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IMDbPro

Brown Sugar

  • 2002
  • PG-13
  • 1h 49min
CALIFICACIÓN DE IMDb
6.5/10
11 k
TU CALIFICACIÓN
Taye Diggs and Sanaa Lathan in Brown Sugar (2002)
Trailer
Reproducir trailer0:32
2 videos
28 fotos
Buen RomanceComediaDramaMúsicaRomance

Amigos desde la infancia, una editora de revistas y un ejecutivo de una discográfica de hip-hop tropiezan en territorio romántico.Amigos desde la infancia, una editora de revistas y un ejecutivo de una discográfica de hip-hop tropiezan en territorio romántico.Amigos desde la infancia, una editora de revistas y un ejecutivo de una discográfica de hip-hop tropiezan en territorio romántico.

  • Dirección
    • Rick Famuyiwa
  • Guionistas
    • Michael Elliot
    • Rick Famuyiwa
  • Elenco
    • Taye Diggs
    • Sanaa Lathan
    • Yasiin Bey
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    11 k
    TU CALIFICACIÓN
    • Dirección
      • Rick Famuyiwa
    • Guionistas
      • Michael Elliot
      • Rick Famuyiwa
    • Elenco
      • Taye Diggs
      • Sanaa Lathan
      • Yasiin Bey
    • 69Opiniones de los usuarios
    • 37Opiniones de los críticos
    • 58Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 18 nominaciones en total

    Videos2

    Brown Sugar
    Trailer 0:32
    Brown Sugar
    Brown Sugar
    Trailer 0:34
    Brown Sugar
    Brown Sugar
    Trailer 0:34
    Brown Sugar

    Fotos27

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    + 22
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    Elenco principal63

    Editar
    Taye Diggs
    Taye Diggs
    • Andre Romulus 'Dre' Ellis
    Sanaa Lathan
    Sanaa Lathan
    • Sidney 'Syd' Shaw
    Yasiin Bey
    Yasiin Bey
    • Chris 'Cav' Anton Vichon
    • (as Mos Def)
    Nicole Ari Parker
    Nicole Ari Parker
    • Reese Marie Wiggam Ellis
    Boris Kodjoe
    Boris Kodjoe
    • Kelby Dawson
    Queen Latifah
    Queen Latifah
    • Francine
    Wendell Pierce
    Wendell Pierce
    • Simon
    Erik Weiner
    Erik Weiner
    • Ren
    Reg Wyns
    • Ten
    • (as Reggi Wyns)
    Melissa Martinez
    • Meghan
    Aaliyyah Hill
    • Young Sidney
    Marc John Jefferies
    Marc John Jefferies
    • Young Dre
    Venida Evans
    Venida Evans
    • Older Woman
    Breece Wilson
    • Woman
    Brette Taylor
    Brette Taylor
    • Woman 2
    Donna Duplantier
    Donna Duplantier
    • Woman 3
    Rosalyn Coleman
    Rosalyn Coleman
    • Trish Hofmann
    Robin T. Kirksey
    • Bartender 1
    • Dirección
      • Rick Famuyiwa
    • Guionistas
      • Michael Elliot
      • Rick Famuyiwa
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios69

    6.510.7K
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    Opiniones destacadas

    9bless1

    One of the best love stories on film!

    This movie is ultimately one of the best love stories i have seen on film.You don't even have to like hip hop to enjoy this movie. It will make you laugh, and it will even make you cry(tears of joy). Lathan and Diggs light up the screen together. It's a beautiful love story which sends a message of how to friends can really fall in love. It will certainly make you think twice about that friend of the opposite sex, that you have known for years, that you find attractive, that doesn't have a mate. It's just a wonderful movie to see, its not too raunchy on language or sex scenes. It's kind of funny how something like hip hop music can join two people together.
    7jransom

    A hip-hop culture/romantic comedy that avoids the gags of both genres

    Brown Sugar (2002) could have been retitled Love & Hip-hop if only to simplify matters. Like Love & Basketball, it marries the tried-and-true romantic flick formula to the emergence of mainstream "black" culture. Because of these similarities and the presence of Sanaa Lathan, most viewers will quickly lump Brown Sugar into one of two pools. They will either see it as yet another "black" film about a lifestyle that was once counter-cultural and is now, thanks to MTV, cliched or as one more in a long line of romantic comedies.

    This film fits into both categories but is far better than most of its fellow films. The hip-hop culture is a childhood background that has turned into a profitable lifestyle for Dre and Sid, the two main characters. Their careers are products of the American craze for pop culture but their love for hip-hop is strong enough to allow them the hope that they can somehow make a difference in the business. Films with black stars tend either to drown them with imagery of the ghetto (a la Menace II Society, Baby Boy, etc) or completely ignore the African-American element, dress the characters in business suits, and absorb them into the "white" corporate world of success. Brown Sugar does neither. Hip-hop is natural to Dre and Sid and is present in their conversations without being obtrusive. Writer Michael Elliot is wise to let them lead their lives in the corporate world without ever losing their childhood backgrounds.

    In the other camp, romantic comedies generally sacrifice character development and plausibility to accomodate the dreaded near-misses, love misunderstandings, and the climatic scene where the man publicly confesses his undying love. For the most part, Brown Sugar steers clear of these pitfalls and remains true to its characters. The movie never pretends that any of its characters are perfect or indeed that any of them are ever sure of any of their emotions. This is not a fairy tale movie where characters have sex because they are in love. This film is more realistic. The characters are young and romantic at heart and for one reason or another, they find sex first. That then leads them to at least the misguided pretense of love. As one character explains it, "put a man and a woman together for long enough and something's bound to happen." Infidelity is shown as a sign of emotional uncertainty not of villainy. Even the best of the characters eventually considers it. But neither Famuyiwa's camera or Elliot's script vilify them for it. The characters earn the viewer's sympathy despite their mistakes and when confronted by their angry spouses, they do try their best to be honest and direct.

    The script also avoids the kinds of contrived jealousy traps that most romantic comedies rely on. When one character finally falls for another and acts on his feelings, he is not lead astray by a misunderstanding. He arrives early enough to realize that she has managed to find love elsewhere while he was making up his mind, but too late to do anything about it. Even the public pronouncement of love is cleverly flipped. All in all, this movie should be watched by anyone who has seen one too many weak romantic or African-American comedies and needs to be reminded that a string of bad movies does not ruin a genre.
    10a_shiman

    A woman's love for hip hop grows as she ages and learns the significance behind it as well as who it represents.

    My summary of the movie is my opinion. I love this movie because I feel that Sidney Shaw is using a metaphor throughout the whole movie. She is comparing Hip Hop to her best friend Dre, both of which are alike. I find this movie amazing because of all the metaphors found within the movie, that only one can find if they look closely.

    For example, when Sidney and Dre are in the store looking at something to buy for her new place, they come across a "vase" and the woman at the store explains to them that many couples enjoy that piece. Later within the movie, you see that that vase is in Sidney's house.

    I also enjoy this movie because everything that is said, and everything that is done within the movie has a meaning behind it. Foreshadowing is found everywhere, you just have to look closely enough for it. Nothing in this movie is done without a reason.

    Every line said within the movie is said beautifully and has significance behind it. My favourite line within the movie, that I've carried with me ever since I heard it is, "So what is the difference between rap and hip-hop? It's simple. It's like the difference between saying you love somebody and being IN love with somebody. Rap is just a word." When I heard that line, I fell in love with this movie and I had to watch it over again, and I have watched it many times. Each time I find more meanings that I missed the first time. What I like even more about this movie is that they use actual artists in the movie that state their opinion on "When they first fell in love with Hip Hop." "Brown Sugar" spoke to me. It's real. Nothing in it is fake like in the majority of movie's these days which is why I think I enjoy it so much. I recommend this movie to anyone who has a passion about something or to anyone who looks for significant meanings behind anything.
    Orridge88

    Another classic made!

    I believe Brown Sugar is a movie that should and possibly will always be remembered. I like the movie since it displays the true meaning of hip-hop. Not only that but it shows how true friends may end up getting together. My comment may not sound clear since my mind is all jungled up. Sanaa Lathan and Taye Diggs played excellent roles in the movie along with Queen Latifah, Nicole Ari Parker, Boris Kodjoe, and Mos Def. Another good thing about the movie promotes the Bronx!! Holla!!!!!! That's for the haters who stay hatin' on the BX!
    rbritton

    I hope the movie industry continues to make african-american movies like this!

    I just loved this movie!!!! It brought back the "old-fashioned" love story. Everyone was so good in it but I thought the actor who stood out was Mos Def especially with his "Humphrey Bogart/Casablanca" analogy. It was just too funny and yet it made a lot of sense. Also his conversation with Boris Kodjoe in the kitchen was also very funny. This (to me) seems to be the first piece of film work that took hip-hop seriously and beautifully incorporated it into a love story. I was also impressed with the fact that there was no nudity and hardly no profanity.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Nicole Ari Parker and Boris Kodjoe are not only married in real life, but also play love interests on Soul Food (2000).
    • Errores
      During the scene where Sidney and Dre are walking through The Mall in Central Park, you can hear someone giving set directions.
    • Citas

      Dre: It's when you talk like that, that's what makes me think that you're jealous.

      Sidney 'Syd' Shaw: What?

      Dre: Yes. Jealous!

      Sidney 'Syd' Shaw: [throws a cookie on the table] No wonder you two are married, you're both crazy! Look here, contrary to what you and your wife may think, I don't spend my nights thinkin' about you, okay?

      Dre: Shh! Lower the voice.

      Sidney 'Syd' Shaw: I got a man who's fine, intelligent, successful, and gives it to me on a very, very regular basis and the s**t is the bomb!

      Dre: So! I don't care what -

      Sidney 'Syd' Shaw: Dre I need you to be happy for me. I need you to be there for me, just like you asked of me. So - so I can have tea and eat cucumber sandwiches with the crust cut off!

      [throws more cookies on the table in frustration]

    • Créditos curiosos
      Both "De La Soul" and "Method Man" are credited in the opening credits and not in the end credits. Therefore, the IMDb ordering uses the opening credits first and fills in the rest with the end credits.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: Red Dragon/Punch-Drunk Love/Welcomg to Collinwood/Brown Sugar (2002)
    • Bandas sonoras
      Act Too (Love of My Life)
      Live and studio versions

      Written by Common (as Rashid Lonnie Lynn), James Poyser (as James Jason Poyser), Tariq Trotter (as Tarik L. Collins), Leonard 'Hub' Hubbard (as Leonard Hubbard), Questlove (as Ahmir Thompson)

      Performed by The Roots

      Courtesy of MCA Records

      Under license from Universal Music Enterprises

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    Preguntas Frecuentes20

    • How long is Brown Sugar?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de octubre de 2002 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • I Used to Love Her
    • Locaciones de filmación
      • Central Park, Manhattan, Nueva York, Nueva York, Estados Unidos
    • Productoras
      • Fox Searchlight Pictures
      • Evergreen Productions
      • Heller Highwater Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 8,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 27,363,891
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 10,738,882
      • 13 oct 2002
    • Total a nivel mundial
      • USD 28,316,451
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 49min(109 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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