CALIFICACIÓN DE IMDb
5.1/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaWith help from his cousin, an emigrant of India adjusts to life in Houston while attending college.With help from his cousin, an emigrant of India adjusts to life in Houston while attending college.With help from his cousin, an emigrant of India adjusts to life in Houston while attending college.
- Dirección
- Guionistas
- Elenco
Indi Wijay
- Raju Mathews
- (as Indy Wijay)
Opiniones destacadas
The movie (seems more like a documentary, though long) is good, a good once a worth watch time pass but clearly does not depict Indians. There might be some special cases but not all bag are douche bag. Never mind, a good to see comic case of a special middle class Indian moving to Western world and watch it out for fun.
All the comments by other users above this one are true and genuine. the funny situation lies with the acting - the cousin sings outside his gf's house 'hum dil de chuke sanam' and the one when the friends act like a gujrati and punjabi. And the punjabi daddy is awesome.
The two girls were just OK but the guys rocked with acting skills.
All the comments by other users above this one are true and genuine. the funny situation lies with the acting - the cousin sings outside his gf's house 'hum dil de chuke sanam' and the one when the friends act like a gujrati and punjabi. And the punjabi daddy is awesome.
The two girls were just OK but the guys rocked with acting skills.
If you liked Harold & Kumar, then you may find this movie funny. However, it is not a movie centered around drugs like the afore-mentioned was. There is a weed scene in Where's the Party, but nothing on the scale of Harold & Kumar.
Basically there are 2 general groups of people that will find this particularly funny: 1) Kal Penn fans.
2) Anyone who finds racial stereotypes funny.
As a whole, this movie had some pretty funny moments in it. However, it big time paled in comparison to Harold & Kumar go to Whitecastle.
If you fall into one of the two categories above, check this movie out. If not, you'll probably want to skip this movie and pick something else instead.
Basically there are 2 general groups of people that will find this particularly funny: 1) Kal Penn fans.
2) Anyone who finds racial stereotypes funny.
As a whole, this movie had some pretty funny moments in it. However, it big time paled in comparison to Harold & Kumar go to Whitecastle.
If you fall into one of the two categories above, check this movie out. If not, you'll probably want to skip this movie and pick something else instead.
I thought that this movie was fairly funny. However, if you are not open minded and do not find Indian accents funny, then do not watch this movie. This movie is about a guy (Hari) that is straight from India (thick accent, nerdy clothes, tennis shoes, and uses baby powder for deodorant) who is trying to fit in with other Americanized Indians and others. The stereotyping in this movie is hilarious, it's just good olé racial funnies that I can relate to since I'm of a different origin myself. This movie is nothing like Harold and Kumar Go To White Castle, however it does have some stoner composed scenes, as a matter of fact there's only one scene where weed is even in the movie. Also, this movie is very low budget so it is not the best of movies, but in my opinion it is the humor that makes this movie. If you do watch this movie, Hari's friend is the funniest one in this movie, so if you do not think that he is funny, you might want to turn off this movie. He's the one with the longest name in Indian history.
"Dude where's the Party?" (Where's the Party Yaar?) is yet another movie that deals with young Indian Americans, and it really doesn't offer a whole lot new or interesting. The territory covered here about Indians (Desi) is old hat, the humor very stale and as painfully unfunny as an SNL skit gone awry. There is absolutely nothing wrong with revisiting familiar plot lines, but they could at least be done in more interesting ways.
Kal Penn (Harold & Kumar) is the only one that gives out a performance with any kind of decency here, probably because he is for all intents and purposes the only real actor in this film. Everyone else in this movie is a rank amateur, better suited for a church Christmas play written by a 45+ year old Uncle (Indian parent or "adult"), then a mass marketed film. The film is about Hari Patel, a well intentioned kid from India who travels to America to study engineering and meet his true love as proclaimed by one of his village elders (in an over the top campy performance) back in India. Hari excited as ever, goes to Houston, TX where moves in with his super cool cousin Mohan "Mo" Bakshi and his family. Kal Penn's Mo character instantly is disgusted by his FOB (fresh off the boat) cousin and is embarrassed that he has to introduce Hari to all his equally super cool and very shallow friends at U of H. And Mo has every good reason to be repulsed by Hari. Hari dresses like an idiot, smells like curry, makes a mess of the family bathroom, and speaks in a loud and obnoxious voice. Essentially Hari Patel is a FOB character exaggerated to the nth degree, a total caricature of the real deal. His accent is exaggerated to the point of sounding fake, and his clothes and hair are just terrible. I've encountered several newly arrived Indian immigrants in my lifetime, and even the worst of them with their slacks and white tennis shoes do not act as unbelievably stupid as Hari Patel does here. There is a hollow ringing moral lesson at the end of the film, where the shallow cool Indians learn how to better treat the FOBs.
Basically the essential reason Indian Americans have been confused about their identities and so many flicks like this have exploded onto the scene is because Indians can't stop being Indian. It's not because the Indian culture is so vastly different from American culture or Western culture as a whole. No, there are many Eastern European countries and Middle Eastern countries whose cultures can be eerily similar to "Indian culture" and it's strict parental rules. But if they are White or fair skinned White looking, they can easily blend into American culture far more easily. When was the last time you heard of confused Russian American kids? Yeah they don't exist. But as an Indian you carry India with you everywhere you go and this more then anything else is the root of the struggle for ABCDs (American Born Confused Desi). You'll always be Indian in America or any other country, and you will always be way too American/Western if you go back to India. That's likely the reason that there are more of these type of movies depicting Indian American trials then there are East Asian American struggles. Asian Americans have been around in the United States for so long and overall just tend to blend in better then Indians do. Indian skin complexion tends to stand out, we look like "foreigners" even if you are super cool like the club hopping Indian kids in this movie. Add to that we have only been around in significantly large numbers since the 1970s and there you have the answer.
Certainly there has been a Desi explosion in American/Western pop culture in recent years, in no way did I even imagine all this mainstream Indian exposure as a kid growing up back in the 80s and 90s. It clearly took a generation of Indians to grow up in America to bring Desi culture to the pop forefront, because our parents generation certainly wasn't going to do it. I've been hard on this film but it did have it's moments too, I especially liked the boy band serenade with the Hindi remix. I liked how the movie showcased Desi culture in Houston, as opposed to New York, Chicago, or Philly. I also loved how it showed a variety of Indian subcultures, not just North Indians which is what is usually done in the other flicks. I was happy that there was no big melodramatic Indian wedding,---though a fist fight between two Uncles would have been hilarious. I myself have never really been immersed in the young Indian American culture, but growing up ABCD you'll still know it very well in many ways. The characters parents live in giant homes that are essentially mini mansions, a favorite of many Indians (especially Malayalees) who aspire to live in the posh Houston suburb of Sugarland---but usually at hard cost cutting standards for those that don't have the natural income to live in such large homes. It was also surreal for me to hear Malayalam actually spoken on screen. "Where's the Party Yarr?" should probably be given it's dues just for being yet another Desi movie that did try and one that might make us less strange to the general American public. With a few exceptions, no one could figure out quite how to do these kind of films back in the 1990s, and it was pure fantasy in the '80s. I don't want to even begin to imagine what it was like for the very early Indian American youth back in the '70s. Keep making Indian American/Western flicks, but get bolder...and funnier. I'm still waiting for that great Desi film or novel that will echo what Amy Tan did for Asians with "The Joy Luck Club".
Kal Penn (Harold & Kumar) is the only one that gives out a performance with any kind of decency here, probably because he is for all intents and purposes the only real actor in this film. Everyone else in this movie is a rank amateur, better suited for a church Christmas play written by a 45+ year old Uncle (Indian parent or "adult"), then a mass marketed film. The film is about Hari Patel, a well intentioned kid from India who travels to America to study engineering and meet his true love as proclaimed by one of his village elders (in an over the top campy performance) back in India. Hari excited as ever, goes to Houston, TX where moves in with his super cool cousin Mohan "Mo" Bakshi and his family. Kal Penn's Mo character instantly is disgusted by his FOB (fresh off the boat) cousin and is embarrassed that he has to introduce Hari to all his equally super cool and very shallow friends at U of H. And Mo has every good reason to be repulsed by Hari. Hari dresses like an idiot, smells like curry, makes a mess of the family bathroom, and speaks in a loud and obnoxious voice. Essentially Hari Patel is a FOB character exaggerated to the nth degree, a total caricature of the real deal. His accent is exaggerated to the point of sounding fake, and his clothes and hair are just terrible. I've encountered several newly arrived Indian immigrants in my lifetime, and even the worst of them with their slacks and white tennis shoes do not act as unbelievably stupid as Hari Patel does here. There is a hollow ringing moral lesson at the end of the film, where the shallow cool Indians learn how to better treat the FOBs.
Basically the essential reason Indian Americans have been confused about their identities and so many flicks like this have exploded onto the scene is because Indians can't stop being Indian. It's not because the Indian culture is so vastly different from American culture or Western culture as a whole. No, there are many Eastern European countries and Middle Eastern countries whose cultures can be eerily similar to "Indian culture" and it's strict parental rules. But if they are White or fair skinned White looking, they can easily blend into American culture far more easily. When was the last time you heard of confused Russian American kids? Yeah they don't exist. But as an Indian you carry India with you everywhere you go and this more then anything else is the root of the struggle for ABCDs (American Born Confused Desi). You'll always be Indian in America or any other country, and you will always be way too American/Western if you go back to India. That's likely the reason that there are more of these type of movies depicting Indian American trials then there are East Asian American struggles. Asian Americans have been around in the United States for so long and overall just tend to blend in better then Indians do. Indian skin complexion tends to stand out, we look like "foreigners" even if you are super cool like the club hopping Indian kids in this movie. Add to that we have only been around in significantly large numbers since the 1970s and there you have the answer.
Certainly there has been a Desi explosion in American/Western pop culture in recent years, in no way did I even imagine all this mainstream Indian exposure as a kid growing up back in the 80s and 90s. It clearly took a generation of Indians to grow up in America to bring Desi culture to the pop forefront, because our parents generation certainly wasn't going to do it. I've been hard on this film but it did have it's moments too, I especially liked the boy band serenade with the Hindi remix. I liked how the movie showcased Desi culture in Houston, as opposed to New York, Chicago, or Philly. I also loved how it showed a variety of Indian subcultures, not just North Indians which is what is usually done in the other flicks. I was happy that there was no big melodramatic Indian wedding,---though a fist fight between two Uncles would have been hilarious. I myself have never really been immersed in the young Indian American culture, but growing up ABCD you'll still know it very well in many ways. The characters parents live in giant homes that are essentially mini mansions, a favorite of many Indians (especially Malayalees) who aspire to live in the posh Houston suburb of Sugarland---but usually at hard cost cutting standards for those that don't have the natural income to live in such large homes. It was also surreal for me to hear Malayalam actually spoken on screen. "Where's the Party Yarr?" should probably be given it's dues just for being yet another Desi movie that did try and one that might make us less strange to the general American public. With a few exceptions, no one could figure out quite how to do these kind of films back in the 1990s, and it was pure fantasy in the '80s. I don't want to even begin to imagine what it was like for the very early Indian American youth back in the '70s. Keep making Indian American/Western flicks, but get bolder...and funnier. I'm still waiting for that great Desi film or novel that will echo what Amy Tan did for Asians with "The Joy Luck Club".
Well i got this movie in a big outside sale of a video club, cost 3$ so why not? After all it got Kal Penn, and yes its my own fault for buying something because i recognize the main star from a movie i like. Kal Penn mostly famous for the Harold & Kumar franchise play here one of the main character in this pre-Harold & Kumar movie. Kinda weird is that the other main character is name Hari Kumar Patel or something like that, which is the name of Kal Penn's character in Harold & Kumar. Anyway, this movie is rated G in Quebec which mean General Public, and therefore it was expected that there would not be raunchy stuff even tough Kal Penn hold panties on the front cover.
Some of the ideas where good, and the movie had a little something that didn't made it "bad" but it definitely need for laughing moments. Its one of those movie where it should be funny, but its not really and the best you can get out of it are a few smiles and maybe a chuckle or two. The main character is socially awkward coming from India and being very traditional and its mostly from him that the smiles come from. Kal Penn do very OK with the material he is offered but there was only one scene that more or less amused me.
This movie like many others enter the "cute comedy" category and i think when i was 10 or 12 i would had a lot of fun watching it, for that period of time, but in today's standard, it felt short.
I will admit the hard accents also made it hard for me to follow everything properly, as English ain't my first language in the first place. And i usually don't mind too much a comic relief side character with accent, having to follow an entire movie like this is kinda difficult. The movie is also full of India's music which where very annoying at time.
I think my biggest grudge against the movie is that with a title like "Dude, Where's the party" (probably cashing in on Dude, Where's my car) i was expecting a wild ride of a night movie, in the vain of "21 and over" only a bit softer. If you prefer take Ferris Bueller's day off as a better example in that rating category.
Anyway like i said, unlike some people if a movie does not amuse me that much but i still finish it and feel like "yah well OK" i will give it a 5 and say its OK, just not as good as i had hope for, but not that bad either. I remember Balls and Chain with the same Kal Penn which was not as good as i had hope for, but a bit better than this if my memory serve me well. In any case, i think outside the Harold and Kumar franchise and Van Wilder movies, there is nothing memorable from Kal Penn in term of comedy. Well Bachelor Party Vegas was nice thinking about it... not awesome but nice.
Some of the ideas where good, and the movie had a little something that didn't made it "bad" but it definitely need for laughing moments. Its one of those movie where it should be funny, but its not really and the best you can get out of it are a few smiles and maybe a chuckle or two. The main character is socially awkward coming from India and being very traditional and its mostly from him that the smiles come from. Kal Penn do very OK with the material he is offered but there was only one scene that more or less amused me.
This movie like many others enter the "cute comedy" category and i think when i was 10 or 12 i would had a lot of fun watching it, for that period of time, but in today's standard, it felt short.
I will admit the hard accents also made it hard for me to follow everything properly, as English ain't my first language in the first place. And i usually don't mind too much a comic relief side character with accent, having to follow an entire movie like this is kinda difficult. The movie is also full of India's music which where very annoying at time.
I think my biggest grudge against the movie is that with a title like "Dude, Where's the party" (probably cashing in on Dude, Where's my car) i was expecting a wild ride of a night movie, in the vain of "21 and over" only a bit softer. If you prefer take Ferris Bueller's day off as a better example in that rating category.
Anyway like i said, unlike some people if a movie does not amuse me that much but i still finish it and feel like "yah well OK" i will give it a 5 and say its OK, just not as good as i had hope for, but not that bad either. I remember Balls and Chain with the same Kal Penn which was not as good as i had hope for, but a bit better than this if my memory serve me well. In any case, i think outside the Harold and Kumar franchise and Van Wilder movies, there is nothing memorable from Kal Penn in term of comedy. Well Bachelor Party Vegas was nice thinking about it... not awesome but nice.
¿Sabías que…?
- TriviaThe film is based on Sunil Thakkar's own experiences running and throwing parties for the Music Masala radio station, and having to discriminate between "Fresh off the Boat" Indians and the more fashionable, hip, Americanized Indians. Ironically enough, Thakkar's character in the film is exactly the type of person he barred from parties in those days.
- Citas
Shyam Sunder Balabhadrapatramukhi: Did you know I'm good at math? Let's add you and me, subtract your clothes, divide your legs and multiply...
- ConexionesReferences Bombay Fantasy (1983)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Dude, Where's the Party?
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 85,739
- Fin de semana de estreno en EE. UU. y Canadá
- USD 48,832
- 7 sep 2003
- Total a nivel mundial
- USD 85,739
- Tiempo de ejecución
- 1h 50min(110 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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