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6.3/10
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TU CALIFICACIÓN
Viaja por un mundo abandonado por el viento y la oxidación, y descubre que tu hogar siempre te espera sin importar cuánto tiempo lleves fuera.Viaja por un mundo abandonado por el viento y la oxidación, y descubre que tu hogar siempre te espera sin importar cuánto tiempo lleves fuera.Viaja por un mundo abandonado por el viento y la oxidación, y descubre que tu hogar siempre te espera sin importar cuánto tiempo lleves fuera.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 2 nominaciones en total
Marc Goodhall
- Death
- (as Marc Goodall)
- …
Brian Nickels
- Second Hardman
- (as Brian 'Sonny' Nickels)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
You've seen similar plots, characters, tension/release "will the good guys prevail against unbelievable odds" elements if you've seen any movies at all. But you probably haven't seen too many lead characters like Steve Coogan's rather ungifted parole officer in this.
Coogan specialises in 'little' English characters (though quite a diverse range over his career) - graceless, irritating, of terrific drive but little achievement, and prone to finding the greatest possible embarrassment and humiliation in any situation. They're somewhat like Michael Palin's favourite type of characters (if you know Eric Olthwaite from the TV series "Ripping Yarns" that's probably one of his) but Palin had more affection for them as a rule.
Somewhat unusually for Coogan he displays a certain affection for his parole officer here - he has his triumphs - but this is a more conventional kind of entertainment than Coogan is normally prone to.
It really is just a feelgood comedy caper movie, with a stand-out lead character, but the feelgood stuff is done pretty slickly, and the protagonist is invariably hilarious - Coogan is funny every time he puts himself at the centre of a scene.
I can understand why other long-term Coogan fans are surprised or disappointed about the conventional nature of this movie, as opposed to his TV work. But I think "The Parole Officer" achieves everything it intended to. Steve Coogan is an exceedingly talented man.
Coogan specialises in 'little' English characters (though quite a diverse range over his career) - graceless, irritating, of terrific drive but little achievement, and prone to finding the greatest possible embarrassment and humiliation in any situation. They're somewhat like Michael Palin's favourite type of characters (if you know Eric Olthwaite from the TV series "Ripping Yarns" that's probably one of his) but Palin had more affection for them as a rule.
Somewhat unusually for Coogan he displays a certain affection for his parole officer here - he has his triumphs - but this is a more conventional kind of entertainment than Coogan is normally prone to.
It really is just a feelgood comedy caper movie, with a stand-out lead character, but the feelgood stuff is done pretty slickly, and the protagonist is invariably hilarious - Coogan is funny every time he puts himself at the centre of a scene.
I can understand why other long-term Coogan fans are surprised or disappointed about the conventional nature of this movie, as opposed to his TV work. But I think "The Parole Officer" achieves everything it intended to. Steve Coogan is an exceedingly talented man.
Steve Coogan has arguably been the funniest man on British television in recent years. His rise from Spitting Image voice and impressionist to the inventor of classic character comedies involving Alan Partridge, Paul and Pauline Calf and the like has been unrivalled, taking in tv shows like The Day Today and long runs in West End theatre.
Surely transposing this impressive track record to the big screen would prove no difficulty at all? Well, it does. Perhaps it is judging this film in light of Coogan's previous output, but I was expecting more frequent laughs and more outright comedy, rather than falling into the typical English track of delivering a gentle, amusing tale that is charming but ultimately forgettable.
The plot, involving Coogan's failed parole officer who witnesses a murder and is subsequently framed by a corrupt police officer, is all well and good. There are several comic moments, including the now infamous rollercoaster scene.
Somehow however the characters are not strong enough (Coogan himself is most guilty here) and the laughs insufficiently hearty. I expect the appeal of the film will be limited outside of the UK.
Surely transposing this impressive track record to the big screen would prove no difficulty at all? Well, it does. Perhaps it is judging this film in light of Coogan's previous output, but I was expecting more frequent laughs and more outright comedy, rather than falling into the typical English track of delivering a gentle, amusing tale that is charming but ultimately forgettable.
The plot, involving Coogan's failed parole officer who witnesses a murder and is subsequently framed by a corrupt police officer, is all well and good. There are several comic moments, including the now infamous rollercoaster scene.
Somehow however the characters are not strong enough (Coogan himself is most guilty here) and the laughs insufficiently hearty. I expect the appeal of the film will be limited outside of the UK.
"The Parole Officer" is a funny little comedy gem from the UK that has its share of flaws. Occasionally the jokes are just a bit too silly and the movie has a few lengths in the middle. Also, the score seems completely out of place more often than not.
On the plus side, though, the film has got a great cast. Most jokes work because the actors deliver them with such great timing. Nothing needs to be said about Steve Coogan anymore. Everybody knows his talent by now and the man is rightfully on his way to a career in Hollywood. Ben Miller can be seen here, too, before he came to bigger fame with "The Worst Week Of My Life". He's great, just like Om Puri, George Steven Waddington and Emma Williams, all of which play a group of ex-criminals who plan to break into a bank to steal evidence that will clear the name of the wrong-fully accused title character (played by Coogan). Lena Headey is another face you might recognize from "300" or the new "Terminator" TV-series. She's just gorgeous, beautiful and very charming. Omar Sharif makes a prominent cameo and there's a blink-and-you'll-miss-it appearance by Simon Pegg - probably the best moment of the entire movie.
So, yeah, "The Parole Officer" is a very enjoyable movie. Not all jokes hit the bullseye, but you'll laugh more than a few times. I really recommend this movie to everyone who likes classic Heist flicks and/or comedies like "Fletch".
On the plus side, though, the film has got a great cast. Most jokes work because the actors deliver them with such great timing. Nothing needs to be said about Steve Coogan anymore. Everybody knows his talent by now and the man is rightfully on his way to a career in Hollywood. Ben Miller can be seen here, too, before he came to bigger fame with "The Worst Week Of My Life". He's great, just like Om Puri, George Steven Waddington and Emma Williams, all of which play a group of ex-criminals who plan to break into a bank to steal evidence that will clear the name of the wrong-fully accused title character (played by Coogan). Lena Headey is another face you might recognize from "300" or the new "Terminator" TV-series. She's just gorgeous, beautiful and very charming. Omar Sharif makes a prominent cameo and there's a blink-and-you'll-miss-it appearance by Simon Pegg - probably the best moment of the entire movie.
So, yeah, "The Parole Officer" is a very enjoyable movie. Not all jokes hit the bullseye, but you'll laugh more than a few times. I really recommend this movie to everyone who likes classic Heist flicks and/or comedies like "Fletch".
Some of the criticism this film has received seems a little unfair. While its concept, plot and characters are not very inventive, the tone of the film works. The humour is often very amusing indeed, and much does amuse in the film. Even the predictable attempts at "Gross-Out" humour work in themselves, if perhaps not in the context of the film.
Questions could be raised about the film's odd mix of styles - the attempts at naturalism and post-modernism, old-fashioned lightweight adventure and Ealing whimsicality - all seem at odds with each other, yet an entertaining film emerges from this. The playing of an impressive cast is sound, with the supporting players, like Om Puri and Ben Miller making the most of limited parts. Stephen Dillane does a steady job as a smug, self-satisfied policeman baddie. I much enjoyed the absurd bit where he laughs maniacally for a while while on TV and the camera zooms into the TV screen Coogan is watching him on. Newcomer Emma Williams is an effective addition to the cast, although she doesn't have all that much to do in plot terms, come to think of it. The finely named Lena Headey is very inoffensive as the "love interest", and thankfully the romance such as it is is light-hearted and made part of the convoluted plot. Perhaps a problem is the excess of characters, a few of whom could be done without. Omar Sharif's cameo was briskly enjoyable, but hardly necessary to the plot, for example. Steve Coogan, so successful on TV with the Alan Partridge character, goes for a more likable, less intricate comic character in this film. He is often excellent, in scenes such as when he does an odd, buffoonish dance in a club. There are plenty of effective little character touches and importantly, one is made to like his character and want him and his "gang" to win out, so to speak, by the end. A film reminiscent of past British Ealing comedies, yet with a fair dose of crudity. In the context of today, this is an impressively funny film, but it does not quite match up to "The Ladykillers" or "The League of Gentlemen", for example. It is slightly overlong, but largely a winning, refreshing minor comedy.
Questions could be raised about the film's odd mix of styles - the attempts at naturalism and post-modernism, old-fashioned lightweight adventure and Ealing whimsicality - all seem at odds with each other, yet an entertaining film emerges from this. The playing of an impressive cast is sound, with the supporting players, like Om Puri and Ben Miller making the most of limited parts. Stephen Dillane does a steady job as a smug, self-satisfied policeman baddie. I much enjoyed the absurd bit where he laughs maniacally for a while while on TV and the camera zooms into the TV screen Coogan is watching him on. Newcomer Emma Williams is an effective addition to the cast, although she doesn't have all that much to do in plot terms, come to think of it. The finely named Lena Headey is very inoffensive as the "love interest", and thankfully the romance such as it is is light-hearted and made part of the convoluted plot. Perhaps a problem is the excess of characters, a few of whom could be done without. Omar Sharif's cameo was briskly enjoyable, but hardly necessary to the plot, for example. Steve Coogan, so successful on TV with the Alan Partridge character, goes for a more likable, less intricate comic character in this film. He is often excellent, in scenes such as when he does an odd, buffoonish dance in a club. There are plenty of effective little character touches and importantly, one is made to like his character and want him and his "gang" to win out, so to speak, by the end. A film reminiscent of past British Ealing comedies, yet with a fair dose of crudity. In the context of today, this is an impressively funny film, but it does not quite match up to "The Ladykillers" or "The League of Gentlemen", for example. It is slightly overlong, but largely a winning, refreshing minor comedy.
Simon Garden (Steve Coogan) is an "annoying" incompetent parole officer. Of his thousand clients, he could only point to three successes; George (Om Puri), Jeff, and Colin. He gets transferred to Manchester. Police Inspector Burton (Stephen Dillane) chases down juvenile car thief Kirsty and recovers drugs. She becomes Simon's case and claims the drugs were planted. He asks out police constable Emma (Lena Headey). At a strip club, he witnesses Burton selling the drugs and murdering his criminal partner. He escapes but leaves behind his wallet. Burton threatens him with a murder frame-up but later, he decides to take on the corrupt hero cop with the help of his clients, and the mysterious Victor (Omar Sharif).
Coogan is playing a well-meaning buffoon in a light caper police crime drama. He delivers some good comedy and a couple of outlandish gross-out jokes. Vomiting on the roller-coaster is hilarious. The movie could have staked out that area and made this utterly stupid. Instead, it tries to straddle both gross out stupidity and light caper comedy. It needs to pick how serious to treat the material. As it stands, it struggles to satisfy both high-minded and low-brow comedic tastes.
Coogan is playing a well-meaning buffoon in a light caper police crime drama. He delivers some good comedy and a couple of outlandish gross-out jokes. Vomiting on the roller-coaster is hilarious. The movie could have staked out that area and made this utterly stupid. Instead, it tries to straddle both gross out stupidity and light caper comedy. It needs to pick how serious to treat the material. As it stands, it struggles to satisfy both high-minded and low-brow comedic tastes.
¿Sabías que…?
- TriviaAs a gag, Steve Coogan featured three review quotes on the back of the UK version of the DVD, the first review reads: "Unarguably the greatest film ever made" which was quoted by Alan Partridge, a fictional character created by Coogan. Another review says "A Bag of Sh*te" quoted by Paul Calf, (another fictional creation of Coogan's), while the third review is a standard quote from a Hot Dog magazine review which reads: "Coogan is the new Peter Sellers".
- ErroresSimon Garden's correct job title would be "probation officer" in England. "Parole officer" is an Americanism, and is probably used for the international market. However, while "parole" is used in the title of the film, "probation" is used throughout the film script.
- Citas
[after seeing Emma in the mirror naked]
Simon Garden: You've got a lovely little pu... cat
- Créditos curiososDuring the first part of the credits there is footage showing the cast dancing to "Heroes" by David Bowie
- ConexionesFeatures Trumpton (1967)
- Bandas sonorasDreamer
Performed by Supertramp
Written by Roger Hodgson and Rick Davies
Used by kind permission of Rondor Music (London) Ltd /
Universal Music Publishing Ltd
Courtesy of A&M Records/Polydor UK Ltd
Licensed by kind permission from the Film & TV Licensing division, part of the Universal Music Group
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- How long is The Parole Officer?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total a nivel mundial
- USD 4,424,253
- Tiempo de ejecución
- 1h 33min(93 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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