Swing

Tony Gatlif himself has gypsie-blood flowing through his veins. He uses the medium film to bring a spark of the life that there is in all people who are or feel connected with gypsies. Their music is the essence of their life and tells more than words ever could. After staying in Andulacia in the world of flamenco (Vengo), Gatlif now pictures the 'manouche' in France. A little french boy (Max), staying with his grandmother during the summerholidays, is fascinated by the way 'manouche' guitar is played. He finds himself a music teacher and learns much more about the people he's suddenly surrounded by, than only how to play guitar... The 'actors' often just show their own life and tell their own history... and when they make music, it is spontaneously and real. This doesn't give the effect of a 'dull' documentary style, but makes the 'plot' look like an extra. Through the eyes and the heart and the openess of Max, you get to know these people who remind you of the fact that you are really 'alive' !

Thanks again Tony Gatlif !

The music is the star of this film. And the musicians, of course. The story of the growing friendship of Max and Swing is a nice and well played structure holding the whole thing together, as Max learns about Swing's people and gets accepted into their life. If you know the music of the "Hot Club of France" and the power of Django Reinhardt's playing, then you don't want this film to end. I wonder if Mandino Reinhardt (who plays himself) is a descendant of Django - sure plays like one!

Watch this movie.

It has the most beautiful soundtrack and is visually superb.

The casting is very good and the story quite haunting. The movie loses track slightly about a third of the way through but hang in there!

Highly recommended.

If one favors the traditional model of fiction film and does not accept freer and more open narrative structures, «Swing» is not a recommended film. It may even seem too foreign for a consumer of mainstream cinema produced by Europe and the United States, for someone who is habituated to the pace of those films, to the point of provoking an unjust rejection of this particular tape of motion picture. Tony Gatlif combines conventional narrative storytelling techniques with the approach to subjects found in anthropological documentary, with testimonies, natural actors and long musical sequences. With the emphasis put on music in «Swing», these sequences have the primary purpose of rescuing "marginal" cultural forms, interspersed with the "classical", perhaps in search of new forms of expression as a means of survival. «Swing» is a film about culture shock and loss: first, it shows the clash of different visions of human relationships, between Max, the French boy who simply observes and becomes excited with music and love, and Swing, the gypsy girl who alternates between pubescent girl and adult woman, willing to lead a juvenile version of marital life. On the side of loss, the film deals with the absence of the loved ones and the disappearance of the cultural supports that give meaning to the life of the group of gypsies. The great musician Tchavolo Schmitt shines in his role, as well as the two children playing Max and Swing, Oscar Copp and Lou Rech. A beautiful film.

Characterized by both gentle and frenetic rhythms, the vibrant music of the Manouche resounds throughout Swing the latest film by director Tony Gatlif. The Manouche are Gypsies living in the Alsace area of France whose music combines the rhythm, melody, and emotion of their own culture with the jazz, swing, and blues of American. Gatlif, of Algerian and Gypsy ancestry, has made numerous films dealing with Gypsy cultures around the world such as the acclaimed 1993 documentary Latcho Drom. This film not only provides a unique insight into Gypsy life but is also a charming coming-of-age story about two unlikely friends.

Max (Oscar Copp) is a blond-haired, blue-eyed French ten-year old who is on vacation at his grandmother's house. He is drawn to Swing (Lou Rech), a boyish-looking girl of his age and is captivated by the music that is an integral part of her life. Fascinated by the guitar music of the Django Reinhardt School played by Miraldo (Tchavolo Schmidt), he buys an old guitar and asks Miraldo to give him lessons in exchange for help in writing letters to the Welfare Department. Max and Swing explore the natural beauty of the countryside together, wandering along the lost roads and hidden rivers of the French countryside. When she invites him to musical evenings at her home, he learns the history and songs of the Manouche and their tribulations during the holocaust.

The story is slight and not fully realized but it doesn't matter. The film is not about the story but about the people, their music, and their way of life. Gypsies have been one of the most persecuted ethnic minorities throughout history. Like the Jews, their numbers were decimated during the Holocaust and their heritage and traditions are in jeopardy. Gatlif says, "I'm simply trying to transmit something that is disappearing… I am trying to be a witness". Swing transmits that "something" with meaning and joy.