Sin salida

First things first - let's lay out the dirty linen: I avoided this thing during normal waking hours, given the 'noir' log-line and the Jim Belushi principal. But between 3 and 5 am, this film was pure gold. Sometimes things just work out that way, especially if you miss the first 10-20 minutes, as I did; years of insomniac viewing have taught me that some beginnings are better missed than seen.

Such was my approach to 'One Way Out' - and it paid off.

How could I have expected Jim Belushi to pull off a Michael Chiklis-like transformation and play a corrupt cop, caught between a rock and a hard place? In fact, the performance is so compelling that it threw me off of the main arc of the plot: While the story may be a bit formulaic, Belushi's performance is a wonderful distraction - I didn't even see the denouement coming, until I was watching it on screen.

In my opinion, this was a far, far better film than the Paltrow/Douglas/Mortenson vehicle of 'A Perfect Murder', as the actors here play against type, and triumph over the material.

Highly recommended! Furthermore, Angela Featherstone, Jason Bateman and Guylaine St. Onge provide excellent support. Not a dull moment.

While I'm not sure that I could recommend this film for viewing during the light of day, I *highly* recommend this movie for it's late night/early morning consumption. A qualified 8/10.

Clumsily-plotted thriller that has framed innocent James Belushi stumbling along trying to piece together the clues that prove he is not linked with the murder of a woman. Tired script relies on cliches and Belushi--a talented comedian and just plain funny guy--is way out of his league as a serious guy who has to show real emotions. I like Belushi--I don't like this movie.

Mediocre to an extreme.

2/5 stars.

• John Ulmer

Ever since "Thief" Jim Belushi has been one of those names that draw me past the mediocre reviews to give the movie a chance. Here, Jim plays a morally bankrupt police Inspector who is forced to participate in planning a murder. Things go awry, and eventually he is pulled into the investigation. A couple of coincidences add to the plot complications, and events unravel from there. Except for the opening scene (I mean, how often does this ever happen, except all the time in the movies) this is a reasonable, unpretentious movie, not really a whodunnit in the classic sense, but develops such elements later on. The acting is pro forma, but not bad; the cliches are no worse than normal, and the ending was, to me at least, predictable without being telegraphed. For a low budget, filmed in Canada (Montreal) movie, it was OK. 7 of 10 for meeting expectations, 4 of 10 for general quality.

Flawed on all levels, "One Way Out" plays out with the look and feel of a low budget t.v. drama. Belushi is at the center as a homicide detective with gambling debts who finds himself on the wrong end of a murder investigation. With pervasive mediocrity, the tortuous plot is the only reason to spend time with this flick and it is so full of plot holes as to require a sort of viewer numbness to be all it can be which little more than is a nice little time waster. For couch potatoes only. C-

I have to admit i am a fan of James Belushi in his Comedic film roles, but he does a decent job in this thriller as top homicide detective Harry Woltz.

Due to spiraling gambling debts he is forced into training a husband(Jason Bateman) who is treated badly by his rich wife, on how to commit the perfect murder without leaving any clues behind.

Their are a good few plot twists to keep you interested to the end of the movie, but most are predictable to us as we have seen them in many other similar movies.

Overall i would give the movie 6/10