8 Mile: Calle de ilusiones

Rap is not my cup of tea. But this movie is very well interpreted and perfectly holds water!

Those who are saying `8 Mile' shows a vanilla-ed Eminem may have a point: this movie introduces him to a non-rap audience just as `Wild Style' introduced us to hip-hop. But those who say Eminem is sanitized here for mall viewing have an odd notion of language. Perhaps his CD's contain more inflammatory material than is aired in this movie, but what gets said here is most definitely not for any suburban grandmothers who aren't stone deaf.

It's surprising - admirable, really - how well Curtis Hansen and his crew keep track of the plot from scene to scene when not much of it seems to matter other than Rabbit's problems with his mother, Stephanie Smith -- Kim Basinger. Bassinger is a blue ribbon southern white trash trailor park mom. You can't help feeling that with minor tweaking she could be the mother of a Grosse Pointe prep school boy, a lady whose problem was overspending instead of imminent eviction from a stinky trailor. Bassinger makes trashiness look attractive, just as she made movie star decay attractive when Hansen directed her in `L.A. Confidential' six years ago. Rabbit's problems with girlfriends aren't significant, though he has two of them, an ex and a new one. Both are delicious but primed for rejection. Rabbit's closest relationships are with his emcee pal `Future' (played by an utterly charming and huggable Mikhi Pfifer) and his slightly retarded token white homie, Cheddar Bob (Evan Jones).

But his closest relationship of all is with himself, as is clear from the first scene, where Eminem is doing rap gestures in the competition shed men's room, looking in the mirror, hearing his music in his head --and this is fine, because it's what a young man has to do: get on friendly working terms with who he is. The movie is about his going off to be on his own and give up his rowdy playmates to become a winner, and he walks off by himself in the final scene. The comparison with Shakespeare's Henry IV isn't out of place. The Shakespearean parallel was used explicitly for Keanu Reeves' character in `My Own Private Idaho' but the theme is really more central here. Eminem isn't a cold personality like Keanu Reeves in Van Sant's movie. He is close to his mates and they're always touching hands and gently hugging each other. The hands and the hugs are one of the main images that stay with you after seeing `8 Mile.'

Eminem as shown in `8 Mile' isn't totally motivated by his anger at all. His anger is very contained. He seems able to turn it on and off at will and release it only when he needs it -- to trounce rap competition or throw out his mom's sleazy boyfriend. It's his ability to control his anger that makes both Rabbit and Eminem winners.

Eminem does have an authenticity about him that makes for a strong presence on screen. Paradoxically he projects a powerful inwardness, so that his turning away from everybody makes his face jump out at us. His effect is of authenticity, because he doesn't put on a reaction to please the audience or suit the scene, but he is always there, moving with the scene and in fact creating it.

`8 Mile' isn't just a vehicle for Eminem. It's too well made a movie to be that. But without Eminem `8 Mile' wouldn't exist. The only importance of the rapping contests emceed by `Future' is that first Rabbit shies away from them, and then he enters them and wins them. You have to wonder how the rapper/actors feel who are in the movie only to be put down by Eminem.

`8 Mile' cannot escape from the limitations of the fictionalized star biopic. There have been dozens of movies about emerging music stars and their families, their early sponsors, their first big breaks, and so on, many of them with more range and specificity of detail than this one. This movie only takes its hero to the moment when he walks away, having shown that he can be a star. The whole focus is on his personality, and in particular his stillness. The most important moments are those when Rabbit/Eminem stands with mike in hand, silent, waiting for inspiration to strike. Even when he choses not to compete and hands the mike back, this moment is full of power. In this movie Eminem carries the expression of sheer imminence, raw potential, to a new level of clarity and confidence.

This rapper is good just standing there.

I was afraid of this movie. For a long time I feared that one day, Eminem WOULD make a movie - and that movie would suck!!!!

Along it came, and you know what? It didn't suck. Man, was I relieved.

I have never been able to put a finger on Mr. Mathers' rapping skills, I think his technique is amazing. His rhymes are sharp and intelligent and he always performs them with pure justification. But could he take this to the big screen? He succeeded. In his debut movie he managed to play it real and natural. He had good on screen chemistry with pretty much all the characters, but especially with Brittany Murphy (Uh, gotta love that sex scene... That was hot.)

The final battles in the movie, are the absolute climax. If you ever had any doubts about Eminmems talents - one way or the other - you definitely know his worth now!

• Some might say that it must be easy to play yourself, and it's not a secret that this movie is somewhat autobiographic. But it sure takes guts to put yourself out there like that, well done.

So 8/10

I confess to be the age of rap fans parents, and my musical taste is far from rap. However, this is a surprisingly good movie, that makes justice and throws light on the world of the rappers. There is social content, there is artistic logic and truth, it is a strong documentary and emotional film and story.

Much was said about the acting of Eminem - what can I add. If one is an artist, you may be multi-faceted, and this may be the case with Eminem. He is good, and may some day make a career by acting other parts than himself. Overall, I liked the movie, and I am surprised! 8/10 on my personal scale.

It is rare that an established filmmaker and production company create something that young people are able to grasp the complete meaning of. Intellectual jargon or unnecessary vagueness of plot often take precedence over lucidity and appeal.

Eminem's "8 Mile" has managed to break this cycle, presenting in poignant audio/video style the nature of the life so many of our nation's youth live, and how despite it all there always remains the possibility to break through.

The film's meaning is largely overt, not subtle, and makes itself available to a much wider variety of viewers than most films with any sort of dramatic moral. Just look at the box office reports for "8 Mile"s opening weekend.

I won't attempt to speculate on the effect the film will have among our youth, but I personally believe it will be positive in nature. It will be impossible for this film to become as transient as an action blockbuster or as esoteric as a cult classic. It's depth and range of appeal are simply unparalleled in our time.