Zeroka no onna: Akai wappa

Miki Sugimoto is Rei; undercover cop who dresses in a very cool red overcoat and delivers her own brand of vigilante justice that would be in good company with a certain Inspector Harry Callahan. She's sent after a bunch of crooks who have kidnapped a wealthy and up-and-coming politician's daughter and soon all hell breaks loose. While not as sleazy as something like Terrifying Girls Highschool or as exhilarating fun as Girl Boss Guerilla, fans of the genre will not be disappointed. It's (very) bloody, it has the requisite rape and nudity scenes that make any film of this sort work and just enough of a plot to keep you from glancing at your watch. It kind of drags in the middle but makes up for it with a blistering final act that involves among other things, blood gushing from gunshot wounds, a man burnt to a crisp and handcuff strangling.

One of the problems I had with it is that the first scene establishes Rei as this uber-cool badass cop chick with a style all her own; red handcuffs, gun and overcoat. A comic-book character that you can see kicking all sorts of butts. But then for the next hour she becomes this very passive character that gets tossed around and abused by a bunch of hoodlums. She's obviously trying to be as Meiko Kaji circa Lady Snowblood as possible (cold stare, silent, all that) but I like her better when she goes wild. All in all a decent pinku with a central character that could have been a lot better, but enough gore and sleaze to keep me happy. There's also a cameo by Tetsuro Tamba.

Don't confuse this with those 90's Zero Woman films, this original film is the cream of the crop! Long unavailable on DVD anywhere in the world, Discotek has finally made it available to Western audiences. Red Handcuffs is based on the original manga series written by Toru Shinohara, who also created the Prisoner Scorpion manga.

This movie is ruff, nasty, raunchy, and as over the top as you can get! Nudity, violence, and sex fills the film from beginning to end. Zero (played by the beautiful Miki Sugimoto) is a rebel cop that is not afraid to shoot first and ask questions later. This kind of behavior gets her thrown in jail with the same trash that she is used to cleaning off the streets. Given a chance at redemption, she is brought back on a secret mission to rescue a high ranking politician's (played by the legendary Tetsuro Tanba) daughter from a gang of crazed rapists.

All hell breaks loose once she's undercover and the blood, clothes, and Red Handcuffs start flying! In order to keep her cover she must endure everything this sick gang of psychos can throw at her. Keeping cool she stays close to the kidnapped girl and close to her weapon of choice while waiting for her opportunity to strike. Climaxing in a blood filled showdown in a windy deserted Navy base, this film is a nonstop ride from beginning to end. The video quality and packaging are top notch. Inside the limited slip cover is an alternate cover that features some of the nastier and naughtier scenes. I've read that these limited versions will be sold out very soon and the packaging won't be duplicated once gone. Highly recommended and a must-have for fans of Japanese cinema!

Once again the Japanese tantalize with extremely well made trash. Nothing like this is apparently possible from American cinema. Excellent photography and art direction go hand in hand with horrific human behavior.

The plot is well summarized elsewhere. The deviance is graphically portrayed with several extended rape/torture scenes. The kidnapped girl is frequently beaten. Zero Woman's police tactics seem to include being beaten and raped until the point she can pull out the deadly red handcuffs. The criminals are crazed and the politicians/cops are crooked and conniving. What a wonderful world.

Much of the film is set in sleazy areas or abandoned neighborhoods giving the film an atmosphere much like Mad Max. Sometimes the colors are vivid to the point of unreality. At one point the director does some very unusual color lighting tricks that work well. Depending on your stomach this is a very well made exploitation film.

The weak points are the ridiculous flying handcuffs that do things that would be unacceptable in a cheap kung fu picture, what was easy to draw in the original manga was obviously hard to reproduce in real life. And the big car chase/shootout that looks like they are driving 15 miles per hour.

The lead actress is very good and has no problem delivering serious lines unclothed. The other actors are good or hammy in a way that fits with the over the top tone of the film.

Recommended for hard exploitation fans.

As an enthusiastic fan of Japanese exploitation cinema from the 70s I was full of anticipation to see Yukio Noda's "Zeroka no onna: Akai wappa" aka. "Zero Woman: Red Handcuffs", and the film certainly deserves its cult status. "Zero Woman: Red Handcuffs" is an extremely violent and sleazy exploitation gem that even surpassed my expectations. The film which stars the ravishing exploitation goddess Miki Sugimoto as the eponymous heroine, is explicit from the very beginning. Gory murders, rapes, tortures and all kinds of sleaze and sexual violence are omnipresent in the film, and yet the film has way more to offer than only gore and sleaze, as it is immensely stylish and brilliant in all respects. The incredibly sexy Miki Sugimoto is great in the lead, as Rei (aka. Zero Woman), a beautiful female undercover cop who is assigned to infiltrate and eliminate gang of sadistic and perverted criminals who have kidnapped the daughter of a prominent politician... I will not go into detail any further, as I don't want to spoil any of the fun, but I can assure that "Zero Woman: Red Handcuffs" is a must-see for every fan of Japanese exploitation cinema.

The film is based on the manga comics by Tooru Shinohara, who also created the manga series that the brilliant "Joshuu Sasori" (aka. "Female Prisoner Scorpion") films are based on. The film has a delightfully black sense of humor, and an enormous level of sleaze and violence, even for Japanese 70s exploitation standards. The camera work is excellent and the supporting cast includes several familiar faces for Japanese cinema fans, such as Tetsuro Tamba, or Yôko Mihara, who is known for her female bully characters, most prominently in Shunya Ito's exploitation masterpiece "Joshuu 701-gô: Sasori" aka. "Female Prisoner #701: Scorpion" (1972), the first of the brilliant 'Sasori' films. The funky score in "Zero Woman: Red Handcuffs" is also very good, even if it admittedly resembles the score of the 'Sasori' films a lot, especially the theme song performed by star Miki Sugimoto is very similar to the Sasori-theme 'Urami Bushi' sung by Meiko Kaji. The great Toei Company released quite a number of excellent exploitation films in the 70s, and "Zero Woman: Red Handcuffs" is one of them. A bunch of new Zero Woman films, none of which I've seen so far, were released in the 90s, but they can't possibly reach the greatness of this 1974 original. "Zero Woman: Red Handcuffs" has everything great exploitation cinema needs, lots of sleaze and female nudity, an enormous dose of violence and gore all brought to you with immense style, and a super-cool and stunningly beautiful heroine played by the sexy Miki Sugimoto. In short: This is exploitation-gold and an absolute must-see for all lovers of cult-cinema! Awesome!

Yukio Noda's 'Zero Woman-Red Handcuffs' lives up to it's reputation, featuring a truly impressive level of violence mixed in with it's artistic style. I made the mistake of trying to watch this one in the morning. I had to stop it during the scene where a gang member is getting his skin burned off with a blowtorch, by a police detective. When I watched it all the way through I found this to be a very impressive 'pink' film, dealing with revenge, kidnapping, and torture. A gang of thugs who get their kicks raping and killing random people, believe they hit the big time when they kidnap the daughter of an important political figure. The amazingly sexy and tough Miki Sugimoto, the Zero Woman, is hired to bring back the girl, and to her delight, she is given an order to leave none of the kidnappers alive. This sets up the stage for some truly impressive scenes of brutality, and Rei, the Zero Woman has an almost religious devotion to 'justice'. We see this at the films amazing first sequence, where she allows herself to be taken to a hotel room by a wanted rapist/killer, and hands out her own brand of 'justice'. One reason that the film is so disturbing is that everyone, including the cops, is portrayed as wild animals with no compassion for human life. The gang especially, seem like a pack of savage hyenas. And much of the violence is directed at the Zero Woman herself; she is on the receiving end of many beatings and ugly rapes. I actually felt a little queasy in the stomach at times, but Miki Sugimoto is a gorgeous heroine, pure eye candy, and this visual beauty made the films ugly scenes a bit more bearable. Not that 'Zero Woman' is an ugly looking film; This is filmed with a great level of style, and utilizes garish colors especially well. Rei sports a red gun and red handcuffs, and the whole thing is quite surreal. This is the only thing that i have seen from director Yukio Noda, but judging from this one, the guy is a maniac. 'Zero Woman-red Handcuffs' is a fine 'pink film', and should not be confused with the vastly inferior 'Zero Woman' trash films from the 90's. This 1974 classic has absolutely nothing in common with those later films, other than the name. Essential viewing for fans of 'pink' cinema and violent cop dramas, this is a real assault on the senses!