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Todo Al Descubierto

Título original: Full Frontal
  • 2002
  • R
  • 1h 41min
CALIFICACIÓN DE IMDb
4.7/10
11 k
TU CALIFICACIÓN
Julia Roberts, Catherine Keener, and Blair Underwood in Todo Al Descubierto (2002)
Home Video Trailer from Miramax
Reproducir trailer0:48
2 videos
22 fotos
SátiraComediaRomance

Un día en la vida de un grupo de hombres y mujeres en Hollywood, en las horas previas a la fiesta de cumpleaños de un amigo.Un día en la vida de un grupo de hombres y mujeres en Hollywood, en las horas previas a la fiesta de cumpleaños de un amigo.Un día en la vida de un grupo de hombres y mujeres en Hollywood, en las horas previas a la fiesta de cumpleaños de un amigo.

  • Dirección
    • Steven Soderbergh
  • Guionista
    • Coleman Hough
  • Elenco
    • Julia Roberts
    • David Hyde Pierce
    • David Duchovny
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.7/10
    11 k
    TU CALIFICACIÓN
    • Dirección
      • Steven Soderbergh
    • Guionista
      • Coleman Hough
    • Elenco
      • Julia Roberts
      • David Hyde Pierce
      • David Duchovny
    • 171Opiniones de los usuarios
    • 85Opiniones de los críticos
    • 45Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Videos2

    Full Frontal
    Trailer 0:49
    Full Frontal
    Full Frontal
    Trailer 0:48
    Full Frontal
    Full Frontal
    Trailer 0:48
    Full Frontal

    Fotos22

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 16
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    Elenco principal60

    Editar
    Julia Roberts
    Julia Roberts
    • Francesca…
    David Hyde Pierce
    David Hyde Pierce
    • Carl
    David Duchovny
    David Duchovny
    • Gus
    Nicky Katt
    Nicky Katt
    • Hitler
    Catherine Keener
    Catherine Keener
    • Lee
    Mary McCormack
    Mary McCormack
    • Linda
    Blair Underwood
    Blair Underwood
    • Calvin…
    Enrico Colantoni
    Enrico Colantoni
    • Arty…
    Erika Alexander
    Erika Alexander
    • Lucy
    Tracy Vilar
    Tracy Vilar
    • Heather
    Brandon Keener
    Brandon Keener
    • Francesca's Assistant
    Jeff Garlin
    Jeff Garlin
    • Harvey, probably
    David Alan Basche
    David Alan Basche
    • Nicholas's Agent
    Terence Stamp
    Terence Stamp
    • Man on Plane…
    Nancy Lenehan
    Nancy Lenehan
    • Woman on Plane
    Brad Rowe
    Brad Rowe
    • Sam Osborne
    David Fincher
    David Fincher
    • Film Director
    Jerry Weintraub
    Jerry Weintraub
    • Jerry
    • Dirección
      • Steven Soderbergh
    • Guionista
      • Coleman Hough
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios171

    4.711.4K
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    Opiniones destacadas

    seanchai321

    Nod and Wink a full movie doth not make.

    What as waste of energy. Sure you could see where they wanted to go, if it hadn't been made a 1000 times by independants and students. Was Soderburgh trying to re-create something from his "Sex, Lies..." days? This movie can be summed up in that it was a student film made by Hollywood trying to be self-referential. If you were in on the jokes and the cameo/guest appearances then you were in on the movie, otherwise, for most - you're out. Nodding and winking at your clever, in-jokes at Hollywood does not make a movie.

    What was Terence Stamp doing there?
    boris-26

    Great idea, bad handling

    I wish FULL FRONTAL was just better made, that's all. As somebody who in works in Digital Video, it just would of been great to see members of the Hollywood A-list (Soderburgh, Julia Roberts, Brad Pitt, etc etc) be in a great, crowd pleasing film that was made with the video equipment I use. Instead, we had a confusing film that caters to an art-house crowd, or at least, tries to. Too many times, the camera is operated in a way to say "Hey look, don't pay attention to the story, pay attention to this sun-glare, or bad zoom.)
    skymovies

    That don't impress me much

    Too dreary to work as a satire, too wrapped up in its own cleverness to engage; this is an insubstantial vanity piece that might have been entertaining to make but isn't much fun to watch. I'd have thought that if Soderbergh wanted to show off, he could have come up with something better than this collection of over-scripted (and not particularly original) gimmicks.

    It might have worked had we spent more time in the company of the interesting peripheral characters (the theatrical Hitler, Gus the producer) than listening to the self-absorbed droning of the others. Film students will probably love it.
    5Quinoa1984

    A royal and celebrity supported dud

    Steven Soderbergh, who has films like the epic Traffic, the fun Ocean's Eleven and cooly out there Out of Sight, goes back to his roots of Sex, Lies and Videotape which is awfully tricky, and unfortunately doesn't succeed. Soderbergh's style here is getting a story of a movie within a movie possibly within another universe somewhere, all squeezed into the Hollywood underbelly of LA. One story tells of Julia Roberts as a reporter interviewing Blair Underwood, and it works fairly until at one point it almost turns to a behind the scenes thing where we can spot Soderbergh himself (humorously but un-needingly) with a censored black box over his face, and then showing and maybe not showing Underwood and Roberts as themselves. Another story has David Hyde Pierce as a man in his early fourties who gets fired after a beer comparison, and then even another story focuses on a small theater group trying to put on a play about Hitler with Nicky Katt giving the best performance of the entire time length as an actor who compares other famous directors works to his. And I just scraped the surface of what else pops up here.

    In other words, despite a couple of funny jabs, a laugh out loud respect to Brad Pitt and some trying to be decent in acting, the film doesn't work cause the switching between real film and digital grain aspect will allude many of the filmgoers and confuse them to the point where they dont know when the movie lost it's main core and becomes a movie about nothing- like a behind the scenes DVD disc made into a movie. Soderbergh needs to get back to what he does best, if only so Julia Roberts can do something else as well. C
    3claudio_carvalho

    A Huge Waste of Talented People

    `Full Frontal' is maybe my greatest deception this year. Directed by Steven Soderbergh and having such a cast, I would not believe that the film could be such a crap. There are lots of characters, but none of them is well developed. Therefore, the viewer sees many famous actors and actresses on the screen and is not able to understand who they are, what are their motives, where they are. The plot is very confused, and some actors and actresses perform more than one role. The image and photography are horrible, using a kind of fake Dogma '95 style. I do not know how such talented people could be part of such a mess: friendship or big money? Anyway, a huge waste of talented people and of my time and money, in a film that never works. My vote is three.

    Title (Brazil): `Full Frontal'

    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      Steven Soderbergh attached the following list of rules to the screenplay to his low budget ($2 M) film with a huge list of stars:
      • 1. All sets are practical locations.
      • 2. You will drive yourself to the set. If you are unable to drive yourself, a driver will pick you up, but you will probably become the subject of ridicule. Either way, you must arrive alone.
      • 3. There will be no craft service, so you should arrive on set "having had". Meals will vary in quality.
      • 4. You will pick, provide, and maintain your own wardrobe.
      • 5. You will create and maintain your own hair and make-up.
      • 6. There will be no trailers. The company will attempt to provide holding areas near a given location, but don't count on it. If you need to be alone a lot, you're pretty much screwed.
      • 7. Improvisation will be encouraged.
      • 8. You will be interviewed about your character. This material may end up in the film.
      • 9. You will be interviewed about the other characters. This material may end up in the finished film.
      • 10. You will have fun whether you want to or not. If any of these guidelines are problematic for you, stop reading now and send this screenplay back where it came from.
    • Errores
      Catherine's black notebook and pen suddenly appear on the airplane armrest between shots, after her tape player clicks.
    • Citas

      Carl: I think Lee is like... Have you ever seen a dog get hit by a car but walk away? And there's this impact and you know something terrible has happened to that dog but it walks away and it doesn't seem to even realize the implications cause it just goes on. But you know that something terrible has happened inside this dog. That's, I think, what happened to Lee. It's like she's a dog that got hit by a car, and she walked away and she's still walking, but some very, very important things inside her are damaged.

    • Créditos curiosos
      Brad Pitt is credited as playing 2 characters: "Brad Pitt" and "Himself".
    • Versiones alternativas
      An extended version was released in 2013 in the Blu-Ray released by Echo Bridge Entertainment. It runs for 112 min (instead of 101 in the theatrical version) and expands several scenes, rearranges the order of some others and takes out two scenes.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: Blood Work/Full Frontal/The Master of Disguise/Martin Lawrence Live: Runteldat (2002)
    • Bandas sonoras
      Sarah
      Composed and Orchestrated by Jacques Davidovici

      Published by Telfrance (Administered by Marada USA/Criterion, for USA and Canada)

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    Preguntas Frecuentes20

    • How long is Full Frontal?Con tecnología de Alexa
    • What are the differences between the Theatrical Version and the Extended Version?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de mayo de 2003 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Full Frontal
    • Locaciones de filmación
      • Nueva York, Nueva York, Estados Unidos
    • Productoras
      • Miramax
      • Populist Pictures
      • Monophonic Inc.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 2,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 2,512,846
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 739,834
      • 4 ago 2002
    • Total a nivel mundial
      • USD 3,438,804
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 41min(101 min)
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
      • SDDS
    • Relación de aspecto
      • 1.85 : 1

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