CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
James Cameron y Bill Paxton director y actor de la película Titanic, viajan al fondo del mar donde yacen los restos del barco de los sueños.James Cameron y Bill Paxton director y actor de la película Titanic, viajan al fondo del mar donde yacen los restos del barco de los sueños.James Cameron y Bill Paxton director y actor de la película Titanic, viajan al fondo del mar donde yacen los restos del barco de los sueños.
- Premios
- 1 nominación en total
Lori Johnston
- Self
- (as Dr. Lori Johnston)
John Broadwater
- Self
- (as Dr. John Broadwater)
Charles Pellegrino
- Self
- (as Dr. Charles Pellegrino)
Anatoly M. Sagalevitch
- Self
- (as Dr. Anatoly Sagalevitch)
Opiniones destacadas
Nicely done, but no shock and awe here. I can't give it more than a 7 out of 10 for Paxton's progressively more melodramatic narration and Cameron's too-heavy reliance on the computer gimmickry, but neither hurt it so much as to take away the effect of seeing Titanic up close and personal. My only other complaint was that Cameron somehow managed not to take full advantage of the IMAX-sized screen. I kept waiting for some soaring shots of the various sides and parts of the boat, but it seemed like he always had the camera right up against them where you couldn't get a full measure. I kept thinking, "Dammit, man, back up." And the CG overlays really did start to irritate me a bit. I wanted to see the boat, but often as soon as the CG effects wisped away, it cut to something else. Overall I guess I thought it a little too cluttered technically and not enough lingering over the human touches.
As for the 3D, I thought it did increase the impact some, more than being a mere novelty, but I agree with Roger Ebert that Ghosts would have been a perfect showcase for Maxivision 48. Someday maybe true film fans will unite....
As for the 3D, I thought it did increase the impact some, more than being a mere novelty, but I agree with Roger Ebert that Ghosts would have been a perfect showcase for Maxivision 48. Someday maybe true film fans will unite....
If this were James Cameron's slideshow of his ocean vacation, we would all agree he did a great job. Unfortunately, this collection of nice pictures doesn't work well as a film. Moreover, the incredibly high technology that enables remote cameras to drop two miles to the sea floor without imploding is not matched by state-of-the-art 3D imagery. To fit in their sardine cans, the 3D cameras used for this film had to be very, very small, and they had to use extreme wide-angle lenses. The result is that, notwithstanding the IMAX format, the scale ends up feeling small. There are a number of shots of the giant, four-story tall engines that powered the Titanic, still intact at the bottom of the ocean. Amazing! These things should take your breath away. Somehow, they don't in this presentation. You just don't get a feel for their size. Also, the blue/red 3D technology borrowed from the 1950s is not in the same league as the new polarized 3D technology used in, for example, the most recent Space Shuttle IMAX film. Disappointing. Also, Bill Paxton was not the right choice (yes, I get the whole "life imitating art" thing, but he added exactly nothing to this film). Rod Serling's narrations for the Cousteau films were interesting because, well, he was Rod Serling, but also because he had interesting things to say. You didn't hear Rod saying "look at that" or "wow" or "I can't believe we're really here." Finally, a crew member describes seeing an object on the ship that really brings home the humanity of the tragedy. Do we get to see the object (I am not identifying it here so as not to spoil this part of the film)? No. A waste. Now the good: the computer graphics are terrific, the reenactions are good, and the lighting, expert commentary, and photography are engaging enough to remind us of how many souls were lost in the Titanic disaster, the heroism and cowardice along the way, and how terribly sad and unnecessary the loss of life really was. Worth seeing, despite its flaws.
Now, it was not because of James Cameron's "Titanic" movie that I decided to sit down and watch "Ghosts of the Abyss", it was solely because I have a historical interest in Titanic and her demise, as well as the fact that I had family aboard the doomed ship.
This documentary, which is about James Cameron and his crew returning to Titanic, was actually rather entertaining.
And it was such a wonderful treat to get to see inside the sunken Titanic, as it lay there on the bottom of the North Atlantic. It was especially great to me, as I had family on the ship.
The documentary has lots and lots of nice images of Titanic. And it was quite interesting to follow the crew down into the depths of the North Atlantic and join them as they investigated the once magnificent luxury liner.
"Ghosts of the Abyss" is definitely well worth the time and effort. And if you have any kind of interest in the Titanic or the events that lead to its sinking, then you should definitely take the time to watch "Ghosts of the Abyss".
This documentary, which is about James Cameron and his crew returning to Titanic, was actually rather entertaining.
And it was such a wonderful treat to get to see inside the sunken Titanic, as it lay there on the bottom of the North Atlantic. It was especially great to me, as I had family on the ship.
The documentary has lots and lots of nice images of Titanic. And it was quite interesting to follow the crew down into the depths of the North Atlantic and join them as they investigated the once magnificent luxury liner.
"Ghosts of the Abyss" is definitely well worth the time and effort. And if you have any kind of interest in the Titanic or the events that lead to its sinking, then you should definitely take the time to watch "Ghosts of the Abyss".
Greetings again from the darkness. I was very excited to see this as I have always been fascinated by the Titanic. A few minutes into this, however, it struck me that this might be nothing more than a tax deductible vacation for multi-millionaire James Cameron and his sidekick Bill Paxton. The available technology had me wondering what wonders the great Jacques Cousteau could have delivered to us were he still alive and working. My only real complaint with the "movie" is that we really didn't get much insight into the scientific discoveries and data that this ship full of scientists was able to gather. Mostly it was close-ups of Bill Paxton saying "Would you look at that?". I will say the Titanic visuals are quite creepy and fascinating and the subtle overlays were pretty effective in showing the viewer what section of the ship we were seeing at a given time. Just wish we had been provided with the payoff - what was the value of the trip?
Director James Cameron scored, against all odds (and his swarm of nervous auditors) a huge success with "Titanic." Not as artistically strong as several predecessor films about the legendary disaster it rocked the box office boat as new generations of Titanic enthusiasts and curious folk flooded the theaters.
Personally fascinated by the tale of the doomed April 1912 maiden voyage of the era's seaborne tribute to Mammon, with its unsolved mysteries - technical and human - Cameron dives to the wreck site in this 3-D stunning documentary, "Ghosts of the Abyss."
RMS Titanic's grave was discovered by Robert Ballard, the foremost maritime archeologist working today. Using the then latest technology he first located the wreck and then filmed it with "Alvin," a submersible of amazing capability. But today ""Alvin" is to underwater exploration and technology what a typewriter is to a PC. Basing his expedition on a Russian research vessel, Cameron takes to the depths and launches "Jake" and "Elwood," two camera-equipped robots that can be guided from the mother ship's two submersibles through the interstices of the sprawling Titanic. These robots can and are guided through spaces no person could maneuver in, even at shallow depths.
Cameron's intense nature masked by good humor comes clearly across as actor Bill Paxton narrates much of the film. Paxton doesn't seem to be acting as he seeks multiple reassurances from the Russian crew man operating the descending sub that there are ways to escape if something goes wrong.
"Jake" and "Elwood" capture scenes from the ship no previous expedition could. At one point the viewer is staring up front at a bathroom mirror with water jug and glass eerily standing exactly where the stateroom's occupant left it before the collision. The grand staircase is gone but its cavernous space is superimposed by scenes from Cameron's feature film, creating an almost scary sense of reality. Period music accompanies the changing scenes which alternate the brief life and long interment of the grand vessel.
This was a scientific expedition with microbiologists on board to assess the continuing and inevitable reduction of RMS Titanic to dust. But the bulk of the film deals with the evidence of life on the ship during its short journey and the story is told with verve.
This is a 3-D film that fully and beautifully exploits the medium and it's a deep sea outing for the whole family.
All that said, is there anything negative about "Ghosts from the Abyss?" There sure is: whatever the cost of 3-D cinematography it's a near crime to limit the end result to a mere 60 minutes!!
9/10.
Personally fascinated by the tale of the doomed April 1912 maiden voyage of the era's seaborne tribute to Mammon, with its unsolved mysteries - technical and human - Cameron dives to the wreck site in this 3-D stunning documentary, "Ghosts of the Abyss."
RMS Titanic's grave was discovered by Robert Ballard, the foremost maritime archeologist working today. Using the then latest technology he first located the wreck and then filmed it with "Alvin," a submersible of amazing capability. But today ""Alvin" is to underwater exploration and technology what a typewriter is to a PC. Basing his expedition on a Russian research vessel, Cameron takes to the depths and launches "Jake" and "Elwood," two camera-equipped robots that can be guided from the mother ship's two submersibles through the interstices of the sprawling Titanic. These robots can and are guided through spaces no person could maneuver in, even at shallow depths.
Cameron's intense nature masked by good humor comes clearly across as actor Bill Paxton narrates much of the film. Paxton doesn't seem to be acting as he seeks multiple reassurances from the Russian crew man operating the descending sub that there are ways to escape if something goes wrong.
"Jake" and "Elwood" capture scenes from the ship no previous expedition could. At one point the viewer is staring up front at a bathroom mirror with water jug and glass eerily standing exactly where the stateroom's occupant left it before the collision. The grand staircase is gone but its cavernous space is superimposed by scenes from Cameron's feature film, creating an almost scary sense of reality. Period music accompanies the changing scenes which alternate the brief life and long interment of the grand vessel.
This was a scientific expedition with microbiologists on board to assess the continuing and inevitable reduction of RMS Titanic to dust. But the bulk of the film deals with the evidence of life on the ship during its short journey and the story is told with verve.
This is a 3-D film that fully and beautifully exploits the medium and it's a deep sea outing for the whole family.
All that said, is there anything negative about "Ghosts from the Abyss?" There sure is: whatever the cost of 3-D cinematography it's a near crime to limit the end result to a mere 60 minutes!!
9/10.
¿Sabías que…?
- TriviaThe two robotic submarines in this film are named Jake and Elwood, a reference to Los hermanos caradura (1980).
- ErroresThe fourth funnel is shown falling backwards when the ship breaks in two in the sinking simulation. It would do no such thing. It would fall forward like the other funnels. This is also seen in the "final plunge" montage with the photographs of the passengers who perished in the disaster superimposed in front of the footage of the ship sinking from the movie Titanic (1997).
- Citas
Bill Paxton: The crucial thing about deep-sea photography is lighting.
- Versiones alternativasThe theatrical version was shortened down to 43 minutes running time so that it will fit into the standard screening schedule of the local IMAX theaters, i.e. an IMAX film must not run longer than 45 minutes so that it is possible to start a screening every hour.
- ConexionesEdited into Titanic al detalle (2013)
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- How long is Ghosts of the Abyss?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Ghosts of the Abyss
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 13,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 17,040,871
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,408,474
- 13 abr 2003
- Total a nivel mundial
- USD 27,570,076
- Tiempo de ejecución
- 1h 1min(61 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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