just a fun little animated film that I think just got over looked.
5/10
¿Sabías que…?
- TriviaThis is Sarah Michelle Gellar and Freddie Prinze Jr.'s fifth film together. They recorded many of their scenes in the same studio, which is rare for a full-length animated film.
- ErroresAt 23:56, Jack is smaller than the giant's foot and gets stuck to his heel but then at 28:33 and 28:41, he's as big as the sole and is under the arch.
- Citas
Munk: Are you sure about this?
Rick: No. Act cool.
Rick: [to Troll guards] Hey I'm just tryin' to put money in your pocket playa. Yo.
Munk: Umm... Yo?
Mambo: Yo! We're cool. We're low. We're on the down low. The DL. Down low. Way down we're slowly rolly polly oly.
Mambo: [after Munk pulls him away from the guards] Hey! What's wrong with you? I'm down!
- Créditos curiososSomewhere in the final credits we find out that "Step Mother" gets new friends in a very cold place.
- ConexionesFeatured in Cartoon Corner: Happily N'Ever After (2014)
- Bandas sonorasHappy Doesn't Have to Have an Ending
Written by They Might Be Giants
Performed by They Might Be Giants
Published by TMBG Music
Courtesy of Idlewild Recordings
Selecciones populares
- How long is Happily N'Ever After?Con tecnología de Alexa
- Why is the title "Happily N'Ever After" and not "Happily Never After"?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Happily N'Ever After
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 47,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 15,589,393
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,608,244
- 7 ene 2007
- Total a nivel mundial
- USD 38,085,778
- Tiempo de ejecución1 hora 15 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1