Pengabdi Setan

The Munarto family has recently lost its matriarch, and the teenage son Tomi (Fachrul Rozy) is not dealing with it very well. He is seeing visions of his late mother (Diana Suarkom) on the property, and soon his older sister Rita (Siska Widowati) is likewise experiencing strange, supernatural things. It becomes clear that there are unkind spirits on the property, and the arrival of a new housekeeper, Darminah (Ruth Pelupessi), will not ease anybody's concerns since the viewer can tell that she does not have the best interests of this family at heart.

Overlooked by the mainstream audience in North America, this intense Indonesian horror film would make a good double feature with another picture from that country, "Mystics in Bali". This one lives up to the word "horror", with plenty of spooky, sinister atmosphere to spare. It does not take long for the bad stuff to start happening. Fortunately, this family is likeable enough (W. D. Mochtar, who's also in "Mystics in Bali", plays the father / widower) that one can easily root for them. Most importantly, in a country where peoples' faith is often quite strong, this isn't a particularly religious family, so outside forces urge them to find God in a hurry.

The cast is good (Pelupessi is a standout), the imagery is creepy, there is some effective gore on occasion, and the story steadily builds to a fantastic climax. There is even some amusing humor on occasion that never detracts from the overall seriousness of the tale.

If one is looking to discover Asian genre cinema, I would definitely recommend this one to interested parties.

Eight out of 10.

Despite of the makeup that too ordinary for a horror film, the story plot was frightening enough until now. Perhaps if we watch this movie in the recent time, I'm sure it's nothing compare to any modern horror film. But when you watched this movie back in the 80s, inside the theater, it could gave you a nightmare.

This film essentially begins with a funeral service being held for a woman who has left a husband and two nearly grown children behind. So, mourning the loss of his mother, "Tommy" (Fachrul Rozy) is advised by a friend to visit a local fortune teller who can help guide him through his grief by preparing him for future events. When he does, however, he is told that he and his family are in grave danger and that the only way to protect them is through the use of black magic. That said, he purchases some books and various other objects of an occult nature to help him in that regard. His sister "Rita" (Siska Widowati), on the other hand, chooses a more hedonistic approach to deal with her grief by going to parties with her boyfriend "Herman" (Simon Cader) instead. Not long afterward, both of them begin seeing apparitions of their mother which, as you might expect, begin to frighten them. Yet rather than address their concerns, their father "Munarto" (W. D. Mochtar) hires a housekeeper named "Darmina" (Ruth Pelupessi) to take care of them--and that's when things really get scary. Now, rather than reveal any more, I will just say that this was an interesting film due in large part to the manner in which the use of Islamic spiritualism was used to combat black magic. I say this because, of the horror films I have seen from the Far East, the remedies are typically of a Buddhist or Christian nature. So, this was rather new to me. On a totally separate note, although the plot and some of the horror scenarios were quite good, the special effects tended to be much too basic to really make them stand out. At least, that is how it seemed to me. Be that as it may, while I don't consider this to be a great horror film by any means, I suppose it was good enough for the time spent, and I have rated it accordingly. Average.

This is what horror should be. Movies that are upsetting but have a moral message and to be unique in it's own way. This movie nails both on the head, except the pacing on this movie could of been better. The movie does drag at times. But for the most part it's pretty good.

You know, i was never really a fan of Slashers like Friday the 13th, because both of those films are pointless, and it's just horror for the sake of being horror. Neither of those films have anything unique, it's just the same idea in circles.

This movie however, has a great message; Faith and do not mess with the other side. I would say that this is one of those movies that Teenagers should watch in school alongside Requiem for a Dream, and Apartment 407. All 3 films i just named have great messages, and they really make you think about life.

I can also say another a bit negative is the effects are kinda weak. But i did not really care because that's not the point what makes a good movie good is a good story, and pacing. Everything else can be passed.

Even the father becomes likeable in the end, the man realizes where he went wrong, and follows the footsteps of his daughter and son. I can totally recommend this, with other good horror movies like: Chucky, Martyrs, Cannibal Holocaust, Uzumaki, Hostel, Dead Alive, Reanimator, Cube, Saw 2 & 3, and many other great films out there...

There are film-making and storytelling sensibilities of horror here that one will recognize in like fare from most any country's cinema; that in this case the proceedings are flavored with tinges of Indonesian culture is refreshing, not least as Islam is spotlighted over Christianity. Otherwise, the story bears familiar roots of eerie goings-on following the death of a member of the family, and we can just sit back and take in all that 'Pengabdi Setan' has to offer. There are perhaps points where the presentation is overbearing in some manner, whether it's especial clamor in a sequence or extra forcefulness in the acting; though such instances are obviously intentional, for my tastes they're too overt a choice. Yet otherwise I'm rather pleased with how good this is - it may not be an absolute must-see, but anyone who appreciates the genre will surely find much to like here.

The cast generally gives strong performances fitting for the material; if they are sometimes too heavy-handed, I think that's more a question of Sisworo Gautama Putra's direction. But excepting the few most overly pronounced instances, Putra's orchestration of every shot and scene is also commendably strong in accentuating the growing disquiet that pervades the scenario, and in making every moment matter. With that said, this is certainly a case where the dispensation of the most significant horror elements is more measured and deliberate, parsed out more sparingly as the length advances, and not necessarily doled out very subtly at that - but the incidence is more than enough to inculcate a robust, growing sense of Things Going Wrong in the household. Each such step along the way is realized with excellent stunts, effects, and special makeup, facets that are as admirably well done as in many like-minded titles, and by the time we're in the last third of the length the differences between this and other such titles are decidedly few.

And that's sort of the key here: while I don't think 'Pengabdi Setan' is remarkable in any one way, it's notable as an Indonesian feature that has achieved enough renown to be recognized to a degree that cannot broadly be said of other works of the country's industry. The closest points of comparison in terms of aesthetics and production values may be contemporary genre fare out of Hong Kong or Japan, and that arguably comes across above all in the cinematography, and in the approach toward specific genre elements. And whatever else one may say about where this 1980 film stands, it all looks pretty fantastic! As the course of events escalates the entertainment becomes ever more delicious, and while strictly speaking this may be a smidgen more modest than contemporary pieces out of Europe or the United States, that doesn't truly mark this as any lesser. In fact, for as excellent as the horror happenings come to be as the narrative develops, I rather believe this stands well above many more widely known flicks. All the component parts here, including the ambient soundscapes of the score, increasingly produce a layer of atmosphere over the affair that cements its strengths and overarching value - and when all is said and done, I believe this quite stands shoulder to shoulder among the upper middle (or is that lower upper?) echelons of any horror one may wish to watch.

Given the calculated pacing of all herein, reserving the most substantial aspects and intensity for the back end, I can understand that this won't appeal to all comers. This isn't a movie of major visceral thrills or chills, nor instant gratification. Moreover, as one particular criticism, I will say that this is very heavy-handed about its underlying themes, to an extent that's more than a little gauche. Still, for those who are receptive to all that the genre has to offer, and who have the patience for pictures that play their hand in their own time, I'm happy to say that ultimately there's enduring worth here that even some of the best known horror features can't always claim. It's not wholly perfect, and it's not an exemplar per se, but I sat to watch with mixed expectations and step away very satisfied with how enjoyable 'Pengabdi Setan' turned out to be. If you have the chance to watch, this is an underappreciated classic that deserves more attention.