CALIFICACIÓN DE IMDb
6.1/10
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TU CALIFICACIÓN
Un intento de asesinato fallido en Harbin, China, en 1909 cambia el curso de la historia. Ahora, dos agentes de la JBI deben encontrar las conexiones entre esto y un antiguo artefacto corean... Leer todoUn intento de asesinato fallido en Harbin, China, en 1909 cambia el curso de la historia. Ahora, dos agentes de la JBI deben encontrar las conexiones entre esto y un antiguo artefacto coreano.Un intento de asesinato fallido en Harbin, China, en 1909 cambia el curso de la historia. Ahora, dos agentes de la JBI deben encontrar las conexiones entre esto y un antiguo artefacto coreano.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 premios ganados y 12 nominaciones en total
Kim Gyu-ri
- Teacher
- (as Kim Min-seon)
Opiniones destacadas
The year is 2009, but it's a 2009 in an alternate history to ours, where Japan fought with the US in World War II and won... and still occupies and controls Korea. Most Koreans have accepted the state of affairs after 100 years, but there is still a small band of terrorists/freedom fighters that want to see Korea regain independence.
Our hero is a cop of Korean descent who now works in the Japanese Beaureau Of Investigation, comfortable socialising with Japanese friends and speaking the language as default. After a major attack on an exhibition centre, however, he begins to investigate the terrorists to understand their motives. As he finds out more about their fight, he begins to question the legitimacy of Japanese occupation, and starts to feel the Korean blood flowing stronger in his veins.
Clearly inspired by the box office success of SHIRI in 1999, the producers of 2009: LOST MEMORIES have conspired to produce a slick action thriller with production values that compete fairly well with Hollywood productions of only a few years back. Like SHIRI, the trade off for absorbing some of Hollywood's virtues seems to be acquiring some of its vices too - chiefly, a shallow script with major plot holes and a certain amount of xenophobia. These qualities are worse in 2009 than SHIRI, and to be fair worse than the better Hollywood productions too.
The script for 2009: LOST MEMORIES can hardly be called strong, but it is interesting and not overly predictable, despite the presence of large amounts of cheese (which maybe explains why it's so full of holes?). I did find myself checking the time quite frequently as I watched, but I got through all 130 minutes of the film without feeling too bored. It would have been much harder to say this if it weren't for the action scenes, however, which are of a very high calibre. There are just enough scenes of cool Hong Kong style gunplay to qualify 2009: LM as one of the better action movies of recent years. Also one of the more violent action movies - the body count is huge, and there is no hesitation about showing the damage a bullet can do to the human body.
The production values are mostly very high - some great sets and props (many of which get severely destroyed in the gun fights). Good cinematography, though that hardly needs mentioning for a Korean film these days. The soundtrack is perhaps a little OTT, but then so is the melodrama in the script. Acting is acceptable, though no performance approaches "great".
Overall I was rather disappointed with the film, having heard so many very positive opinions expressed about it. I liked the action, but felt the script could have been a lot better. It's a little too much like a Hollywood movie, which was probably what the producers were aiming for, but isn't what I want when I watch a Korean film. It's bound to be a film that people will be talking about a lot, and may influence the direction of the Korean industry, so any fan of Korean cinema should probably watch it if they haven't already
Our hero is a cop of Korean descent who now works in the Japanese Beaureau Of Investigation, comfortable socialising with Japanese friends and speaking the language as default. After a major attack on an exhibition centre, however, he begins to investigate the terrorists to understand their motives. As he finds out more about their fight, he begins to question the legitimacy of Japanese occupation, and starts to feel the Korean blood flowing stronger in his veins.
Clearly inspired by the box office success of SHIRI in 1999, the producers of 2009: LOST MEMORIES have conspired to produce a slick action thriller with production values that compete fairly well with Hollywood productions of only a few years back. Like SHIRI, the trade off for absorbing some of Hollywood's virtues seems to be acquiring some of its vices too - chiefly, a shallow script with major plot holes and a certain amount of xenophobia. These qualities are worse in 2009 than SHIRI, and to be fair worse than the better Hollywood productions too.
The script for 2009: LOST MEMORIES can hardly be called strong, but it is interesting and not overly predictable, despite the presence of large amounts of cheese (which maybe explains why it's so full of holes?). I did find myself checking the time quite frequently as I watched, but I got through all 130 minutes of the film without feeling too bored. It would have been much harder to say this if it weren't for the action scenes, however, which are of a very high calibre. There are just enough scenes of cool Hong Kong style gunplay to qualify 2009: LM as one of the better action movies of recent years. Also one of the more violent action movies - the body count is huge, and there is no hesitation about showing the damage a bullet can do to the human body.
The production values are mostly very high - some great sets and props (many of which get severely destroyed in the gun fights). Good cinematography, though that hardly needs mentioning for a Korean film these days. The soundtrack is perhaps a little OTT, but then so is the melodrama in the script. Acting is acceptable, though no performance approaches "great".
Overall I was rather disappointed with the film, having heard so many very positive opinions expressed about it. I liked the action, but felt the script could have been a lot better. It's a little too much like a Hollywood movie, which was probably what the producers were aiming for, but isn't what I want when I watch a Korean film. It's bound to be a film that people will be talking about a lot, and may influence the direction of the Korean industry, so any fan of Korean cinema should probably watch it if they haven't already
2009 LOST MEMORIES (2002): Fantastic action thriller set in an deliberately-created alternate future in which Korea is just another Japanese state, and Koreans have largely lost their identity. A Korean-blooded, Japanese-named cop slowly realizes that the terrorists he's paid to wipe out are actually Korean freedom-fighters trying to restore the timeline to its proper state.
This film gets slagged nearly everywhere, so I defend it whenever possible. It's a big, loud, arguably overblown "blockbuster" that deals with a very sensitive subject: Korean identity. People have, I believe, unfairly examined and criticized this film on two fronts:
one, it's inherent patriotism, which is an element of Korean cinema that seems to alienate so many non-Korean viewers and yet is a fundamental part of the culture, probably more so than in any other Asian country (let alone much of the world). And two, the historical events behind its "science fiction," which nearly everybody I've read gets wrong. The key plot device of the film is NOT simply that Japan won World War II, but that the legendary Korean patriot Ahn Chung-gun FAILED in his assassination of Japanese foreign minister Ito Hirobumi in China in 1909 (thus, sort of, the point of the title being 100 years later). This single event is extremely important to the Korean culture and not only is their a gigantic memorial named after Ahn, but also a form of Tae Kwon Do. Looking these two names up on the internet greatly aids in understanding the deeper messages this film offers. I give it a 9.
This film gets slagged nearly everywhere, so I defend it whenever possible. It's a big, loud, arguably overblown "blockbuster" that deals with a very sensitive subject: Korean identity. People have, I believe, unfairly examined and criticized this film on two fronts:
one, it's inherent patriotism, which is an element of Korean cinema that seems to alienate so many non-Korean viewers and yet is a fundamental part of the culture, probably more so than in any other Asian country (let alone much of the world). And two, the historical events behind its "science fiction," which nearly everybody I've read gets wrong. The key plot device of the film is NOT simply that Japan won World War II, but that the legendary Korean patriot Ahn Chung-gun FAILED in his assassination of Japanese foreign minister Ito Hirobumi in China in 1909 (thus, sort of, the point of the title being 100 years later). This single event is extremely important to the Korean culture and not only is their a gigantic memorial named after Ahn, but also a form of Tae Kwon Do. Looking these two names up on the internet greatly aids in understanding the deeper messages this film offers. I give it a 9.
This movie has a semi interesting plot. Not very new or original, neither very bad or too obvious. As usual when it comes to South Korean popular movie industry the craftsmanship is next to flawless. The lighting and the scenery are beautiful, the soundtrack is very sentimental and bordering to über-cheese but that shouldn't be a surprise to anyone with the slightest experience in Asian movies. The acting is also good though the English dub doesn't seem to even try to do any lip sync and brings down the overall impression. The special effects are functional but not really that spectacular. Also, the action scenes have way to much slow motion for my taste. Though, I guess this is made in order to boost the sense of patriotism. And, this is where I have my main criticism.
It contains about all components of the propaganda the nationalistic parts of South Korean society likes to flatter itself with. Embarrassingly obvious, even more than usual. North and South Korea are united because they really are brothers. No Korean would harm another Korean. Japan is an enemy, has always been and will always be. Japanese people are not to be trusted, not even those you consider close friends. The Korean on the other hand are brave and self sacrificing with a pure heart. The key to the entire plot comes from the superior ancient culture and system of worship from the Korean peninsula. There are so many subtle details that are being pushed in that mean really a lot if you have an understanding of Korean culture, like the Korean main character has become so Japanese he doesn't even eat Kimchi (!).
I agree that the patriotism is so much an undisputed part of Korean culture even today that it should not come as a surprise, and I have enough experience of South Korea to be very aware of this when watching this movie. The problem here is that this script is so saturated with nationalistic propaganda that I feel it being written for this very purpose. It can sometimes lead to (umm...) interesting results, though seldom to properly good ones.
It's the equivalent of the American action movie where all baddies have a "foreign" accent, smoke cigarettes and the bad guy boss has a hint of latent homosexuality. Just translate those components into Korean values. Enjoy it as no-brainer entertainment for killing some time, or more interestingly for understanding the components of Korean nationalism and the grudge toward Japan in a commercial movie production. If you want to see a really good Korean movie, for there are lots of them, pick another one.
It contains about all components of the propaganda the nationalistic parts of South Korean society likes to flatter itself with. Embarrassingly obvious, even more than usual. North and South Korea are united because they really are brothers. No Korean would harm another Korean. Japan is an enemy, has always been and will always be. Japanese people are not to be trusted, not even those you consider close friends. The Korean on the other hand are brave and self sacrificing with a pure heart. The key to the entire plot comes from the superior ancient culture and system of worship from the Korean peninsula. There are so many subtle details that are being pushed in that mean really a lot if you have an understanding of Korean culture, like the Korean main character has become so Japanese he doesn't even eat Kimchi (!).
I agree that the patriotism is so much an undisputed part of Korean culture even today that it should not come as a surprise, and I have enough experience of South Korea to be very aware of this when watching this movie. The problem here is that this script is so saturated with nationalistic propaganda that I feel it being written for this very purpose. It can sometimes lead to (umm...) interesting results, though seldom to properly good ones.
It's the equivalent of the American action movie where all baddies have a "foreign" accent, smoke cigarettes and the bad guy boss has a hint of latent homosexuality. Just translate those components into Korean values. Enjoy it as no-brainer entertainment for killing some time, or more interestingly for understanding the components of Korean nationalism and the grudge toward Japan in a commercial movie production. If you want to see a really good Korean movie, for there are lots of them, pick another one.
This movie is the newest success of the rising Korean film industry. It's got drama, plot, action, emotions, and nice acting all rolled into one, on the background of a fantastical assumption on a twist of real history.
Note on the title. The setting is the year 2009, and the film is based on the assumption that Korea is still a colony of Japan, as it had been for the past 100 years, because a single assassination attempt back in 1909, which succeeded in real life, failed and changed the whole course of history for the past 100 years in this alternative story. A Korean-born special agent tries to set the history right, and his colleague, a Japanese-born and a friend of his, tries to stop him.
Although made in Korea, dialogues are about 70% Japanese, and you have to have some knowledge in the history of the two countries to fully understand this movie, but the setting and basis is very imaginative and fascinating, that anybody can appreciate it. The two stars of the movie, Dong-Kun Jang and Toru Nakamura, who are Korean and Japanese in real life, are very fine, and make up a nice team. The action scenes, which are plenty in this movie, are nicely choreographed and serve to contribute to the story. I thoroughly enjoyed this movie. The Korean film industry is growing, so the next time you catch a Korean movie, it could be this one!
Note on the title. The setting is the year 2009, and the film is based on the assumption that Korea is still a colony of Japan, as it had been for the past 100 years, because a single assassination attempt back in 1909, which succeeded in real life, failed and changed the whole course of history for the past 100 years in this alternative story. A Korean-born special agent tries to set the history right, and his colleague, a Japanese-born and a friend of his, tries to stop him.
Although made in Korea, dialogues are about 70% Japanese, and you have to have some knowledge in the history of the two countries to fully understand this movie, but the setting and basis is very imaginative and fascinating, that anybody can appreciate it. The two stars of the movie, Dong-Kun Jang and Toru Nakamura, who are Korean and Japanese in real life, are very fine, and make up a nice team. The action scenes, which are plenty in this movie, are nicely choreographed and serve to contribute to the story. I thoroughly enjoyed this movie. The Korean film industry is growing, so the next time you catch a Korean movie, it could be this one!
No, we are not talking about another Matrix-esque film where the world is really a virtual reality dream/nightmare...this is a film that takes a serious look at one of the many great "what if's" in history and shows how the world would have been. One of my favorite things about this film is that it shows the extremes of what people will do to either keep that history or change it. Its race against race; father against son; and friend against friend in a race for a nation's identity. Who will win, who will lose, and who will ultimately decide the fate of the world? Fantastic action sequences that seem almost too real. The bloodshed abounds in this film as we see repeated scenes of terrorists face off against police forces in shoot-outs that can only end with the annihilation of one group or the other. The battle scenes are realistic in that you don't see your standard "good guys never miss while bad guys can't hit the broad side of a barn" routine, these are truly horrific battles with a large casualty count from both sides.
The film, however, isn't all about action. The story itself stands on its own as you try to piece together the jigsaw of clues and dead-ends to find out what in the world is the truth. Even when you arrive at the climax of the whole story you are left on one cliff-hanger after another, wondering if this will be the final bullet to decide it all...and at the ending there is no cliff hanging, the writers have thrown you off the cliff and you wonder what awaits you at the bottom.
Despite this nail biting ending, the film had is draw backs: 1) a plot that progresses like a starting train, VERY slow at first before gaining tremendous steam at the end; 2)lots and lots of blood, not for the squeamish; 3)the ending had a loose end that was never explained; and 4)you will want more character background and insight from the two main characters.
A very good film that had plenty of room for improvement.
The film, however, isn't all about action. The story itself stands on its own as you try to piece together the jigsaw of clues and dead-ends to find out what in the world is the truth. Even when you arrive at the climax of the whole story you are left on one cliff-hanger after another, wondering if this will be the final bullet to decide it all...and at the ending there is no cliff hanging, the writers have thrown you off the cliff and you wonder what awaits you at the bottom.
Despite this nail biting ending, the film had is draw backs: 1) a plot that progresses like a starting train, VERY slow at first before gaining tremendous steam at the end; 2)lots and lots of blood, not for the squeamish; 3)the ending had a loose end that was never explained; and 4)you will want more character background and insight from the two main characters.
A very good film that had plenty of room for improvement.
¿Sabías que…?
- TriviaBok Geo-il, author of the source novel Bimyeong-eul Chajaseo ("Looking for an Epitaph") (1987), refused to be associated with the finished product, and successfully sued the film-makers to have his name removed from the credits.
- ErroresWhen Sakamoto dives behind the couch you can see that next to his gun holster, on the back of the couch, there is a mound exactly where the squib for the gunshot is going to go off.
- ConexionesReferences Uisa Ahn Jung-geun (1972)
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Detalles
Taquilla
- Presupuesto
- USD 7,000,000 (estimado)
- Total a nivel mundial
- USD 12,049,825
- Tiempo de ejecución2 horas 16 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was 2009 loseuteu maemorijeu (2002) officially released in India in English?
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