Agrega una trama en tu idiomaA collector of ancient battle helmets spends his days as an insurance adjustor. He pursues a woman in an unhappy marriage.A collector of ancient battle helmets spends his days as an insurance adjustor. He pursues a woman in an unhappy marriage.A collector of ancient battle helmets spends his days as an insurance adjustor. He pursues a woman in an unhappy marriage.
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Character-driven with a carefully-constructed plot, Howard Davies'
tautly-directed "Armadillo" is top quality television, more satisfying
than any theatrical movie in recent months, including "Road to
Perdition." William Boyd's script, about an insurance adjuster who
is not what he seems while he tries to puzzle out a claim that is
something other than what it purports to be, draws in the viewer
from the moment the film opens with James Frain walking
through the charred structure he's investigating. Frain is perfect for
the role--vulnerable, expressive, sympathetic. His developing
romance with Catherine McCormick is fully realized. Hugh
Bonneville somehow empathetically portrays one of the most vile
characters in memory, and Stephen Rea amuses with his over-the-top characterization of the insurance adjuster's enigmatic
and bombastic boss. Beautifully photographed, the camera
follows the adjuster as he pries into the mysteries of the claim
he's investigating and captures the tension between the two
lovers. At three hours it's a bit long, but I watched it twice. And I'll
probably take another look.
tautly-directed "Armadillo" is top quality television, more satisfying
than any theatrical movie in recent months, including "Road to
Perdition." William Boyd's script, about an insurance adjuster who
is not what he seems while he tries to puzzle out a claim that is
something other than what it purports to be, draws in the viewer
from the moment the film opens with James Frain walking
through the charred structure he's investigating. Frain is perfect for
the role--vulnerable, expressive, sympathetic. His developing
romance with Catherine McCormick is fully realized. Hugh
Bonneville somehow empathetically portrays one of the most vile
characters in memory, and Stephen Rea amuses with his over-the-top characterization of the insurance adjuster's enigmatic
and bombastic boss. Beautifully photographed, the camera
follows the adjuster as he pries into the mysteries of the claim
he's investigating and captures the tension between the two
lovers. At three hours it's a bit long, but I watched it twice. And I'll
probably take another look.
Having seen this very entertaining program -- even the shortened A&E version -- I'm going to have to now go out and find William Boyd's book to see how closely it follows. James Frain was a superb choice to play the conflicted Lorimer Black/Milo Bloch, star insurance adjuster who finds himself in the middle of a convoluted insurance fraud scheme that lays bare the corruption behind everything he has held dear and aspired to. Catherine McCormack is delectable as the love interest he impulsively pursues; she is formidably chic with a "watch your step" edge. Hugh Bonneville's Torquil Helvoir-Jayne (!) is the epitome of a stupid jerk, but with the oddly likable quality of a guy who's just too much of a doof to be completely blamed for his shortcomings. James Fox does another of his capably elegant upper-class turns, this time playing a character much like his role in "Sexy Beast." But I have to say that, for me at least, Stephen Rea virtually stole the show -- his George Hogg, with all of his eccentric metaphors and his paranoiac rages, is so over the top at times it's hilarious. Throw in a cool, stylish music score and some excellent supporting players (including veterans such as Ian McNiece, Trevor Peacock, Stephen Moore and Ron Cook) and you have a sophisticated tale of corporate misbehavior that you'll want to watch more than once.
Hey gang, let's put on a show. All about an insurance adjuster! Or loss adjuster. Or forensic beancounter. Or whatever. I suppose it's possible. But it didn't work this time. 90 minutes would have been plenty but this drones on for three hours. The plot is confusing at first. But thats okay because when you finally understand it, you realize it's also horribly cliched and trite. For those who get off on artsey dartsey cinematography, the tedium may be relieved from time to time. I endured it, expecting some sort of a smash surprise ending. Uh Uh. I've seen Shirley Temple movies that were more clever.
"Armadillo" is one of those rarities in which the screen version of an excellent novel actually lives up to the original text. This is no doubt due to the fact that William Boyd adapted the script from his own novel of the same name and that Boyd is also no stranger to script writing, having penned "Chaplin", "A Good Man in Africa" and "The Trench".
The cast is first class, a who's who of film and television, with standout performances from James Frain, Stephen Rea and Trevor Peacock (also excellent in another great TV show "The Underworld"). The plot, far from being cliched or contrived, is actually quite complex, with a mix of dodgy geezers including shady loss adjusters, even shadier insurance companies, cowboy builders, Romanian gipsies and a half-mad juggler who's convinced his wife is cheating on him.
The photography is impressive with some good shots of London which appears dark and intimidating but also sparkling with affluence.
"Armadillo" shows just how good British television can be with the right material and a good cast - in other words someone showing a bit of imagination and ambition rather than pitching yet another boring hospital or detective series.
The cast is first class, a who's who of film and television, with standout performances from James Frain, Stephen Rea and Trevor Peacock (also excellent in another great TV show "The Underworld"). The plot, far from being cliched or contrived, is actually quite complex, with a mix of dodgy geezers including shady loss adjusters, even shadier insurance companies, cowboy builders, Romanian gipsies and a half-mad juggler who's convinced his wife is cheating on him.
The photography is impressive with some good shots of London which appears dark and intimidating but also sparkling with affluence.
"Armadillo" shows just how good British television can be with the right material and a good cast - in other words someone showing a bit of imagination and ambition rather than pitching yet another boring hospital or detective series.
Does anyone know where i can get a copy of this TV series or a copy of the soundtrack i'm desperately looking for a friend. This is an excellent series. I have looked every where to get a copy and need to find it. Has anyone got any suggestions as to where i could purchase it or download it even. Any information about its availability would be appreciated. I know its not a real review but if you haven't seen it i recommend you do. Then give it to me to see again lol. Thanks I cant think of anymore to add but i need 10 lines apparently so sorry for waffling on. Cheeky i know but i am getting desperate and i don't know where else to post this request.
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- Pimlico, Londres, Inglaterra, Reino Unido(street scenes)
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