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IMDbPro

Cinemania

  • 2002
  • Not Rated
  • 1h 23min
CALIFICACIÓN DE IMDb
7.1/10
2.4 k
TU CALIFICACIÓN
Cinemania (2002)
Documental

Agrega una trama en tu idiomaThis documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. The filmmakers expose this delightfully deranged cult by... Leer todoThis documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. The filmmakers expose this delightfully deranged cult by capturing the daily lives of its members. Interviews in movie houses, on the street and i... Leer todoThis documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. The filmmakers expose this delightfully deranged cult by capturing the daily lives of its members. Interviews in movie houses, on the street and in the homes of the subjects tell the story of each individual. Many cannot hold a job, or ... Leer todo

  • Dirección
    • Angela Christlieb
    • Stephen Kijak
  • Guionista
    • Angela Christlieb
  • Elenco
    • Jack Angstreich
    • Eric Chadbourne
    • Bill Heidbreder
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    2.4 k
    TU CALIFICACIÓN
    • Dirección
      • Angela Christlieb
      • Stephen Kijak
    • Guionista
      • Angela Christlieb
    • Elenco
      • Jack Angstreich
      • Eric Chadbourne
      • Bill Heidbreder
    • 27Opiniones de los usuarios
    • 45Opiniones de los críticos
    • 67Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Fotos5

    Ver el cartel
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    Elenco principal11

    Editar
    Jack Angstreich
    • Self
    Eric Chadbourne
    • Self
    Bill Heidbreder
    • Self
    Roberta Hill
    • Self
    Harvey Schwartz
    • Self
    Richard Aidala
    • Self (projectionist)
    Tia Bonacore
    • Self (ticket taker)
    David Schwartz
    David Schwartz
    • Self (AMMI curator)
    Michael Slipp
    • Self (roommate)
    Audrey Hepburn
    Audrey Hepburn
    • Self
    • (material de archivo)
    Ray Privett
    • Self
    • (sin créditos)
    • Dirección
      • Angela Christlieb
      • Stephen Kijak
    • Guionista
      • Angela Christlieb
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios27

    7.12.4K
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    Opiniones destacadas

    vixvox

    If you enjoy people-watching, you'll love this.

    Get a sneak peek into the lives of some "different" people. You probably know that people who are fanatic about subjects tend to be interesting anyway, but this movie takes you further.

    If you enjoy watching people and making up stories for them, you have to see this movie! The real lives of these strange people are more interesting than anything you could think up!
    7mbrindell

    A fine film

    This is a fine documentary dealing with one manifestation of obsessive/compulsive disorder. It does not accurately reflect the lifestyles of the vast majority of our film-obsessed moviegoers. I'm not a doctor; that's my layman's opinion. Having said that, I wouldn't discourage anyone from seeing the film. It's provides a good sense of the malady's symptoms, but provides little information on the disorder itself, let alone a solution.

    Again, recommended.
    surendeur

    Tragic misunderstanding?

    This film was a favorite at the Seattle Film Festival. I went to a screening last night with rather high expectations, some of which were met and others, which well... were not.

    We follow six oddballs from the big apple whose lives center around thick film festival guides and meticulous prints of "La Dolce Vita". The beginning is a clever montage in which we are introduced to each one and are allowed to laugh at their idiosyncracies. One individual's eccentric voiceover is played while he's spreading half a jar of peanut butter onto a slice of wonderbread. All are extraordinarily unattractive and the nightmare of any suburban mother who's afraid that they're kid is watching too much television. I am beginning to the think the term "film buff" should be given a new meaning. They ride on a subways crowded with anxious people catching the train to work. They sit at the sides of the train, hearts pounding at the pure thought of someone may "stealing their special seat" at the 3:00 showing at MoMA. One even collects thousands of film records. The revelation? He doesn't even own a record player.

    The film stays a quirky, safe experience in the first half-hour. Then it becomes repetitive, disturbing, and not necessarily in a poignant matter. We step into their apartments and it's not surprising that they're all packrats (to say the VERY least). Many live with books (mostly related to film) stacked up to the ceilings, struggling daily to find their way out the door. Their social lives are exclusive to their `film society', which consists of spitting out film titles and waiting for ten second criticisms. Only one person is employed. The rest either live off someone else or a dead relatives royalties. The film became progressively more uncomfortable for me upon realizing that this, was, indeed a documentary… and that the hypocrisy of sitting in a theatre, laughing at an extreme version of myself became too much for me. Had the filmmakers not been there, I probably might have walked out. As playwright Edward Albee said: `The best art holds a mirror in front of your face and says, THIS IS WHO YOU ARE. NOW CHANGE.' I wish it could have applied to this movie the same way. It never strayed from being a caricature-driven freak show and very much resisted giving us a thorough investigation of who the psychology of these people. What the hell they get out of saving every ticket stub and soda cup from their childhood. Tell me why? Tell me how? Give me answers before the film comes to an end…

    And of course, as most films do… `Cinemania' came to end and left this viewer extremely irritated. Usually, I resist walking out of the theatre commenting on the film's quality. This time, when asked the question, I answered: `Self-conscious. But I'm sure they're thrilled that they're on screen. It's just too bad they don't understand how sad they are…' Which, I will admit… is a matter of opinion… and surely mine will be battered.

    For me, it was a montage of social loners and obsessive-compulsives in the Big Apple. A friend of mine was touched, humored and said it reminded him of… well, himself. What I failed to tell him was that it affected me the same way too. He just has a better sense of humor.

    Recommended for fans of `Trekkies', `The Cruise' and `Crumb'.

    RATING: 6/10
    FeverDog

    Movie geeks who need to get a life

    CINEMANIA runs sometimes on the Trio channel so I've seen it a few times. Its characters are what I'd probably become if I had unlimited time and resources to go to the movies five times every day. I've already been to some of the rep houses they frequent (like the Film Forum).

    But even though this movie purports to be a comedy, I don't find it particularly funny. These people are sad loners who go to the movies all the time because they don't have anything else in their lives to do. Nowhere in the movie do we see them loving the films they see, or even enjoying them. No post-film chitchat about what they just saw, what they think of it, if they even liked it.

    Roberta collects memorabilia. She's got a fast-food tie-in beverage cup for LAST ACTION HERO, but what does she think of the movie? Has she even seen it? Does she go to summer blockbusters or stick to film festivals and rep houses?

    Do any of these maniacs have opinions? It's like they're obligated to partake in this ritual day after day, and any joy the cinema once gave them is long gone.

    Oh, and I object to a movie called CINEMANIA that's shot on video.
    Renaldo Matlin

    One of the scariest movies I have... ever... seen...!

    The most impressive thing is that these people are real. No CGI or Stan Winston animatronics, and Frank Oz doesn't have his hand up their back, they are real people of flesh and blood just like me and you! Scary, I know.

    My favorite has to be Roberta. Maybe because I don't come across to many women who love movies like I do, and Roberta REALLY loves movies. And on the positive side she doesn't freak me out as much as, say Jack. Jack (better than any character Woody Allen ever created) actually eats constipating food so he doesn't have to go to the restroom as often during the day. Which I can understand since he has to get through a gazillion movies each year, so when will he ever find the time to take a dump? But that's only answering one question. Answering that other question: I guess he just pees in an empty bottle during the movie. Hey it's dark in a movie theater, so who would notice?

    "Cinemania" is really both sad and beautiful at the same time. And at times it even scared the hell out of me! If you call your self a movie buff, and have a wife or girlfriend who thinks you should spend less time on your hobby: take her to see this and she will realize that she could do a heck of a lot worse.

    Argumento

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    • Citas

      Eric Chadbourne: French intellectuals are not my favorite people.

    • Conexiones
      Features Adiós a las armas (1932)
    • Bandas sonoras
      Cinemania
      (theme song)

      by Stereo Total

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de abril de 2003 (Alemania)
    • Países de origen
      • Alemania
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Cinemanija
    • Locaciones de filmación
      • Museum of Modern Art, West 53rd Street, Nueva York, Nueva York, Estados Unidos
    • Productoras
      • Bayerischer Rundfunk (BR)
      • Hanfgarn & Ufer Film und TV Produktion
      • Loop Filmworks
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 11,305
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,948
      • 18 may 2003
    • Total a nivel mundial
      • USD 11,305
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 23min(83 min)
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.33 : 1

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