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La hora 25

Título original: 25th Hour
  • 2002
  • R
  • 2h 15min
CALIFICACIÓN DE IMDb
7.6/10
189 k
TU CALIFICACIÓN
POPULARIDAD
3,004
558
Edward Norton in La hora 25 (2002)
Trailer
Reproducir trailer2:32
5 videos
99+ fotos
DramaDrama carcelarioDrama psicológico

Acorralado por oficiales de la DEA, un narcotraficante reevalúa su vida en las 24 horas que tiene antes de enfrentar una pena de siete años de cárcel.Acorralado por oficiales de la DEA, un narcotraficante reevalúa su vida en las 24 horas que tiene antes de enfrentar una pena de siete años de cárcel.Acorralado por oficiales de la DEA, un narcotraficante reevalúa su vida en las 24 horas que tiene antes de enfrentar una pena de siete años de cárcel.

  • Dirección
    • Spike Lee
  • Guionista
    • David Benioff
  • Elenco
    • Edward Norton
    • Barry Pepper
    • Philip Seymour Hoffman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.6/10
    189 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,004
    558
    • Dirección
      • Spike Lee
    • Guionista
      • David Benioff
    • Elenco
      • Edward Norton
      • Barry Pepper
      • Philip Seymour Hoffman
    • 503Opiniones de los usuarios
    • 170Opiniones de los críticos
    • 69Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 premios ganados y 17 nominaciones en total

    Videos5

    25th Hour
    Trailer 2:32
    25th Hour
    A Guide to Spike Lee Joints
    Clip 2:03
    A Guide to Spike Lee Joints
    A Guide to Spike Lee Joints
    Clip 2:03
    A Guide to Spike Lee Joints
    25th Hour
    Clip 1:30
    25th Hour
    25th Hour
    Clip 1:23
    25th Hour
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best
    Video 2:02
    What Are Scorsese and Spike Lee Really Like on Set? Anna Paquin Knows Best

    Fotos115

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    Elenco principal75

    Editar
    Edward Norton
    Edward Norton
    • Monty Brogan
    Barry Pepper
    Barry Pepper
    • Francis Xavier Slaughtery
    Philip Seymour Hoffman
    Philip Seymour Hoffman
    • Jacob Elinsky
    Rosario Dawson
    Rosario Dawson
    • Naturelle Riviera
    Anna Paquin
    Anna Paquin
    • Mary D'Annuzio
    Brian Cox
    Brian Cox
    • James Brogan
    Tony Siragusa
    Tony Siragusa
    • Kostya Novotny
    Levani
    Levani
    • Uncle Nikolai
    Misha Kuznetsov
    • Senka Valghobek
    Isiah Whitlock Jr.
    Isiah Whitlock Jr.
    • Agent Flood
    Michael Genet
    Michael Genet
    • Agent Cunningham
    Patrice O'Neal
    Patrice O'Neal
    • Khari
    Al Palagonia
    • Salvatore Dominick
    Aaron Stanford
    Aaron Stanford
    • Marcuse
    Marc H. Simon
    Marc H. Simon
    • Schultz
    Armando Riesco
    Armando Riesco
    • Phelan
    Brad Williams
    • Trader #1
    Bear
    • Trader #2
    • (as Bear Jackson)
    • Dirección
      • Spike Lee
    • Guionista
      • David Benioff
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios503

    7.6188.6K
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    Opiniones destacadas

    wellthatswhatithinkanyway

    If you do something wrong in life,you've only got yourself to blame.Right?

    STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

    Spike Lee is a truly revolutionary director in terms of the presentation of his films and the motivations behind his stories.Though the genre and content of their stories differ fairly enormously,he is in fact a lot like a latter day Alfred Hitchcock in terms of how he presents his films,like the characters involved and the inspiration behind the premise.

    The premise here is a deeply original,inspiring and intriguing one,concerning Marty (Edward Norton) a drug dealer who is about to go to prison for seven years.The film follows him around on his last day of freedom,and,rather than waste too much time on a hindering,unnecessary sub-plot concerning his attempts to find the person who ratted him out,wisely opts to be an engaging character study of a man who,though able to acknowledge he knew full well what he was doing and the criminal life he was getting himself involved in,is still able to question the possible circumstances and immoralities that may have helped his descent into crime.

    The two main people who help organise his last free night are his childhood buddies Frank (Barry Pepper) a sleazy stockbroker who plays with people's investments and Jakob (Phillip Seymour Hoffman) a repressed drama teacher,who,throughout the course of the film,gives in to a lustful temptation toward a feisty student of his named Mary (Anna Paquin).Though Marty is the one facing the lengthy jail sentence,the moral dilemma the film constantly raises is whether he is actually any more of a criminal than his two best mates,who are really as equally manipulative and sly as he is.The film brilliantly contrieves to present these characters to the audience,and have them develop their own opinion on what their fates should be.

    The driving point of the film however,is condemnation.At the beginning,we see Marty reveal his sensitive side to the audience by rescuing a stray dog who appears to have been discarded by it's owner who,though vicious and nasty toward him,he still finds it in his heart to adopt and love,despite the protestations of his large friend.But then the opening credits ensue,and it's a dark,droning opening theme and that prsents the tone of the movie.Then,straight afterwards,we're shown Marty's not-so-sensitive side,as he trys to brush off a man he turned into a drug addict.Lee intelligently and absorbingly weighs out Marty's good points and bad points,and shows that,despite dealing in a criminal profession,he's not all bad and can be quite nice at times.Yet we're also shown a man who wasted all his potential.If he'd tried a little harder,he could've been a doctor or a chef,his father (Brian Cox) points out to him.We also see that he was once a very gifted basketball player,and could possibly have pursued that further,but alas,didn't.He also tries to blame everyone and everything else for his current predicament,until finally accepting that he was in control of his own destiny and must now pay the price.At the end,he is given the choice:accept he did wrong,pay his debt and go and serve his time in jail,or turn and run.The decision he makes will determine the audience's final impression of him.

    It does drag a little towards the end,but generally speaking,Spike Lee is a master of his craft and this is a strong contender for the first great film of 2003.****
    9Kungloa

    A different kind of movie..

    This great picture by the greatly discussed Spike Lee is one of a kind. What really makes this shine through the constant rubble being made by either incompetent directors or inexperienced ones is first of all, the incredible acting and for that you need great characters that are well thought-out and second comes the frighteningly real and tragic story. Which Lee handles with utmost care and outstanding precision.

    Lee's trademarks are present here and the cinematography suits the feel of the movie very well. The final product feels very polished, but true to the story and it is those small things that some of us notice, those details that separate a veteran from a novice. There are some weak points, but they are only minor.

    The acting here is top notch. Norton convinces once again and makes for a great heartfelt performance and Hoffman is equally impressive. However, I was completely blown away by Pepper. Barry Pepper. He 'was' continuously Frank and very consistent in his acting. The scene where he breaks down and Norton thanks him in a way for what he has done is one of the most beautiful scenes I have ever seen. It felt so authentic.

    Furthermore, I can keep writing about how great this movie is or how good the acting, but eventually you have to decide for yourself. I can only recommend it.

    So, I say to you, if you can, see this movie as soon as possible.
    josevcutts

    A powerful and haunting parable.

    As 'A Spike Lee Joint,' 25th hour is a paradigm, filled with Lee's typical style and directorial vigor. A flowing, feature length music video, containing a story that is coherent, topical and, above all, strongly analytical in its approach to the characters, 25th Hour is the story of mid level drug dealer (Monty Brogan – Ed Norton) whom, on his last day before being incarcerated for his elicit trade, must make peace with his family and friends, answer to his Red Mafia suppliers, say farewell to the city he so obviously loves and, ultimately, accept that he is now in receipt of justified dues.

    With a post 9/11 setting in NYC, the script deviates from the book (which was written pre-9/11) only slightly in order to encompass the destruction, yet the atmosphere is set with the opening credits and a slice of dialogue during the first quarter (followed by some beautifully filmed cutaways to a sodium lit nighttime clean-up crew, working in Ground Zero) which leaves the audience with no alternative but to associate the main characters' desperate tableau with plight of the city in the aftermath of tragedy. This could perhaps beg the question: What was so bad about how Monty made his living to warrant the end of his life (in effect) in the 25th Hour?

    This is a question answered before it's asked, with the first scene after the opening credits showing an exchange between Monty and a disheveled wreck of a man who is quite clearly one of his customers. It's further reinforced in a later flashback to Monty's earlier days as a dealer when the same man approaches Monty dressed in business attire. The destruction of others for personal gain is something that will not - and quite rightly so - go unchallenged.

    A subplot concerns blame, where Monty vilifies and accuses everyone in the city, himself included. However, later in the film, the injustice of this is rectified with a simple shot of the various people, looking upon him with sympathy – the personification of this being a small boy offering a sign of friendship. Monty's own redemption begins and is represented by him expressing his brotherhood to the child in return.

    Relying somewhat on symbolism and hidden meanings, there are a number of subtexts, as well as ample opportunities to read into the narrative more than is intended, but the overall message is clear: culpability is in the hands of the bearer, and with his last 24 hours of freedom sifting away and the eponymous 25th Hour quickly approaching Monty must see that blame can only lie with himself.

    25th Hour's greatest achievement is in relaying a subtle, but highly relevant parable in a manner of storytelling that is both enjoyable and compelling. Very few words are wasted and the dialogue remains taught and muscular throughout. The editing, acting, score, direction and cinematography are all of the very highest standard. It could've been very easy for a film of this nature to fail by being presented as an embarrassing lecture. Thankfully 25th Hour is definitely no lecture, but a powerful and haunting movie.
    6eebmtl

    Scattered, overlong, some fine performances.

    Like buckshot, all over the place. Somewhere in here there is a very good (maybe great) film, but it needs to lose 20-35 minutes.

    That being said, fine performances all around.

    Spike needs to preach less, stop trying to use "cool" camera and editing techniques, leave that to the music video crossover directors.

    Spike Lee is a better director than this movie would lead someone to believe.
    9Justin Harris

    Absolute perfection. It's as great as the book.

    I read the novel 'The 25th Hour' before I even knew it was going to be adapted into a movie and I absolutely loved it. I thought it was one of the best books written in the last ten years. Being a huge fan of Spike Lee and Edward Norton, I was extremely excited when I found they were making it into a film.

    However I will admit I was a bit skeptical to whether Spike Lee could pull the film off, but when I saw the trailer I had a new found faith in it and I'm sorry to of doubted him. I saw the film yesterday and was just amazed. It's nearly flawless and is almost exactly like the novel which was written by David Benioff (who also wrote the screenplay).

    The characters in the film are great. You got Monty Brogan (Norton) who's looking at seven years for drug dealing charges. It's his last day of freedom and he's just trying to tie up any loose ends before he goes. Then you got his two friends, Frank Slaughtery (Barry Pepper) and Jakob Elinsky (Philip Seymour Hoffman) who each have to deal with the fact that their best friend is going away for seven years, but also have their own demons to deal with. You also have his girlfriend, Naturelle Rivera (Rosario Dawson) who must deal with it as well and must also deal with the fact that she's suspect on who could have sold Monty out to the DEA. And finally you have James Brogan (Brian Cox), Monty's father. He's a hard working guy who obviously wished that things didn't turn out the way they did. One last night for Monty to set things straight and also make decisions.

    The film sticks almost exactly to the novel, but there are slight differences. Since the novel was written in 2000 and the movie was filmed during 2002, Spike Lee and David Benioff included the mentioning of the attacks on New York and the aftermath, which I applaud Lee for. He didn't cop out and try to ignore it like others. It was necessary to capture the emotion of what New Yorkers are facing and among that, what the characters have to face with Monty going to prison. There are also slight differences and cut outs from the book to make the film flow easier, but I was disappointed with only one thing that the film didn't include. In the novel, Monty constantly thinks of how he always wanted to be a fireman. While firemen references and his father was a fireman are all mentioned in the film, it didn't really tackle Monty's regret of never becoming a fireman, like it did in the book. But the film makes up for that one thing by being terrific all around.

    There are some stellar performances here. Edward Norton is always great in everything he plays, but in this film he is just excellent. The 'F**k You' scene he has when he's staring in the mirror is just excellent and I hope he gets an Oscar nomination for this role (he was robbed from one for American History X). Barry Pepper is in his greatest performance yet as the tough guy stockbroker. Philip Seymour Hoffman was great as Jakob, the high school teacher. Dealing with his attraction to his student, Mary (Anna Paquin). Rosario Dawson really made me feel for her and it was great to see more of her in a film. Brian Cox doesn't have a huge role, but he's great as Monty's father. I would also like to give praise to Tony Siragusa for his performance as Kostya. He was dead on with the accent.

    So without going on any further, I just have to say that '25th Hour' was really great and is now one of my favorite films of all time.

    SCORE: 9 out of 10 (excellent)

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Edward Norton says he took every penny he made from Dragón rojo (2002) to finance this film.
    • Errores
      The tattoo on Nikolai's hand means "I'll survive" (not "to survive" as he says). Besides, it is misspelled (in the 3d letter).
    • Citas

      [Monty standing in the men's bathroom, talking to himself in a mirror with "FUCK YOU!" written on it]

      Monty Brogan: Yeah, fuck you, too. Fuck *me*? Fuck *you*, Fuck you and this whole city and everyone in it. Fuck the panhandlers, grubbing for money, and smiling at me behind my back. Fuck the squeegee men dirtying up the clean windshield of my car - get a fucking job! Fuck the Sikhs and the Pakistanis bombing down the avenues in decrepit cabs, curry steaming out their pores stinking up my day. Terrorists in fucking training. SLOW THE FUCK DOWN! Fuck the Chelsea boys with their waxed chests and pumped-up biceps. Going down on each other in my parks and on my piers, jingling their dicks on my Channel 35. Fuck the Korean grocers with their pyramids of overpriced fruit and their tulips and roses wrapped in plastic. Ten years in the country, still no speaky English? Fuck the Russians in Brighton Beach. Mobster thugs sitting in cafés, sipping tea in little glasses, sugar cubes between their teeth. Wheelin' and dealin' and schemin'. Go back where you fucking came from! Fuck the black-hatted Chassidim, strolling up and down 47th street in their dirty gabardine with their dandruff. Selling South African apartheid diamonds! Fuck the Wall Street brokers. Self-styled masters of the universe. Michael Douglas, Gordon Gekko wannabe mother fuckers, figuring out new ways to rob hard working people blind. Send those Enron assholes to jail for FUCKING LIFE! You think Bush and Cheney didn't know about that shit? Give me a fucking break! Tyco! Worldcom! Fuck the Puerto Ricans. Twenty to a car, swelling up the welfare rolls, worst fuckin' parade in the city. And don't even get me started on the Dom-in-i-cans, 'cause they make the Puerto Ricans look good. Fuck the Bensonhurst Italians with their pomaded hair, their nylon warm-up suits, their St. Anthony medallions, swinging their Jason Giambi Louisville Slugger baseball bats, trying to audition for "The Sopranos." Fuck the Upper East Side wives with their Hermès scarves and their fifty-dollar Balducci artichokes. Overfed faces getting pulled and lifted and stretched, all taut and shiny. You're not fooling anybody, sweetheart! Fuck the uptown brothers. They never pass the ball, they don't want to play defense, they take five steps on every lay-up to the hoop. And then they want to turn around and blame everything on the white man. Slavery ended one hundred and thirty seven years ago. Move the fuck on! Fuck the corrupt cops with their anus-violating plungers and their 41 shots, standing behind a blue wall of silence. You betray our trust! Fuck the priests who put their hands down some innocent child's pants. Fuck the church that protects them, delivering us into evil. And while you're at it, fuck J.C.! He got off easy! A day on the cross, a weekend in hell, and all the hallelujahs of the legioned angels for eternity! Try seven years in fuckin' Otisville, J.! Fuck Osama Bin Laden, al-Qaeda, and backward-ass cave-dwelling fundamentalist assholes everywhere. On the names of innocent thousands murdered, I pray you spend the rest of eternity with your seventy-two whores roasting in a jet-fuel fire in hell. You towel-headed camel jockeys can kiss my royal Irish ass! Fuck Jacob Elinsky. Whining malcontent. Fuck Francis Xavier Slaughtery my best friend, judging me while he stares at my girlfriend's ass. Fuck Naturelle Riviera, I gave her my trust and she stabbed me in the back, sold me up the river, fucking bitch. Fuck my father with his endless grief, standing behind that bar sipping on club sodas, selling whisky to firemen, and cheering the Bronx Bombers. Fuck this whole city and everyone in it. From the row-houses of Astoria to the penthouses on Park Avenue, from the projects in the Bronx to the lofts in Soho. From the tenements in Alphabet City to the brownstones in Park Slope to the split-levels in Staten Island. Let an earthquake crumble it, let the fires rage, let it burn to fucking ash and then let the waters rise and submerge this whole rat-infested place.

      [pause]

      Monty Brogan: No. No, fuck you, Montgomery Brogan. You had it all, and you threw it away, you *dumb* *fuck*!

    • Créditos curiosos
      Special Thanks ... Bruce "Da Boss" Springsteen
    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
    • Bandas sonoras
      Warm It Up Kane
      Written by Big Daddy Kane (as Antonio Hardy)

      Performed by Big Daddy Kane

      Courtesy of Warner Bros. Records Inc.

      By Arrangement with Warner Special Products

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    Preguntas Frecuentes

    • How long is 25th Hour?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de junio de 2003 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • 25th Hour
    • Locaciones de filmación
      • West 4th Street Basketball Court, Greenwich Village, Manhattan, Nueva York, Nueva York, Estados Unidos
    • Productoras
      • Touchstone Pictures
      • 25th Hour Productions
      • 40 Acres & A Mule Filmworks
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 5,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 13,084,595
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 108,865
      • 22 dic 2002
    • Total a nivel mundial
      • USD 23,936,003
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 15 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 2.35 : 1

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