Irreversible

A lot has been said about this movie. Yes, there are a couple of brutal and violent scenes. It's even hard to watch at times, but Irreversible is much more than that.

I personally think that the acting is great. There's a natural chemistry between the 3 main characters. Monica Bellucci does a wonderful job as Alex. I give her a lot credit for being involved in such difficult role.

I really like the way the story was told. Some people say that it's a rip off of Memento, and that it doesn't work well in this movie, but I have to disagree. The movie "starts" in a dark way, with a lot of graphic images and violence. But at the end there's this kind of peace, a little dose of happiness..."the calm before the storm". It works really well, and that's what make this a really sad story.

I really recommend this film. But like I said before, it can be hard to watch. Just watch it with an open mind and give it a try.

I just watched Irreversible....very difficult to watch. On the surface, the movie is very exploitive. It simultaneously arouses the two worst feelings possible: anger and helplessness. Below the surface, the movie may be more depressing than the rape of Monica Bellucci and the mistaken vengeance that it inspires. I think there's a deeper philosophical idea underlying this movie and it's not a happy one. At one point we see a poster of 2001: A Space Odyssey as the movie keeps segueing into the past. How is Irreversible related to 2001? Recall how Kubrick showed a very brief glimpse into the prehistory of humans at the beginning of 2001, before leaping far into the future Space Age? And in both time periods, Kubrick's work is imbued with a chronic pessimism about humanity. During the prehistoric era, our capacity to evolve and survive depended on the ability to create crude tools which we promptly used to exterminate rival gangs of pre-humans. In the Space Age our ability to break the bonds of Earth and explore Space depends on our ability to create more sophisticated tools: building and programming supercomputers, like HAL. But eventually that also winds up biting us in the ass. Noe, does the opposite, sort of. He shows segments of three individuals' lives but he starts in the Present and keeps going back further to the past. Noe seems intent on showing how what happens to humans is not just dependent on the past but, in fact, strictly determined by the past. At the end of the movie he has apparently gone all the way back to the Big Bang (Really intense flashing white light and sonic rumbling from the audio track). What is Noe getting at? Is it something more deeply pessimistic than even Kubrick dared imagine? What does Noe mean by the title "Irreversible" ?

Is it that conditions for the subsequent evolution of our universe were fixed by the initial conditions of the Big Bang and nothing can change what happens later; and the really radical idea that this strict determinism applies to human actions just as much as it does to, for example, star formation in some far-flung corner of the universe??? That humans do not in fact possess Free Will but are just part of the universe undergoing changes by responding to forces and psychological pressures which all follow precisely from what has happened in the past?? If this is what Noe is conveying, it is very very DARK in a way that goes beyond Kubrick: we're not just violent and hedonistic, we really don't have any choice in the matter. For Noe, being "One With The Universe" isn't a pop slogan from the 60's accompanied by warm feelings of emotional wellbeing; it's a stark physical fact involving a collapse to nihilism. As Time destroys everything, maybe there are no good or bad deeds, just simply "deeds", or as a physicist would call them, "events". Noe = Nietzsche ??: Psychologically, intelligent beings can't evolve in any other direction: the struggle for existence forces us to conceive of ourselves as Free. One of necessary preconditions in the struggle for survival may be intellectual Error. Our perception of ourselves as free sentient inner-directed Agents: just a little joke played on us by the universe as it bends us over and we take it in the Rectum.

"Irreversible": the universe as one big Process that, once set in motion, will evolve according to it's own laws and cannot be changed even by human awareness of this Process since our awareness is just one aspect that's been set in motion. Anyway, I hope this isn't what Noe intended because it's very depressing. And even if Noe didn't intend this, maybe it's true nonetheless. Scary thought.

This film won't be for everyone. There are two scenes that require a strong stomach, the camera work, initially at least, is near nausea inducing and the narrative structure, playing chronologically backwards to some may feel gimmicky.

I thought this was terrific though.

The plot is essentially a revenge thriller, where a sexual assault is avenged through a brutal act of violence.

The narrative structure works for me - starting with a brutal act of violence, then gradually plays out the events that led up to that point. It is frenetic, urgent and compelling. Vincent Cassel is brilliant as ever here too.

The trigger for the revenge is shown as a protracted sexual assault, and I'm sure many will consider it gratuitous. To describe it as such is kinda missing the point - its duration and violence makes the viewer complicit in the crime and is, in part intended to justify the act of violence that follows (though we the audience have already seen).

It would be easy to reduce the film to the narrative device and these two scenes. Those scenes do live long in the memory, but the film is more than that. Don't get me wrong, I have no intention of watching the film again, but that's because once is enough, doesn't make it any more compelling. I thought this was mint.

Holy Macaroni! Believe the hype, folks...this really IS one of the most shocking, confronting and raw movies ever made! It actually is one of those rare purchases that makes you wonder what the role of cinema is in modern society. Irréversible certainly can't be classified as 'entertainment', that's for sure. It merely looks like a brutal eye-opener, highly unpleasant to watch at times and it sometimes makes you even feel ashamed to be human! Some of the stuff here goes beyond your most feared nightmares and could easily provoke depression, anti-social behavior and anxiety among influential viewers. It's real-life drama and that makes it so powerful and shocking. Irréversible is told backwards, 'Memento'-style if you wish...only it's a lot more effective here as it was in Memento, which actually was a pretty boring and extremely overrated movie. This very simple backwards-structure aspect gives Irréversible the opportunity to implement a couple of unique and rarely seen style elements. The first half hour (which actually is the end of the story) smacks you in the face right away sets the tone for a non-stop, raw experience. Also, you don't really get to know the characters until the last chapter (which is actually the beginning of the film) The characters are a riddle to you constantly and you can't symphatise with any of them, since you just know too little. Through wild camera movements and simplistic techno-music, a claustrophobic and horrifying atmosphere gets created and the violence is really hard to digest. The infamous scene in which Monica Belluci brutally gets raped is one of the most perverted things I've ever seen. It seems to go on forever and you can really visiualise the painful hell the poor girl is going through. I'd call Irréversible a successful combination of ancient, rough exploitation and modern art-house film-making. The brutality portrayed here is typical for the euro-shock cinema but the stylish shooting lifts it up to Cannes Festival material. Cult as pure as it comes!

There aren't many films that make you feel uncomfortable, ill at ease and as uneasy as this one does, and there aren't many film directors who can achieve that result. Gaspar Noé however, has made a career out of presenting the reality we don't want to see, and with Irreversible he leaves you under no illusion of the torment, torture, distress and agony that can be inflicted on one person by another, with the resulting effects creating monsters out of otherwise rational and reasonable individuals. The acting and performances are outstanding, the editing and cinematography as disorientating as the events of the night dictate, and are sublime. The lines we walk between contentment and chaos exposed with shock and awe, leaves you thinking about your own existence and what might be around the next corner, with little or nothing you can do to prevent it.