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Amén

Título original: Amen.
  • 2002
  • Not Rated
  • 2h 12min
CALIFICACIÓN DE IMDb
7.2/10
15 k
TU CALIFICACIÓN
Amén (2002)
During WWII SS officer Kurt Gerstein tries to inform Pope Pius XII about Jews being sent to extermination camps. Young Jesuit priest Riccardo Fontana helps him in the difficult mission to inform the world.
Reproducir trailer1:35
1 video
20 fotos
BiographyCrimeDramaWar

Agrega una trama en tu idiomaDuring WWII SS officer Kurt Gerstein tries to inform Pope Pius XII about Jews being sent to extermination camps. Young Jesuit priest Riccardo Fontana helps him in the difficult mission to in... Leer todoDuring WWII SS officer Kurt Gerstein tries to inform Pope Pius XII about Jews being sent to extermination camps. Young Jesuit priest Riccardo Fontana helps him in the difficult mission to inform the world.During WWII SS officer Kurt Gerstein tries to inform Pope Pius XII about Jews being sent to extermination camps. Young Jesuit priest Riccardo Fontana helps him in the difficult mission to inform the world.

  • Dirección
    • Costa-Gavras
  • Guionistas
    • Costa-Gavras
    • Jean-Claude Grumberg
    • Rolf Hochhuth
  • Elenco
    • Ulrich Tukur
    • Mathieu Kassovitz
    • Ulrich Mühe
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.2/10
    15 k
    TU CALIFICACIÓN
    • Dirección
      • Costa-Gavras
    • Guionistas
      • Costa-Gavras
      • Jean-Claude Grumberg
      • Rolf Hochhuth
    • Elenco
      • Ulrich Tukur
      • Mathieu Kassovitz
      • Ulrich Mühe
    • 58Opiniones de los usuarios
    • 73Opiniones de los críticos
    • 57Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 premios ganados y 9 nominaciones en total

    Videos1

    Official Trailer
    Trailer 1:35
    Official Trailer

    Fotos20

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    Elenco principal99+

    Editar
    Ulrich Tukur
    Ulrich Tukur
    • Kurt Gerstein
    Mathieu Kassovitz
    Mathieu Kassovitz
    • Riccardo Fontana
    Ulrich Mühe
    Ulrich Mühe
    • Doctor
    Michel Duchaussoy
    Michel Duchaussoy
    • Cardinal
    Ion Caramitru
    Ion Caramitru
    • Count Fontana
    Marcel Iures
    Marcel Iures
    • Pope
    Friedrich von Thun
    Friedrich von Thun
    • Gerstein's Father
    Antje Schmidt
    • Mrs. Gerstein
    Hanns Zischler
    Hanns Zischler
    • Grawitz
    Sebastian Koch
    Sebastian Koch
    • Höss
    Erich Hallhuber
    • Von Rutta
    Burkhard Heyl
    • Director
    Angus MacInnes
    Angus MacInnes
    • Tittman
    Bernd Fischerauer
    Bernd Fischerauer
    • Bishop von Galen
    Pierre Franckh
    Pierre Franckh
    • Pastor Wehr
    Richard Durden
    Richard Durden
    • Ambassador Taylor
    Monica Bleibtreu
    • Mrs. Hinze
    Justus von Dohnányi
    Justus von Dohnányi
    • Baron Von Otter
    • Dirección
      • Costa-Gavras
    • Guionistas
      • Costa-Gavras
      • Jean-Claude Grumberg
      • Rolf Hochhuth
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios58

    7.215.4K
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    Opiniones destacadas

    9Travis_Bickle01

    Underestimated masterpiece by Costa-Gavras

    I was very surprised by reading so many bad comments about 'Amen.'. This is a breathtaking movie about a German officer who realises what they are actually doing to the Jews and who afterwards tries everything to prevent this murdering. Ulrich Tukur gives one hell of a performance. You really see this man suffering under the killings he cannot prevent.

    Another perfect performance is given by the priest who tries to help the German officer. Mathieu Kassovitz (who also played the male leading role in 'Le Fabuleux destin d'Amélie Poulain')is very convincing in his role.

    I think this movie is highly underrated. Costa-Gavras has made an important movie with 'Amen.' which looks at the holocaust-tragedy from another point of view which is seldom showed. The movie gives a true although unbelievable answer at one of the most important questions concerning the holocaust: didn't anyone saw this coming? Couldn't anyone prevent this from happening?

    If you really want to know the answers to this questions, you certainly have to watch 'Amen.'. This movie should at least have an 8 and I'll give you two reasons why: one because the story is unique and magnificently told; and two because the two leading actors are giving the performance of a lifetime. Highly recommendable!

    9/10
    patrickgilday

    Not moved but forced to think

    'Amen' is a recent release examining the relationship between the Vatican and Nazi Germany. We follow Kurt Gerheim (an admirable performance by Ulrich Tukur), a perfectly Aryan, protestant SS-Officer who tries to speak out against Nazi attrocities, and Ricardo Fontana, a young catholic cleric (played to the utmost by the marvellous Matthieu Kassovitz) who joins him in his fight. Ricardo's dissolusionment in the Church (which acts more as an institution for self-preservation than for good in this film) leads him to irrational and useless acts which do not conflict with his morality, rather than to more useful acts which do. The interest lies with the deterioration of Ricardo's faith in the Church's moral station and that of Gerheim's faith in his fatherland. Both find solace in the hope that they will put an end to the holocaust.

    This is noticeably a continental European film, with brilliant direction and dazzlingly good acting, more Gosford Park than Schindler's List in terms of pace. Indeed, this slow pace only highlights the frustration felt by the two main characters as they are continually beaten down by the well-meaning leaders of their Churches.

    Frustration, interestingly, is the only lasting emotion inspired in the viewer. Dr Germaine Greer attributed this, wrongly, I believe, to the fact that the film "doesn't seem to go anywhere", highlighting the leitmotiv frame of a so-called 'goods' train on its way to an unseen destination as a representation of this lack of direction. I would venture to suggest, though, that a conclusion is precisely what the director, the justly renowned Costa Garvas, was trying to avoid - he does not straightjacket his characters plainly as either heroes or villains and the film closes with the issues of morality it has raised left open-ended. It is meant to be thought provoking, not moving; the viewer is meant to conclude for himself what was morally correct and what was not.

    At the end of the film, I found myself wondering which of the characters was most right - for none, it would seem, have a sole handle on the moral high-ground and there are arguments that promote each character's actions over another's. Whatever way you see this film and whatever conclusion you draw, it is a production which will not let you sleep easy until you have been challenged on many issues of morality.
    9max-vernon

    Could the Final Solution have been stopped and millions of lives have been saved?

    The film offers an open-ended answer to this popular question. It begins with a graphic portrayal of the Nazi euthanasia programme which killed 50,000 'mental defectives'. This links us to the main protagonist, Kurt Gerstein, an SS scientific officer who develops the Zyklon B gas which allows mass-murder of Jews and Gypsies to proceed on an industrial scale. Gerstein's niece is a euthanasia victim. Gerstein is a committed evangelical Christian with an anti-Nazi past who normally would not be allowed into the SS. Gerstein's father is an enthusiastic Nazi who pulls strings to get his son into the SS, presumably seen as a safer option than the army and also as the elite corps of the Nazi state. Entirely plausible, as many evangelical Christians became enthusiastic Nazis. Gerstein's expertise in developing water purification and anti-typhus procedures for the German army allows him to prosper within the SS, despite his multiple treason.

    The murder of his niece and the Jews appalls his Christian conscience. His wincing reaction whilst looking through the gas chamber spy-hole is well-acted. He alerts the Swedes and the Catholic Church, hoping that international pressure will awaken the German conscience. Catholic opposition has stopped the euthanasia programme and this can be mobilised to help the Jews.

    In reality, Gerstein's options are limited. His own church leaders react mutely to his news of mass-murder. They caution restraint. Nazi indoctrination is trying to turn everyone into a rabid anti-Semite - as shown comically with Gerstein's youngest son giving annoying Hitler salutes. Most Protestants agree to join the new Nazi-sponsored 'Reich Church', happily reconciling faith with Nazism. Similarly, the 1933 Concordat with Hitler gave the Catholic Church a precarious protection as long as it stayed out of politics.

    Carpet-bombing of German cities is killing women, children and babies. German forces are engaged in a titanic struggle against the 'forces of international Jewry ' - Russian Communism and American Capitalism. Facing this kind of mind-set and mass paranoia, the Jews needed a miracle. Saving mentally-handicapped members of German families is one thing. Saving a long-despised race thought to be the root cause of every world problem is very much another.

    Gerstein's attempts to alert the Vatican are channelled through an invented character, a young Catholic priest who symbolises the conscience of thousands of individual Catholics who risked their lives to help Jews. He eventually sacrifices himself at Auschwitz, a Christ-like figure who 'redeems' his religion in the face of a terrible evil.

    The controversial Pope Pius XII is portrayed in a curiously anodyne way - to the distaste of those who regard him as a Nazi sympathiser. The Vatican's fear of Communism, its efforts to hide Italian Jews and its self-preservation instinct in facing the Nazis are all clearly demonstrated. As is the help it gave to individual SS men on the run after the war. One is left to make up one's own mind about the Pope.

    In truth, neither the Church nor the SS were monolithic organisations. Both were composed of individuals, good and bad. One reason for death factories was to save SS men from the horrors of mass-shootings. They offered a 'sanitised' method of killing, just as the 1933 Concordat offered a sanitised way for Nazism and Catholicism to relate to each other. Problems arose for individuals who had to make moral choices in carrying out these policies.

    The controversial Roman lunch scene depicts the American ambassador discussing the fate of the Jews with Vatican big-wigs. Against a wonderful panoramic backdrop of the eternal city, they enjoy an excellent sea food meal. The American points out that finding an alternative home for millions of Jews would cause great problems. Nazi retaliation would only make things worse, counters a Vatican big-wig. A far cry from the cattle trucks rolling to and fro, emptying Europe of its Jews. This is a 'cheap shot' - decision-makers usually enjoy better material conditions than the rest of us. One can imagine Churchill discussing sensitive topics in a cold-blooded way over many a fine meal. It makes for good cinema, though!

    This is an excellent film which covers a vast topic in 2 hours. It does not make judgements about Gerstein or the Christian churches. The Gerstein character is a complex one as is the Christian response to the Holocaust. It shows how difficult it is to 'buck the system' during wartime. Gerstein arrives at Auschwitz with the comforting knowledge that the allies 'never bomb the camps' - they know they are full of 'POW's'. Would prolonged bombing of the railways to the death camps have made a difference? Many Jews believe that this could and should have happened.

    Should the allies have re-directed their military efforts to save Jews rather than merely fight the Nazis? Unfortunately, the 1930's and World War 2 had de-sensitised people to civilian suffering - newsreels from China, Abyssinia, Guernica; the Nazi bombing of Warsaw, Rotterdam, London, Coventry, the V1 and V2 attacks of 1944. World War I blurred the line between soldiers and civilians. World War 2 completely obliterated this distinction - on both sides of the conflict. Axis forces brought death to millions of Chinese and Russian civilians. The Allied bombing of Germany, Japan and northern France all produced heavy civilian casualties. Is there an essential difference between mass-bombing and the Holocaust?

    European anti-Semitism aided the Holocaust. The miracle is that so many individual Gentiles did so much to aid Jews. Nazism put new ideas about human rights to the test. Governments and organisations may have been found wanting – especially Vichy France. Individuals - including many brave Germans – responded magnificently. This is the 'positive' side of the Holocaust which we should remember and treasure. Gerstein did his best to sabotage and stop the killing machine he became part of. The film allows us to make up our own minds about whether he and the Catholic Church did enough.
    7ma-cortes

    Splendid film dealing with SS lieutenant Kurt Gerstein attempts to inform Pope Pius XII about Jews being sent to concentration camps and massacred

    Thoughtful and brooding film with excellent interpretations and horrible events . The picture talks an officer Gestapo named Kurt Gerstein (Ulrich Tukur) in charge of Zyklon B , a deadly chemical gas used for killing Jews in the death's showers from concentration camps as Treblinka , Sorbibor , Auschwitz , Majanek , Manthausen ,.... , Gerstein contacts a Jesuit priest (Mathieu Kassovitz) who's related to a Vatican Cardenal (Michael Duchaussoy) and his father results to be Pope's assistant . He denounces and explains Pope Pio XII (Marcel Iures) the situation of the Jews's genocide .

    The pic is correctly based on historic deeds and famous personages as Pio XII and Nazi chiefs who don't appear in the film but they're continuously named as Goering , Goebbles , Himmler , Eichmann ,thus as notorious events as Stalingrado (1943) where Nazis have the first important defeat and the bombing strikes over the Germany cities (Berlin , Dresde) . The movie is based on a play by German playwright Rolf Hochhuth which started a lot of heated discussions and arguments after its first release in 1963. The film blends drama , tension , historical events and in spite of the runtime is two hours and some isn't boring , nor dreary but happens enough interesting deeds . The Vatican did not give a permission to shoot the film in their buildings. After searching a scenery of adequate size for the scenes taking place in the Vatican, Costa-Gavras finally chose Europe's largest building, the House of the People in Bucharest . Some of the outdoor scenes were shot in Mogosoaia Palace, some fourteen kilometers northwest of Bucharest. The movie attained quite polemic but there's an accusation to Catholic Church for passivity on the crimes and mass slaughter . I really think that didn't have but lack of forecast . The motion picture was well directed by Constantine Costa Gravas who at all his films always gets controversy and dispute . Rating : Above average . Well worth seeing .
    7tributarystu

    Touching

    Very interesting...I do not know how true the facts are, that were presented, but I think the movie is really worth a look. Especially, if we consider that it isn't a typical American movie...of course, that's because it isn't American! A movie that has, more or less, a very significant meaning and moral...we all know about the Holocaust...the terror, unleashed by the German nazi's. The madness of men. And here we have a movie, filmed in Romania, with this theme. A German SS officer, Kurt Gerstein(Ulrich Tukur), finds out about the crimes against millions of Jews. He decides to kind of sabotage the killings, and ultimately ends up, wanting to tell Pope Pie XII(Marcel Iures) about these crimes. He gets help from Riccardo Fontana(Mathieu Kassovitz), a Jesuit priest, in this matter. Riccardo's father is an important person at the Vatican(count) and so, he tries to help them. The story will be sad enough, and it will show the ignorance of the Catholic Church. If this is true, or it is not I can't say. But the movie is special, and touching. The trains have a very important role. Every time I saw them, I felt a shiver through my body, just because of the idea that they might be filled with people. The special effects could've been better. For example, when Riccardo goes to eat with his father and other personalities, you can see what seems to be the Vatican. But it is more than obvious that it isn't true. Of course, this is not very bothering... The music is absolutely perfect! I really enjoyed it, and I don't see who didn't! The actors were good, but there were some flaws, here and there. Costa Gavras, the director, did a very good job here, in creating an interesting movie. Despite the lack of much action, the film is pleasant, but shocking...well, how could it be if we consider the events? I think all should see this movie, especially because it's a good change from the American stereotype.

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    Argumento

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    • Trivia
      Stefan Lux was a Jewish Czech journalist, who committed suicide in the general assembly room of the League of Nations during its session on July 3, 1936, to alert the world on the perils of German anti-Semitism. After shouting "C'est le dernier coup" ("This is the final blow") he shot himself with a revolver.
    • Errores
      In one of the scenes they say that the Treblinka camp is out of gas, referring to Zyklon B. Treblinka didn't use Zyklon B, instead they used carbon monoxide.
    • Citas

      [first lines]

      Stephan Lux: [interrupting a session of the Assembly of the League of Nations, Geneve, 1936] My name is Stephan Lux. I am Jewish. The Jews are being persecuted in Germany and the world doesn't care.

      [He draws a pistol]

      Stephan Lux: I see no other way to reach people's hearts.

      [He shoots himself]

    • Conexiones
      Referenced in Kaamelott: Amen (2005)
    • Bandas sonoras
      The Train I /II
      Composed and arranged by Armand Amar

      Orchestra:

      Jean-Philippe Audin, Elsa Benabdallah, Igor Boranian, Fabien Boudot, Florent Bremond, Karen Brunon, Nathalie Carlucci, Hervé Cavellier, Emmanuel Gaugué, Thierry Köhl, Julien Leenhardt, Bobin Minalli Bella, Marthe Moinet, Yves Monciero, Philippe Morel, Amèlie Paradis, Emmanuel Raynaud, Alexandre Sauvaire

      (P) & © 2002 Long Distance/France

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    • How long is Amen.?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 8 de agosto de 2003 (México)
    • Países de origen
      • Francia
      • Alemania
      • Rumanía
    • Sitios oficiales
      • Official site (United States)
      • Pathe (France)
    • Idiomas
      • Inglés
      • Francés
      • Italiano
      • Alemán
    • También se conoce como
      • Amen.
    • Locaciones de filmación
      • Sibiu, Rumanía
    • Productoras
      • Canal+
      • K.G. Productions
      • KC Medien
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    Taquilla

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    • Presupuesto
      • FRF 103,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 274,299
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 16,284
      • 26 ene 2003
    • Total a nivel mundial
      • USD 8,419,052
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    Especificaciones técnicas

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    • Tiempo de ejecución
      2 horas 12 minutos
    • Color
      • Color
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      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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