American Adobo

if this was written by Richard Curtis ( four weddings and a funeral. Notting Hill ), it might made a better film. Although most of the conversations were made round the table, they might have been eating fish and chips. If your a Filipino watching the film, you have an idea what food would be served, but what about us non Filipino?.

The film does not show the Filipino in a good light. The single man treats women like dirt ( is that why most Filipino women leave their country to become domestic helpers ) The good looking woman chooses a man, who is not in the same league as her. The married man works and his children are dreadful and his wife is a cow (reminds us that somethings don't change ). The gay and the virgin are the only normal people??? Is that representative of the Filipino abroad? Anyway the acting was good, and with a little more thought to the script, the film could have been more than average.

American Adobo is a serviceable attempt at creating an insightful food- themed film in the tradition of Eat Drink Man Woman and other successful Asian food movies.

The movie is a comedy, but no Filipino flick is complete without anyone shedding a tear or going hysterical. So expect hefty servings of good old Pinoy-style melodrama.

Overall, American Adobo is not without its flaws. But it definitely has a lot of heart.

Read more here: https://manilafoodcrawl.com/2017/01/19/pinoy-food- movie-of-the-week-american-adobo-2001/

... because all I offer is honesty here, folks.

I saw this with my wife and friends (and before you ask, she and they are Filipino). Afterwards, as we went home we were... laughing. Not at any of the funny parts. At the over-acting, at the storyline (the lead actress ends up with an Anglo fireman after years of self-imposed virginal solitude), at the gay subplot that could have actually made a better fim on its own. I really didn't care about the other characters at all, and oddly enough the only other white character was a Pinoy stereotype of American women (it's hard to take a film like this seriously when they can't even overcome the things they claim to find offensive in U.S. films).

Having seen my share of Regal and Viva films, I'd say that while the production values were better than usual the director can't overcome the bad acting or maybe his own style of directing.

Personally, I'd have preferred watching Ricky Davao shoot guys in the shoulder...

Somebody should remake "Kabayo Kids" or something like that, gearing it to both Anglo and Pinoy audiences if they want to break in here.

Oh, the film does have one good moment that I recall; one of the guests is admonished for speaking Tagalog in front of thier non-Pinoy guests. That hit home. I happens more often then they want to admit, and they never want to admit it's rude, especially since they know English.

I'd give it a 4 out of 10. Maybe worth a rental, if only to compare notes with future Fil-Am films.

As a Filipino American filmmaker, I was excited to sit and watch a film about Filipinos. What I got was. a film about Filipinos from filmmakers who seem to think that 'we' are not intelligent human beings.

Who was this film made for? Americans? Filipinos? Everyone? I'm not saying the characters were non-intelligent, but the way the story was told seemed like it was told to those who wouldn't get it.

Subtext? Where was it?

If this was a film made for American's then I'm embarrassed at the representation. Not the representation as far as character and story, but the representation as far as Filipino filmmakers and their work.

If this was a film made for Filipinos, then I'd have to ask. are we this dumb that you have to over explain things?

As user, `mhark villaruz' states, `the film tends to over explain things'. That was a huge complaint of mine which I posed to another Filipino director. He argued that maybe that is how Filipinos really are. They wear their emotion on their sleeve and nothing is left to subtext.

Okay, I can buy that, but that is not what filmmaking and solid story telling is all about. Is it? My argument was that the non-subtextual style of characters was an insult to us as intellectual viewers. Again, why over explain things?

The performers could only do so much based on a script and a director directing them. So here are a few things that stand out.

-Was it kinda `stagey'? Cheating to the camera is one thing, but playing to the camera as Marissa (Bonnevie) did in the break up scene was just so. well, `stagey'! (that was just one of many)

-Who knew Gerry (Davao) was gonna kiss Mike (De Leon)? Was that just so fricken' obvious? That didn't come out of nowhere but it could have. And if it did, it would have been a very dramatic moment. And what does it say about Davao's character, who we rooted for, when he was so in love with a man dying of AIDS? He just cheated on his life long partner at the END of the movie!!!

If the film was structurally sound, the archs would have been more convincing.

The 'kiss' and Tere's (Picache) breakdown, for example, could have all been structured as a midpoint sequence. It would have been interesting to watch their lives play out for the whole second act after that. Then we could see rewards for what they went through at the VERY end: Gerry possibly coming to terms with his mother and Mike, or Tere finding the love of her dreams, etc. etc. etc.

Overall, the film was able to portray life here (America) as Filipino Americans and some of the cultures: The party where people were dancing in the b.g. (where was the pig on the table?), the American/Filipino language, the rich bitch, the political angst, the hardships, and the results of labor.

But it lacked in direction, story and style.

What got it made? Here's your answer: PASSION.

PASSION - the number one lesson from this film for future or current filmmakers!

Before I'd go on with anything I have to say, I would like to comment on the title of the movie. There could've been a better one used instead of being it called "American Adobo." That's the worst thing to have refer it as while the "American Pie" series were so immensely huge and popular during the course of the time. A catchy title (minus the "American" to start off on the title) could've been such an improvement. So when one hears of "American Adobo", he or she would say, "That's a copycat of American Pie." The title should've been called: "Life Like A Good Tasting Lumpia" or "Appetizer, Main Course,& Dessert." Regarding the storyline itself, it seems to stick itself well on the individuals living their own ways of the filipino-american life in America. There are the joys and the pains. Here's an insight to the characters and what they are facing:(1)Tere (Cherry Ann Picache)is a 40 something year old accountant yearning for love, feeling insecure at times when she is trying hard to find that. (2) Mike (Christopher DeLeon):is another 40 year old, but is a news editor who seems to have problems coping with his wife and his daughter (as his son out of the three, respects him). (3) Gerry (Ricky Davao)is a homosexual who is facing a struggle to tell his mom the truth about himself and the love of his life - a man named Chris. (4) Marissa (Dina Bonnevie)is the loquacious socialite who would talk about anyone and anything, but is very insecure when it comes to her boyfriend falling in love with other women. (5) And lastly, is Raul (Paolo Montalban) -- the total filipino-american "pimp daddy and player" who somehow finds a way to score big with beautiful, gorgeous women but has no true feelings for them. Interesting aren't they? Each one will face the sudden changes, struggles, and pains affecting their lives during the course of one year in New York. The characters are all unique and provides depth on each situation at hand. Though they face the uncertainties, there's always the joy that follows them, especially when they go eat together and reflect deeply allowing themselves to be courageous and speak out on their dilemmas. I can't speak furthermore on the movie itself so rent/purchase the video today! It's really worth it. Add the food with the movie and it's a fair blend altogether. There's so much to learn from this movie in all different perspectives and point of views. Some can call this 'O.A.' (filipinos would say 'OVER ACTING'), not real, or weak. It's just a movie, folks. If you wanna watch it, then go for it. If you hate it, then don't watch it. But it'll be one of many that will soon be as iconic (along with another fil-am movie "The Debut") in the near future for it's filipino-american themes. American Adobo provides a fair mix of comedy and drama all in itself thanks in largely to the characters and the filipino food served right in front of them. It makes you want to have dinner with them, too. I'm sure you all will agree.