Las locuras de Igby

I had to drive to effin Antwerp, Belgium to see this movie, because it was taken out of Dutch cinemas after running just for one week. And that is something that I don't understand, or maybe I do, because this is not the typical Hollywood feel-good movie. The story could have been based on a early nineties novel by Jay McInerney or Bret Easton Ellis, but it is an original screenplay by writer and director Burr Steers. The mood is very dark, the acting is top shelf and the oneliners are sharp as razorblades. Kieran Culkin and Ryan Philippe are perfectly (type)casted and the choice of music is plain wonderful. The scene where Igby runs off through Central Park accompanied by Coldplay's Don't Panic is close to perfection. I enjoyed this movie very much and I think it paints a very accurate picture of the lives of spoiled, rich kids. Go see it!

I'm very pleased to see other reviewers comparing Kieran Culkin's character Jason/Igby to The Catcher in the Rye's Holden Caulfield - while watching the film I was thinking the same thing, much to writer/director Burr Steers' credit. This is THE Social Commentary movie I have been waiting to see for a long time now - fearless, witty, arch, poignant without being sentimental, and, best of all, the characters are not one-dimensional, they all live and breathe and we feel the agony they are suffering behind their socially privileged masks.

Culkin is especially brilliant (and so sad, with his Harry Potter scarf - a young wizard without any magic), but everyone shines here - Sarandon, Pullman, Danes, Amanda Peet, Ryan Phillippe, Jeff "how-can-I-be-any-creepier" Goldblum, and of course Jared Harris, who positively reeks eccentricity without even having to open his mouth (but when he does, it's always good too). A fine first film from a director/writer who definitely bears watching.

My first thought when I finished watching this film was, `I can't believe I really enjoyed a film that starred a Culkin.' My subsequent conclusions about the film were not as easily reached.

When I decided to watch this film, I was expecting The Royal Tennenbaums: Part 2. Rich family, the story takes place in a big city, eccentric characters. While both films share these elements, they are very different in that I considered The Royal Tennenbaums to be mostly a comedy; while Igby's few comedic moments are so dark one almost feels badly for chuckling. What this film is really about is family, but not just in the traditional sense. (What is more traditional than a disapproving mother who is more concerned about herself than anyone else in the family, a clinically schizophrenic father, and two brothers: the elder a narcissist (if not practical) and the younger, a rebellious 16 year old who is forced to change schools more often than most of us change our Glade Plug-Ins.) It is about family in any sense: Friends, strangers, anyone Igby encounters and tries to gain acceptance from.

Culkin's Igby, who looks like a waifish Harry Potter without the `imp factor', is an extremely conflicted character. We have seen rebellious types portrayed ad nauseum in films for decades, but it is a rare occasion when this person is both sympathetic and extremely intelligent. The character draws you in enough that you actually want to know why he acts the way he does, and you truly want him to find happiness. Unfortunately, it appears that when a door opens, it slams just as quickly. Culkin is truly fantastic in this role. He shoulders a character that is both intelligent enough to defend himself, yet vulnerable enough to give the impression of fragility. The rest of the cast is also decent, particularly Jeff Goldblum as D.H., a larger than life character who is conflicted in his own right. The story was just complicated enough to keep me very interested, while endearing and thought-provoking enough for me to reflect on it long after it was over.

I'm not entirely sure who I would recommend this film to, but if you are looking for a thought-provoking drama with some great acting, dialogue and story line I would definitely check this movie out. It has received some rave reviews and I believe they are well-deserved.

This film was amazing. The acting, the characters, the plot and the visual story were all so refined. This was a film that defines the new adage 'Quiet is the new loud' and sets a new standard for coming of age films. Much like The Royal Tenenbaums, this film was full of a dysfunctional family that although unlike anything in most viewers' experience, was real and honest and touched a part of all of us. Also like the aforementioned film, this movie's soundtrack was so well picked and so well executed, I was overwhelmed.

Burr Steers, a first time screenwriter and director? Is he perhaps channeling his uncle, Gore Vidal, to write and direct this amazing tale? I can't wait to see more from him. Kieran Culkin is equally as promising. He acted the part with such a surreal mix of sullen intelligence, backwards bravery and touching empathy that Igby came to life the moment he hit the screen. Jeff Goldblum and Susan Sarandon were also perfectly cast and were outstanding... I can't mention each of them as there was too much to gush about.

I highly recommend that you run out and see this, but bring a tissue and plan to go celebrate the irony of life and all it's imperfections after you go!

This film doesn't make us feel for any of its characters, but it's so full of memorable vignettes, it's hard to forget about this. It's dark and depressing but at the same time consistent in tone and so full of wonderful performances it just sticks in your memory.

Igby's life consists of one disappointment after another. We soon meet his ruinantly self-absorbed mother (Susan Sarandon), who treats her boys like full-grown adults. 'I call her Mimi because 'Heinous One' would be a bit cumbersome,' Igby remarks. And there's his schizophrenic dad (Bill Pullman) who has long since been confined to a 'home for the befuddled'. Igby's and his preppy brother Oliver (Ryan Phillippe) have nothing but contempt for their mother. When Igby has just been kicked out - again - of his latest prep school, he is sent to a military academy by his mother, but he swipes her credit card and absconds to an airport hotel in the Midwest. Soon he is dishonorably discharged and sucks his way in by his mother's new wealthy friend D. H. Baines, wonderfully played by Jeff Goldblum, who almost seems to play himself.

Two women play a crucial role in his life, both of them he meets at a cocktail party at "D.H."'s lavish Hamptons home. There's Rachel, a memorable role by Amanda Peet, truly astonishing. I knew her face, but I cannot recall other roles of her. And there is Sookie Sapperstein (Claire Danes), a waitress at the party and couple of years older college student, with whom Igby falls in love. But his brother is becoming a romantic rival or Sookie and when Igby crashes in D.H's fancy Manhattan apartment, in which Rachel is taking residence, he becomes entangled in an ever more downward spiral.

First-time director Burr Steers, who also scripted, filled this one with some very smart, observative and acidic dialog, and Kiera Culkin shows he can carry a film with a very good performance. And where has he been the last four years? Since this one he hasn't appeared in any other films. On the IMDb message boards there are some hilarious speculations about how he is supposedly "on weed". I don't know about that. He's probably going through some rough times, but I hope he'll be back soon. It would be a shame to lose an actor like him.

Camera Obscura --- 8/10