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6.1/10
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Los Ángeles, finales de la década de 1980. Jacki, de casi 40 años, lidera la banda punk femenina Clam Dandy en busca del estrellato. Una última oportunidad para triunfar a lo grande antes de... Leer todoLos Ángeles, finales de la década de 1980. Jacki, de casi 40 años, lidera la banda punk femenina Clam Dandy en busca del estrellato. Una última oportunidad para triunfar a lo grande antes de abandonar los sueños.Los Ángeles, finales de la década de 1980. Jacki, de casi 40 años, lidera la banda punk femenina Clam Dandy en busca del estrellato. Una última oportunidad para triunfar a lo grande antes de abandonar los sueños.
Ashley Eckstein
- Punk Rock Girl
- (as Ashley Drane)
Nancy M. Pimental
- Natalie
- (as Nancy Pimental)
Exene Cervenka
- Self
- (material de archivo)
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Based on the reviews I'd read of this film, I knew it could go either way: a supercheesy, false account of a "chick band," or an entertaining and authentic movie about rock music and the people who make it. Unfortunately, it went the supercheesy and false way.
Gina Gershon, Lori Petty, and Drea de Matteo are three of my favorite actors, and one of the few good--though thoroughly shallow--things I can say about the movie is that the women all looked fantastic (especially Gershon). De Matteo maximized her role as the strung-out Tracey; she's the only one who really shone.
One of the film's greatest flaws was incorporating so much of the band's music into scenes. The music was no great shakes, and especially unfortunate is Gershon's voice, which is thin and amateurish. By the time the movie reached its final fifteen minutes I was ready to hit the "mute" button.
Also irritating was the inauthenticity of the film and its characters, who postured endlessly about "rock and roll" this and "rock and roll" that. It's been my experience, as part of the New York City music scene, that no one who plays music talks that much about the "rock and roll lifestyle"!
The film handled issues such as rape and death with a very heavy hand, with a series of unrealistic plot twists--I'm thinking of what happens to Petty's character here in particular. Bad dialogue abounded.
All in all, only the attractiveness of the characters--particularly Gershon, whose tattoos and leather pants are irresistible, and for whom I've had a soft spot since "Bound"--makes this movie worth renting.
Gina Gershon, Lori Petty, and Drea de Matteo are three of my favorite actors, and one of the few good--though thoroughly shallow--things I can say about the movie is that the women all looked fantastic (especially Gershon). De Matteo maximized her role as the strung-out Tracey; she's the only one who really shone.
One of the film's greatest flaws was incorporating so much of the band's music into scenes. The music was no great shakes, and especially unfortunate is Gershon's voice, which is thin and amateurish. By the time the movie reached its final fifteen minutes I was ready to hit the "mute" button.
Also irritating was the inauthenticity of the film and its characters, who postured endlessly about "rock and roll" this and "rock and roll" that. It's been my experience, as part of the New York City music scene, that no one who plays music talks that much about the "rock and roll lifestyle"!
The film handled issues such as rape and death with a very heavy hand, with a series of unrealistic plot twists--I'm thinking of what happens to Petty's character here in particular. Bad dialogue abounded.
All in all, only the attractiveness of the characters--particularly Gershon, whose tattoos and leather pants are irresistible, and for whom I've had a soft spot since "Bound"--makes this movie worth renting.
I just want to respond to some of the comments I've read here. First of all, this movie absolutely GETS IT RIGHT. Yes, rock musicians do really talk like that. I know this because I am one and so are all of my friends. Yes, most of the rock musicians I know really dress like that and really do all that drinking & drugging. And about the music...if the music was good, there'd be no movie, get it? They'd have gotten signed long ago so there'd be no hard times, no conflict. They even said during the movie that she couldn't sing! You want bad acting & great music, go watch Purple Rain. You want to watch a movie about what the rock life is really like, watch Prey For Rock and Roll.
I like it, but dang- I was expecting just a fun punk rock movie, but instead got a movie that gets pretty dark and serious. And that ending nearly ruins it for me, but... well, all in all, it does still have a fun punk rock feel about it, so I can't hate it on the whole.
Worth noting is that the film's star, Gina Gershon was coached by real-life Rock star Joan Jett on how to properly play electric guitar, and if you really pay attention, you can see Joan's influence in her stance and mannerisms as-well. Also, the tie/rope necklace Gina wears throughout the film was given to her by Joan. That said, Gina's way of talking and other things about her say more Chrissie Hynde of The Pretenders to me (the Rock star Gina herself says she relates to more, in real life). All in all, it seems she basically channels a combo of the two.
The whole film is well-made and casted, and if it weren't for how depressing it gets, I would like it a lot more than I do, but I still like it. Besides, one thing a lot of people don't seem to realize is that this movie is loosely based on the real-life impressions and recollections of a woman named Cheri Lovedog during her time working in and around the music scene. And she who actually wrote the story for the film (so no, not based on Joan Jett as some of her fans joke). Thus, I guess the dark details needed to be in there for authenticity.
FYI- my girl Joan Jett was supposed to make an appearance in this film AND the guitar parts in the songs were supposed to be done by her on the soundtrack, but financial issues and disagreements between Joan's team and the movie's team meant that Joan dropped out and the idea for her cameo was abandoned, and her guitar parts replaced. Too bad too, cause there're some good songs in this movie.
Worth noting is that the film's star, Gina Gershon was coached by real-life Rock star Joan Jett on how to properly play electric guitar, and if you really pay attention, you can see Joan's influence in her stance and mannerisms as-well. Also, the tie/rope necklace Gina wears throughout the film was given to her by Joan. That said, Gina's way of talking and other things about her say more Chrissie Hynde of The Pretenders to me (the Rock star Gina herself says she relates to more, in real life). All in all, it seems she basically channels a combo of the two.
The whole film is well-made and casted, and if it weren't for how depressing it gets, I would like it a lot more than I do, but I still like it. Besides, one thing a lot of people don't seem to realize is that this movie is loosely based on the real-life impressions and recollections of a woman named Cheri Lovedog during her time working in and around the music scene. And she who actually wrote the story for the film (so no, not based on Joan Jett as some of her fans joke). Thus, I guess the dark details needed to be in there for authenticity.
FYI- my girl Joan Jett was supposed to make an appearance in this film AND the guitar parts in the songs were supposed to be done by her on the soundtrack, but financial issues and disagreements between Joan's team and the movie's team meant that Joan dropped out and the idea for her cameo was abandoned, and her guitar parts replaced. Too bad too, cause there're some good songs in this movie.
PREY FOR ROCK AND ROLL (2003) *** Gina Gershon, Drea da Matteo, Lori Petty, Shelly Cole, Marc Blucas, Ivan Martin, Eddie Driscoll, Greg Rikaart, Sandra Seacat, Ashley Drane, Joannah Portman. Highly energetic and scrappy depiction of women in rock and roll and the dreams that always seem within grasp even if it takes decades to achieve. Gershon (she also co-executive produced and sings and performs all her own original songs to boot) is the lead singer (think the love child of Iggy Pop and Joan Jett) of a woman's rocking band attempting to score a recording contract to a ticket to the big time but the usual melodramas of bad choices in boyfriends, drugs and life in general delay them despite their game camaraderie and love for one another. The autobiographical screenplay by rocker Cheri Lovedog (and Robin Whitehouse) shows the warts and all look at a tough industry with some tough cookies clawing their way to gain some respect for their artistry (and from within). Petty gives her best performance since `Point Break' while da Matteo and Cole provide enough sugar and spice to mix things up believeably. Great soundtrack and again Gershon (who I love) clearly shows her blood, sweat and tears in this personal project with her trademark ballsy yet vulnerable and sexy-as-hell aplomb; she shoots and scores! (Dir: Alex Steyermark)
Prey for Rock and Roll is a great movie for anyone who likes to rock, especially women who have grown up admiring the likes of Joan Jett, Ann and Nancy Wilson, Lita Ford, Chrissie Hynde, or any women in the predominantly male music industry who have taken control of their music rather than allow themselves to be molded into the industry's "male fantasy" of a female musician. (Britney Spears, are you listening?) But it's not a movie only for women -- I saw PFRR with a guy, and he loved it. We are looking forward to the soundtrack coming out -- great music. Just to balance out my comments, my very small criticism is that once or twice (and only once or twice) a line sounded a little canned or flat, but I tend towards overanalyzing in that regard. (I won't say which lines so I don't give the movie away.) But overall the dialogue was great, very real, with a lot of humor also thrown in. The interactions between characters were great for building them up beyond 2-dimensions. (For example, Jackie's relationship with her mother made Jackie's character more interesting, Tracy's relationship with her boyfriend made her boyfriend more interesting -- a role that could have otherwise easily have been a caricature instead of a character. Ivan Martin was also great in the role.) I would definitely recommend this movie to anyone ready for a movie that balances the heavy (harsh aspects of life) with the light (finding the humor in life and following your dreams).
¿Sabías que…?
- TriviaJoan Jett served as a consultant on the film but ended up suing the production company for breach of contract after they only paid her $20,000 of her $100,000 fee; the producers admitted they were not able to fully compensate Jett after running into financial difficulties.
- ErroresJacki gives Faith a tattoo. Faith shows the tattoo to Sally and says, "Jacki just did it today." The Tattoo showed no signs of being new at all. No redness, no swelling, no irritation and no Vaseline covering it. It looked as if it had been done months ago.
- Bandas sonorasMy Favorite Sin
Written by Cheri Lovedog
Performed by Gina Gershon, Sara Lee, Cheri Lovedog, Samantha Maloney, Gina Volpe
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 58,040
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,835
- 28 sep 2003
- Total a nivel mundial
- USD 86,277
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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