Bubba Ho-Tep

In Mud Creek, Texas, at the Shady Rest Convalescence Center, a man called Sebastian Half (Bruce Campbel) claims to be the real Elvis Presley. He has been living in coma at the home for twenty years since he tripped off the stage. Sebastian explains that he switched places with an Elvis impersonator since he was tired of his fame but their contract that could prove his real identity was accidentally burnt to ashes in a barbecue. When his friend Jack (Ossie Davis), who is a black man that claims to be President John Kennedy, shows evidence that an ancient Egyptian mummy is sucking the souls of the residents of the nursing home, the skeptical Sebastian sees evidences that show that his friend is correct. Now the two old men plot how to stop the mummy.

"Bubba Ho-Tep" is an original, funny and highly entertaining comedy-horror film. The storyline is absolutely insane and weird, but it is worthwhile watching. Bruce Campbel is unrecognizable in the role of Elvis Presley, the true or the impersonator. Ossie Davis posing of a dyed John Kennedy is hilarious. The fight with the mummy is amusing. My vote is seven.

Title (Brazil): Not Available

An elderly Elvis impersonator (or maybe the King himself) and a demented Black man (or maybe J. F. K.) discover that their cut-rate nursing home is being haunted by a soul-sucking pseudo-Texan mummy. Despite some pointless 'gross-out' humour, this off-beat comedy-horror is fun and oddly affecting. Cult-fav Bruce Campbell is pretty good as the maybe-Elvis and his impressions of the King's classic mannerisms (and karate moves) is hilarious. Ossie Davis as a possibly dyed 35th POTUS is just strange and the rest of the cast are mostly props to hang sight-gags on, mostly. Not for everyone but if you like this sort of thing, 'Bubba Ho-Tep' is almost as good as its title.

"Bubba Ho-tep" is a low budget movie that went for the B-movie feel on purpose, accomplishing its goal of being a "fine" piece of pop culture weirdness. The story is set in a current-day East Texas rest home and focuses on two residents who believe they are Elvis and JFK--the JFK character just happens to be black, and the rest home also houses a few other crazies, including the Lone Ranger. Elvis and JFK soon learn that an Egyptian mummy--who was stolen from his traveling museum exhibition--has come to life in their neighborhood and is killing the rest home residents by sucking their life force out their backsides (you can harvest a soul through "any major orifice," you know). Eventually, our decrepit heroes realize that only they can meet the mummy in a showdown.

The film is really a clever piece of pop culture mythology, working up hilarious back stories for JFK (Ossie Davis who is recognizable from, at the very least, several Spike Lee films) and Elvis (Bruce Campbell of the "Evil Dead" movies). Campbell's performance is particularly excellent, Don Coscarelli's as director did a perfect job finding the right mood and balance of humor for the film, and the leisurely plot--from Joe Lansdale's original novella--is totally engaging and a cinephile's dream.

The Evil Dead series already made it pretty clear and – after Bubba Ho Tep – there's nobody who should question this statement ever again: Bruce Campbell is one major cool dude! Campbell stars as Elvis. Old, fat and supposedly out of his mind, he's a resident in an East-Texas rest home. An ancient Egyptian mummy that has been stolen from a museum wanders around in the area, soul-feeding on the weak victims of the nursery home. Elvis, tired of his indigent and pathetic life, teams up with a black man who thinks he's former president Kennedy to destroy the mummy once and for all. The story of Bubba Ho-Tep is remarkably simple… Too simple actually, and if it wasn't for Campbell and a few ingenious gimmicks, this would have been an unnoticed and forgettable comedy/horror film. Bruce gives away an outstanding performance and he is the KING in ways you can't imagine. The saddening, self-criticizing monologues he gives while lying on the hospital bed are some of the best lines in recent cinema and his charisma speaks for itself. Veteran Ossie Davis gives great feedback as the 'president', seeing conspiracies wherever he looks.

The comedy aspects of Bubba Ho-Tep show right away, yet it also is a subtle drama, criticizing the way we often mistreat our elderly by placing them in a home and leaving them to their own devices. It is these outcasts that fight back here and save the day! Bubba Ho-Tep is filled with appealing one-liners and imaginative findings. How about the idea of a 2000-year-old mummy writing stuff like 'Cleopatra does the nasty' on a toilet's wall, like we all did in high school? The film also depends on the professional directing skills of Don Coscarelli. He finally found a worthy successor for his classic horror franchise 'Phantasm', even though that premise was a lot more complex and horrific. Recommended to fans of pop-culture flicks and bizarre gems. One of the better genre films since the new Millennium.

Hail to the King, baby!

I must confess I had reservations prior to seeing this film. I thought it would be some God-awfully childish film laden with sophomoric jokes, cheesy effects, and inane dialogue. Some of those elements do surface, but this film was a genuine pleasure to sit through. Imagine if you can that Elvis, the King of Rock and Roll, switched places with an Elvis impersonator and now lives a sad, lost life in a small, run-down nursing home in East Texas. Add to the mix Ozzie Davis as a man convinced he is John F. Kennedy and a mummy that sucks the souls of geriatric residents and you have the basic premise behind Bubba Ho-tep. But beyond all that and the jokes about Elvis's genitalia and other low brow references is a film with a tremendous amount of heart and a message about the elderly in our society and how we have, as a society, betrayed them and cast them aside. The script and effective direction of Phantasm's Don Coscarelli make this film work on several levels. It is a comedy. It is a drama. It is a horror film. It has all those elements. You care about the characters and are drawn into this seedy little world. The biggest asset the film has is its performances. Davis gives a fine turn and adds credibility to the film, but Bruce Campbell as the king just bowled me over. I had seen him before, but I had never seen him act like this before. You soon forget Campbell is acting and think Elvis is really there - now 68 and destitute. Campbell's inflection, mannerisms, and poise melt and fuse wonderfully into Elvis. This was one of the very pleasant surprises that come along every so often.