Zeroka no onna: Akai wappa

Yukio Noda's 'Zero Woman-Red Handcuffs' lives up to it's reputation, featuring a truly impressive level of violence mixed in with it's artistic style. I made the mistake of trying to watch this one in the morning. I had to stop it during the scene where a gang member is getting his skin burned off with a blowtorch, by a police detective. When I watched it all the way through I found this to be a very impressive 'pink' film, dealing with revenge, kidnapping, and torture. A gang of thugs who get their kicks raping and killing random people, believe they hit the big time when they kidnap the daughter of an important political figure. The amazingly sexy and tough Miki Sugimoto, the Zero Woman, is hired to bring back the girl, and to her delight, she is given an order to leave none of the kidnappers alive. This sets up the stage for some truly impressive scenes of brutality, and Rei, the Zero Woman has an almost religious devotion to 'justice'. We see this at the films amazing first sequence, where she allows herself to be taken to a hotel room by a wanted rapist/killer, and hands out her own brand of 'justice'. One reason that the film is so disturbing is that everyone, including the cops, is portrayed as wild animals with no compassion for human life. The gang especially, seem like a pack of savage hyenas. And much of the violence is directed at the Zero Woman herself; she is on the receiving end of many beatings and ugly rapes. I actually felt a little queasy in the stomach at times, but Miki Sugimoto is a gorgeous heroine, pure eye candy, and this visual beauty made the films ugly scenes a bit more bearable. Not that 'Zero Woman' is an ugly looking film; This is filmed with a great level of style, and utilizes garish colors especially well. Rei sports a red gun and red handcuffs, and the whole thing is quite surreal. This is the only thing that i have seen from director Yukio Noda, but judging from this one, the guy is a maniac. 'Zero Woman-red Handcuffs' is a fine 'pink film', and should not be confused with the vastly inferior 'Zero Woman' trash films from the 90's. This 1974 classic has absolutely nothing in common with those later films, other than the name. Essential viewing for fans of 'pink' cinema and violent cop dramas, this is a real assault on the senses!

Miki Sugimoto is Rei; undercover cop who dresses in a very cool red overcoat and delivers her own brand of vigilante justice that would be in good company with a certain Inspector Harry Callahan. She's sent after a bunch of crooks who have kidnapped a wealthy and up-and-coming politician's daughter and soon all hell breaks loose. While not as sleazy as something like Terrifying Girls Highschool or as exhilarating fun as Girl Boss Guerilla, fans of the genre will not be disappointed. It's (very) bloody, it has the requisite rape and nudity scenes that make any film of this sort work and just enough of a plot to keep you from glancing at your watch. It kind of drags in the middle but makes up for it with a blistering final act that involves among other things, blood gushing from gunshot wounds, a man burnt to a crisp and handcuff strangling.

One of the problems I had with it is that the first scene establishes Rei as this uber-cool badass cop chick with a style all her own; red handcuffs, gun and overcoat. A comic-book character that you can see kicking all sorts of butts. But then for the next hour she becomes this very passive character that gets tossed around and abused by a bunch of hoodlums. She's obviously trying to be as Meiko Kaji circa Lady Snowblood as possible (cold stare, silent, all that) but I like her better when she goes wild. All in all a decent pinku with a central character that could have been a lot better, but enough gore and sleaze to keep me happy. There's also a cameo by Tetsuro Tamba.

A surprise in many ways is this little seen but clearly influential thriller. Extremely violent and explicit with several rapes, beatings and torture scenes as extreme and varied as I have seen. It's not all blood and guts, there is humour too and wonderful cinematography with fine close-ups and dramatic angles, plus a fine stylised performance from the leading lady in red. A thrill a minute and ever violent this movie still has time for jibes at Japanese culture and politics. 'You can't just kill me like this' screams one of the baddies to a cop whilst his grave is dug, 'It makes you as bad as us' Recommended for those with a strong stomach.

"Rei" (Miki Sugimoto) is an undercover police officer who is working on a case involving the brutal murder of a young woman. One night at a nightclub she makes the acquaintance of a foreigner who buys her several drinks and then takes her to his apartment room where he intends on dispatching her in the same manner he murdered his other victim. Fortunately, she turns the tables on him and kills him first. Unfortunately, when it is discovered that the man was a foreign dignitary the police chief decides to throw her into prison without a trial or charges being preferred to avoid a possible scandal. Her situation changes, however, when the daughter of the incoming Prime Minister is kidnapped and Rei's services are required to rescue her at all costs. Now rather than reveal any more I will just say that this was a provocative crime-drama which featured plenty of action along with two attractive actresses in Hiromi Kishi (as the Prime Minister's daughter "Kyoko Nagumo") and the aforementioned Miki Sugimoto. On the flip side, some of the acting was a bit over-the-top as were some of the special effects as well. I should probably also mention that this is an extremely violent film which had several brutal scenes involving rape and nudity which might not appeal to all audiences. In any case, it's an interesting movie and I have rated it accordingly. Slightly above average.

An hour after I watched the movie, I calmed down enough to write this. One hell of a roller-coaster ride. Wow! The story is simple: a politician's daughter is kidnapped. He does not only want to get her back alive, but also the kidnappers must disappear completely so they can't talk to the press and everything can be hushed up. Scandals aren't good for his career. So who would do the job secretly, but with maximum violence? Zero Woman (Miki "Girl Boss Guerilla" Sugimoto)! The ex-detective who loves to strangle bad guys with the red chain of her favorite handcuffs is released from prison, goes to work and whatever she does from now on doesn't stand a chance on a PG rating. She looks great, talks even less than Arnie in "Terminator 1" and is as cold blooded as a snake in Antarctica. Got to love this woman, that is, from safe distance... staying on the other side of the screen. Recommended if you think Stallone was too sweet as Rambo.