A mi madre le gustan las mujeres

Sofia is the loving mother of three daughters, a concert pianist, and a lesbian -- in that order.

Her recent discovery of her lesbian sexuality, and her relationship with Eliska, an illegal alien from the Czech Republic, is almost incidental to the film. It is certainly presented in a very matter-of-fact way, taken for granted as entirely natural and acceptable. It is not milked for titillation or homophobic humor.

In fact, despite this movie's title and marketing, the fact that Sofia likes women is merely the plot device that sets things in motion and drives the action of the film. (It is also the subject of the very catchy and bouncy title song.)

The real message here is that Sofia is totally in charge of every facet of her life -- something her three daughters emphatically are not. This is especially true of the middle daughter, Elvira. She is the heroine of "My Mother Likes Women".

Where Sofia is a creative artist, Elvira doubts her ability and keeps her first novel hidden in a drawer. Where Sofia is a passionate lover, Elvira screws up every relationship with a man, including her shrink.

By the end, however, Elvira learns to stand up for herself and go after what she wants in life -- and the audience stands up and cheers.

this movie is funny. there are many elements for various plots. the characters are enjoyable as well. the story is cute. but, it lacked strength for a lesbian movie. the relationship between the mother and her young girlfriend seems very much similar to that of the relationship with her daughters. there was no chemistry and no intimacy beyond hugs. yet, the daughters are caught in deep, romantic kisses and the beginnings of sex scenes with men throughout the film. it's quite unfortunate to me that a movie with the main theme of a romantic relationship between 2 women does not have the strength to show that beyond hugs. i believe that censoring took away from the worth of the movie.

This movie was really not that bad. I saw this movie as part of my class for Spanish writing, and I was pleasantly surprised. Unless you're studying Spanish, you'd probably prefer this movie in subtitles, but that's okay. Even though a few things that were said in this movie that were funny flew over my head at times, whether it be that Spanish humor is different than American humor or that I just didn't keep track of all that was said, it was still rather funny.

The basic plot of the movie centers around a woman who is the middle child in a family consisting of a mother, a father, and three daughters, of which she is the middle daughter. The mother and father are divorced, and, as the literal translation of the title implies, the mother became a lesbian and began to live with a woman who is around the age of the woman that the plot centers around. The movie is basically about how this main woman, the middle child, copes with this change in her life, both on a family level and on her relationships with men.

In the aspect about this working-class woman questioning her sexuality, this movie is quite a bit like the recent "Kissing Jessica Stein". The family aspect of the movie is a lot like "Soul Food", although the mother in "Soul Food" wasn't a lesbian. Either way, this movie wasn't a rip-off of either of these movies. The movie was altogether very original, and it had a theme which was very universal. I think that any American that sees this movie will relate to it in some way. It does take place in modern-day Spain, but could easily take place in America or Great Britain, or anywhere else within reason.

There is one other thing. The funniest part of this movie is when the youngest daughter, who is in a rock band, sings a song about her mother being a lesbian. The reaction of her family in the audience is classic. I give this movie a 9/10.

In Madrid, the divorced middle-age pianist Sofía (Rosa Maria Sardà) discloses to her daughters Elvira (Leonor Watling), Gimena (María Pujalte) and Sol (Silvia Abascal) on the day of her birthday that she is in love with the talented Czechoslovak pianist Aliska (Eliska Sirová), who is twenty-years younger than she.

The bigoted sisters are shocked with the revelation and do not accept the idea that their mother is lesbian. Elvira is an insecure and neurotic young aspirant writer that has a lousy job in a publishing house; Sol is the singer of a rock band; and Gimena is married with a boy and has a troubled marriage with Raúl.

When they discover that her mother has lent all her savings to support the education of Aliska, they decide to seduce the girlfriend to make her leave their mother. But when Aliska returns to her country alone and their mother is very depressed, they need to try to revert the situation. Meanwhile the nervous Elvira meets the writer Miguel (Chisco Amado) and has a clumsy relationship with him.

"A Mi Madre le Gustan las Mujeres" is a witty, funny and highly entertaining comedy with a delightful story of prejudice against sexual preference. The unknown (in Brazil) Leonor Watling is simply fantastic in the role of an unstable end neurotic young woman.

There are memorable scenes, like Sol singing her song dedicated to her mother in a rock'n'roll concert; or Elvira having lunch with her boss and Miguel; or the groom kissing the bride in the wedding. In the end, I laughed a lot with this light-hearted dramatic comedy. My vote is seven.

Title (Brazil): "Minha Mãe Gosta de Mulher" ("My Mother Likes Woman")

My Mother Likes Women (A mi madre le gustan las mujeres) is a romantic comedy lacking the genius of Almodóvar but showing his influence in the madcap passions of the mostly female principals – the mother, Sofía (Rosa Maria Sardà), a pianist; her new young Czech pianist girlfriend or novia, Eliska (Eliska Sirová); and her three daughters, who all wind up with boyfriends in the course of their unsuccessful attempt to separate Eliska from mamá. Eliska does leave mamá, on her own, and returns to Prague (whence a brief musical travelogue à la Bollywood), and she leaves, moreover, with mamá's money, but she pays it back and returns to mamá, at the daughters' own prompting, once they realize how selfish they were being.

It's all about gently shocking bourgeois sensibilities, and it ends in the happy multiple couplings of classic comedy. The opening scene is only titillating if you're amused by the daughters' variously nervous or hysterical responses to the news that the new 'love' their mother has found is a girl. We're given an instant set of 'mujeres al borde di un ataque di nervios' -- only 'women on the verge of a nervous breakdown' may not be an accurate translation of Almodóvar's title: in Spain an 'attaque de nervios' seems to be more like a hissy fit. Amusement at female discomfort is mingled with sympathy for a 'situation' that is really, in any conventional family, pretty hard to swallow. Most of the action focuses not on the happy, if temporarily separated, female couple, but on daughters Elvira (Leonor Watling), Jimena (Maria Pujailte) and Sol (Silvia Abascal), and primarily on the most neurotic of the three, Elivira.

After several false starts due to self-sabotage, Elvira lands an appealingly slim and famous writer of fat novels. Sol, the rock singer daughter, who performs an embarrassing song exposing her mother's proclivities, lands Eliska's brother. The third, married daughter, Jimena, gets divorced from her unsympathetic husband and hooks up with a garden entrepreneur whose company name is 'Plántate,' a moniker that means 'plant yourself,' which I guess they all do, on the screen anyway. Jimena and Señor Plántate meet by the crude, but handy, method of their vehicles colliding in a Madrid street.

It would be tempting to say this whole movie is a car crash. But that would be unfair: however these two lady directors' cinematic efforts must suffer by comparison with the increasingly brilliant and surreally beautiful creations of Pedro Almodóvar, its tumultuous plot only occasionally falters. Ines París and Daniela Fejerman know something about neurotic women, and My Mother Likes Women entertains so long as you can keep up an interest in its largely contrived series of episodes. It has a pleasing cast, a sense of motion, and the bonus of some nice, not too schmaltzy classical piano music. But despite the hip premise of late-blooming maternal lesbianism, it's really utterly conventional and barely skin deep.