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Nayak: The Real Hero

  • 2001
  • Not Rated
  • 3h 7min
CALIFICACIÓN DE IMDb
7.8/10
19 k
TU CALIFICACIÓN
Anil Kapoor in Nayak: The Real Hero (2001)
One-Person Army ActionPolitical DramaPolitical ThrillerActionDramaThriller

Un hombre acepta el desafío del primer ministro de Maharashtra de gobernar el estado por un día, y tiene tanto éxito que pronto se ve envuelto en intrigas políticas.Un hombre acepta el desafío del primer ministro de Maharashtra de gobernar el estado por un día, y tiene tanto éxito que pronto se ve envuelto en intrigas políticas.Un hombre acepta el desafío del primer ministro de Maharashtra de gobernar el estado por un día, y tiene tanto éxito que pronto se ve envuelto en intrigas políticas.

  • Dirección
    • S. Shankar
  • Guionistas
    • Anurag Kashyap
    • S. Shankar
  • Elenco
    • Anil Kapoor
    • Rani Mukerji
    • Amrish Puri
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.8/10
    19 k
    TU CALIFICACIÓN
    • Dirección
      • S. Shankar
    • Guionistas
      • Anurag Kashyap
      • S. Shankar
    • Elenco
      • Anil Kapoor
      • Rani Mukerji
      • Amrish Puri
    • 21Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 nominaciones en total

    Videos1

    Nayak - The Real Hero | Anil Kapoor | Rani Mukerji | Amrish Puri | Trailer
    Film Short 1:35
    Nayak - The Real Hero | Anil Kapoor | Rani Mukerji | Amrish Puri | Trailer

    Fotos18

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    Elenco principal37

    Editar
    Anil Kapoor
    Anil Kapoor
    • Shivaji Rao
    Rani Mukerji
    Rani Mukerji
    • Manjari
    Amrish Puri
    Amrish Puri
    • Balraj Chauhan (Chief Minister)
    Paresh Rawal
    Paresh Rawal
    • Bansal
    Johny Lever
    Johny Lever
    • Topi
    • (as Johnny Lever)
    Pooja Batra
    Pooja Batra
    • Laila
    Raja Krishnamoorthy
    • Shivaji's Father
    Neena Kulkarni
    Neena Kulkarni
    • Shivaji's Mother
    Shivaji Satam
    Shivaji Satam
    • Manjari's Father
    • (as Shivaaji Satam)
    Saurabh Shukla
    Saurabh Shukla
    • Pandurang
    Anupam Shyam
    Anupam Shyam
    • Balraj Chauhan's supporter
    Laxmi Ratan
    • QTV Channel boss
    Mahinder Shera
    • Sikh Tukaram
    Sanjeev Siddharth
    Indal Singh
    • Bus Driver who tries to commit suicide
    Mukesh Trivedi
    Sudhir Waghmare
    Sushmita Sen
    Sushmita Sen
    • Special appearance
    • Dirección
      • S. Shankar
    • Guionistas
      • Anurag Kashyap
      • S. Shankar
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios21

    7.818.6K
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    Opiniones destacadas

    sameerhalai

    Very nice movie

    What impressed me most about the movie is the tightness of the script. Events unfold one after the other. Neither too fast, nor too slow. Keeps you gripped. The events are coherent. Something you rarely see in Indian movies is people referring to events that have happened in the beginning of the movie. More often than not, the scripts are improvised on the sets and to maintain continuity the dialogues are abstract in nature so that the different parts gel in. To make a movie with cross references to subtle events needs you to have a script very firmly in place.

    Second good thing about the movie was the experimentation with Visuals. Though at some points I felt that they have just indulged into special effects without the need for it (they should use effects only where needed), but honestly I was very impressed by the efforts taken to meet quality standards.

    What has put off many people about the movie is the songs and dance and the unrealistic fights and some silly extremisms. Well the songs really don't have much bearing on the movie. And they have experimented with a very rustic style of entertainment which won't get wasted on everyone. As far as the fights and 'silly extremisms' go, I feel they tried to retain the HERO flavour which would really appeal to a large aspect of the masses.

    The movie has very innovative ideas and also dares to be different - thougt most of that part should be attributed to its South Indian Counterpart.

    I would say please go and see the movie. Its a nice experience. Appreciate it for its professionalism and technical expertise. Appreciate it for amazing dialogues and great performances by Paresh Rawal and Anil Kapoor both. It is a thought provoking film - something I feel the movie really set out to be. So its purpose is served.
    naz-1

    breath taking

    This film is the best ive ever seen sooo far. the music is wicked. the acting that anil kapoor did was really good. i personally think this film should win an award. rani acted brilliantly as well. i think its about time she and anil kapoor got an award. i love watching indian films. but this one is the best.

    so who ever reads this please watch this film you do not know what you are missing.
    9MuviFan73

    Well addressed thriller, on being an ideal social servant!

    Tone, Script & Story: The movie is how a press reporter is challenged to be a C.M for one day and continues to be in the long run as well. The tone of corrupt by many official's as well as being an ideal social servant by other few official's is portrayed well. The script is tight and it keeps you in your seat till end.

    It is sad how on thebasis of factors like caste, category and formed groups, formulate such violence. People belonging to such faction possess low I.Q and thus formulate violence even without knowing whole truth. It's a shame, that they can't act wisely.

    Direction, Screenplay, Cinematography: Direction of S. Shankar is good. Screenplay and cinematography is good as well, except for the part where I dint like animated serpents. Music: Music is good too. Acting: Acting from all leads is good as well.

    Final Verdict: Well addressed thriller on being a true social servant. Worth adding to your collection.
    8nadkarnisumeet

    One day CM is still politically relevant.

    After achieving fair amount of success dubbing his Tamil blockbusters - Kadhalan (1994) and Indian (1996) - in Hindi (as Humse Hai Muqabla and Hindustani respectively), noted Tamil director S. Shankar decided to make his first Hindi film which would be an official remake of his Tamil hit called Mudhalvan (1999).

    Anil Kapoor played the honest diligent TV reporter who gets to interview the corrupt chief minister (CM) Amrish Puri and attempts to expose his indifference which lead to State riots. In a knee jerk response, the CM offers his chair to the reporter for a day and Anil Kapoor ends up becoming the 'Ek Din Ka CM'.

    The interview sequence is the films highlight and both, Anil Kapoor and Amrish Puri, are brilliant here. The economic as well as political measures Anil Kapoor takes on becoming the CM also makes for an interesting watch.

    On the flipside, Rani Mukerjee's romantic track with Kapoor acts as a speed breaker to the narrative and even AR Rahman's score is not up to the mark.

    Corruption has been Shankar's recurring theme right from Gentleman (1993) to Anniyan (2005). Nayak also deals with his pet topic and offers food for thought that we need to elect well educated and well intention candidates to power.

    Despite being a box office failure, Nayak earned its due later on satellite television to emerge a cult classic. I had seen the film at Chitra cinema, Dadar on its first Sunday and still catch it whenever it comes on tv. Good and still relevant cinema!
    10rajputshri

    Beautiful movie anil kapoor acting beautifuly movie based on indian system

    Nobody expect this type of movies made again and again I think after 100 Years from now Nobody made like that script Or acting like anil kapoor , superstar and megastar anil kapoor and beautiful rani mukharji work beautifuly.

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    Argumento

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    • Trivia
      The famous 3D fighting scene in the car junkyard originally involved Anil Kapoor being dripped in water. He was also gym training for 7 months for this scene. At the time of the shoot, he refused to shave his body hair, and finally it was planned to smear him in mud. It was the first action scene in Indian Cinema to employ the use of computer effects and 36 different cameras were used simultaneously for a single scene. When Anil Kapoor stated that he was not really comfortable with facing the camera with his shirt off, Shankar replied that the scene was very crucial for the story and he can change the hero but not the scene.
    • Errores
      The final closing scene is supposed to show Mumbai being transformed into a modern city. While the first frame shows the Dharavi slums of Mumbai, the next morphed frame shows an existing American city. To add to this, the helicopter shown has an American registration.
    • Citas

      Bansal: This is not a paid crowd, not lured with chicken-and-booze. Not the ones laden on trucks. They're here because they want to. Because they believe. This is a good man, a good leader. He will give us a good future, he will give us good governance. Ask any man, and he will say he wants to become a doctor, a civil servant, but no man wants to become a leader. Ask them. Everyone shuns politics, because it's filth, but no one's willing to clean it up. They leave the country in the hands of old hyenas who don't even have time to live. In this country, every man aspires for a 20,000-buck job, right? And a pretty girl to marry. Come time to retire you expect to save up enough to buy half an acre of land in the suburbs. To build a 700 square feet house. Painted yellow, and a garden to recline in the sun, while reading newspapers and tell your wife "Darling, politics is ruining this country". You have no right to blame a politician. Had Mahatma Gandhi cozied up at home with his wife and kids, you would've been cleaning latrines in some Englishman's house. Had Thomas Alva Edison not left home, would we have electricity? Had Graham Bell thought like you, would we be using telephones? Even the silkworm, before it dies uses its spit to weave silk to be remembered by. And we are humans.

    • Conexiones
      Featured in 47th Filmfare Awards (2002)
    • Bandas sonoras
      Chalo Chale Mitwa
      Written by Anand Bakshi

      Composed by A.R. Rahman

      Performed by Udit Narayan and Kavita Krishnamurthy

      Courtesy of Super Cassettes Industries Limited (T-Series)

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    Preguntas Frecuentes17

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 7 de septiembre de 2001 (India)
    • País de origen
      • India
    • Sitio oficial
      • Watch Nayak on Disney+ Hotstar
    • Idioma
      • Hindi
    • También se conoce como
      • Nayak
    • Productoras
      • NH Studioz
      • Sri Surya Movies
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      3 horas 7 minutos
    • Color
      • Color

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