Il Mare

IL MARE (2001) Another soapy time-travel romance that, if you watch it in the right frame of mind, could have you in tears. It's about a guy who finds a letter in the mailbox of his new seaside rental house from the previous tenant advising him about little things that haven't happened yet, like the paw prints his dog leaves on the floor days later! In trying to meet the woman who wrote the letter, he comes to realize she lives about a year or two ahead of him in the timeline, and lived in the house after he vacated it. He asks her to find him in the future, but she can't... Like DITTO, the film manages to defy conventions on a couple of occasions, and it's internal logic is solid enough that you don't think about it too hard. Another great date film, again provided you're not too cynical about such things. I give it a 9.

This is the most romantic and weird film I've ever seen. Delightful and very romantic, this film inspires. I had an overwhelming urge to go home and design something after seeing it. Not to mention dropping letters into mailboxes. Visually, the movie is incredibly beautiful. The storyline is also quite original for a love story. I don't know what else to say except see it, if you get the opportunity.

Subtle, melancholic, magical. The movie is almost comparable to another Asian film jewel, Love Letter (1995) in terms of the subtleness and slow build-up of the plot; where the platonic relationship between the protagonists help make the love story almost ethereal, and yet very grounded and real, at the same time. The love story is polite and decent, with different shades of melancholy, that at times it edges into sappiness. However, this "sappiness" is only like a pinch of salt which adds additional flavor to the already deliciously rich mood of the film. In terms of story-telling, cinematography and acting skills, it is almost flawless, and after the closing credits, it will leave you utterly breathless. The mood will stay with you long after you've seen it -- i think that's the magical domain of the film -- not only in terms of plot, but more so, the effect it brings to the viewers. A truly cinematic experience you shouldn't miss!

I remember watching "Il Mare" (aka "Siworae") back in the day shortly after it was initially released. And I do remember it as being a very beautiful movie. So I sat down yesterday to watch it again for the third time.

And while "Il Mare" does have a very nice and original story, then it was a tad slow paced, which could be somewhat of a challenge for some audience to get through. However, I think that it is alright with a slow paced storyline here, because director Hyun-seung Lee uses the time quite well to tell a very beautiful and touching story.

The story told in "Il Mare" is about a lovestory between Kim Eun-ju (played by Ji-hyun Jun) and Han Sung-hyun (played by Jung-jae Lee). They are sending each other letters from a mailbox at an ocean-side house named Il Mare. Kim Eun-ju is living in 1999 and Han Sung-hyun is living in 1997. And even with two years apart, their love grows with each letter.

It is indeed a very interesting storyline, and one that has originality and sinks right in, because it is really well-told by the director.

And while the cast list in "Il Mare" is relatively small, then there is a bigger pressure on the leading stars to perform well enough to hold up the movie. And I will say that both Jung-jae Lee and Ji-hyun Jun did more than perform adequately. They really carried the movie quite well, both individually and together on the screen.

"Il Mare" is a beautiful movie to grace the South Korean cinema, and it is a movie that is well-worth watching, regardless of you having a preference for Asian cinema or not.

A heart-wrenchingly beautifully filmed movie -- the cinematography is absolutely perfect and it makes me wonder whether Korean seaside residences are all that beautiful. But after a little while I sense this alarming message -- these days we prefer living in isolation and talk to people we do not know, and even regard them as our "true love" without any real contact (see the booming of ICQ), while on the other hand, we refuse to give the ones around us a chance, as Sung-Hyun did to his father and ex-girlfriend. I am not sure if this is what the movie is trying to say but it's such a sad reality...