Death Train

This movie is so bad, it's actually quite astonishing. There is not a single aspect that isn't dreadful. The script is shocking and low-grade porn actors deliver their dialogue more convincingly. The acting is stilted and staged across the board. The lame attempts at humour are easily missed, but you can spot them by noting when you cringe. The action scenes look so fake they're distracting, the sound production is terrible, and the special effects are even worse. I'm afraid I can't say much about the plot, since I'm not enough of a masochist to force myself to watch it with that much attention.

This would score high if it was a case study in how not to make a movie. It has all the elements that make a bad movie dreadful. How so many bad actors, directors, producers, cameramen, sound technicians and effects designers managed to converge on one place, we'll never know. It isn't even funny-bad. It's an ordeal. DO NOT WATCH THIS FILM. You have been warned.

What, it won't let me vote this zero? Awww...

This movie was terrible. I can't believe I sat through it all. I'm ranking it down there with Basket Case 3. So many screw ups that after awhile I started to wonder if they watched the movie after making the final cut to make sure no screw ups were left. Yes folks, it's that bad.

With a budget of $27.00, by the looks of it.

Ok, it's only March but I'm willing to guarantee this will be the worst movie I see this year (Christ, I hope it is!)

It's obvious the makers of this flick looked at the basic premise and format from DIE HARD, and simply transferred it onto a train, believing that all they then had to do was have the good guy and bad guys shooting at each other for 90 minutes and the magic (and profit) of DIE HARD would be repeated. Wrong. DIE HARD was a successful fusion of blockbuster spectacle and sublime classical narrative that has yet to be repeated, whereas DEATH ON A TRAIN is just a bunch of bad actors shooting at each other.

The acting in this movie is terrible throughout, although it is difficult to see how even an accomplished actor could make anything of the cliched, expletive-strewn lines this lot are forced to utter. Bryan Genesse, as our hero, flits around in a long leather coat for the duration - he looks very cool, but it's hardly the attire of choice for an action hero repeatedly clambering over a train. He is also as bad a shot as the villains - the movie is crammed with interminable gunfights in which nobody fires anywhere near their opponent. And Bentley Mitchum, looking a bit like a chubby Tim Curry, is simply horrible as the villain. So over the top is his performance, it has a dreadful sort of fascination that compels you to keep watching until the bitter end, just to see how much worse his over-acting can get.

If you value your sanity steer clear of this movie.

Bryan Genesse's charms aren't dissimilar to his more mainstream meatheaded counterparts Van Damme, Dolph Lundgren, Seagal etc. He's got the necessary brawn and martial arts finesse and surprising watchability despite having very little appeal. What makes or breaks the vehicles he stars in are first and foremost the writer and director.

Unfortunately for Genesse, he doesn't have the collaboration of solid directors like Peter Hyams ("Timecop") or Ringo Lam ("Maximum Risk," "Replicant"). His best film that I've seen is "Human Timebomb," where the real points are earned with the balls-out action sequences that are undeniably fun even when they have the lowest of production values. That director, Mark Roper, shows skill at giving B-movie productions big, well-constructed sequences, but God help him if the script has too much dialogue.

Yossi Wein, who served as cinematographer for Genesse's "Cold Harvest" and "Traitor's Heart", tries to bring similar sensibilities to the 2002 Nu Image flick "Death Train". It starts off with a slam-bang train heist sequence that finds all in top form. From the first ten minutes, Wein shows skill at keeping the action coherent and at least marginally expensive-looking. Genesse doesn't need to bring much more than brawn in this one, and keeps the cringe-worthy wisecracks to a minimum –in comparison to his other performances anyway.

Unfortunately, there is not much more to be found after the competent opener besides loads of camp and unintentional humor. The villain Weaver, played by Bentley Mitchum, is anything but threatening, only memorable for some downright weird lines. There is way too much talking and not enough challenging complications to keep the film moving after the beginning. In fact, Genesse seems to be doing pointless acrobatic maneuvers along the train cars for most of the second act, which Wein unwisely uses to supplement action. When the action does come, it is usually pretty sloppy – like a shootout in the cafeteria car that plays more like an amateur action scene staged by third graders.

Things do come together somewhat in the end, with a decently-choreographed showdown between Genesse and Mitchum (if you ignore one extremely lazy somersault by Genesse). However, the resolution has some bizarre details that should not be given away, because they are probably the biggest laughs one will have in the whole movie.

Camp value seems to be the most redeeming factor about this B-movie, and in that department it consistently delivers. If it could have delivered some good action among the camp, it would have been in better form. But, as any B-movie buffs knows well, asking for both is asking for too much.

This is possibly the most horrific film in history. (Maybe even worse than 'The Mummy Returns')

The special effects looked like they were compiled in Microsoft Paint. Horrendous. The acting was incredible. The thought that these people were actually being paid for this is incredible. The gun fights were about as sharp as Ade Akinbiyi's shooting, were they actually pretending to aim for people or aiming to miss?

Could they not afford extras? One moment there were three people sat in the back of a carraige and within minutes all the "terrorists" had forgotten they were there.

And what was with the mexican train driver? Surely this was a joke. Or do all mexican train drivers listen to that music whilst swigging tequila?

This was entertaining, almost as entertaining as guessing where the train would be in the next scene. Speeding across a bridge, rolling into a station, standing still in the middle of the woods?