Dirty Deeds

A nice little mix of genres; gangster movie, period flick, fish out of water story, and even a travelogue!

The cast is excellent, even though I have trouble buying John Goodman (an actor I adore) as a wiseguy. Sam Worthington comes across great as a slightly naive kid with a good heart just rolling with the punches and unsure of himself. Bryan Brown performs admirably, Toni Collette continues to wow me (I had no idea she was actually an Aussie) and the rest of the cast acquits themselves well.

All in all, a really charming movie chock full of 60's era flourishes and cultural differences. Very entertaining.

True story, in the 1960s the American government was trying to control Vietnam and the American Mafia wanted to take over organised crime in Australia.

Both failed, we know about Vietnam, this movie fictionalises what happened in Australia and uses it as a metaphor for what happened in Vietnam (and what is happening in Iraq today).

It is fun, it is very Australian (it has Bryan Brown in it, what more can I say), it downplays Australian criminals abilities but shows them as brutal thugs capable of some quick thinking.

It is not an American bashing movie and has a pro-American message and an Anti-American message that Americans could learn from. Which is basically, America we like you, we like your Pizza, but if you want to go out in the world you got to learn to play nice because the rest of the world is much tougher than you and will scone you if you don't.

It also lovingly shows how backward Australia was in the 1960s (no pizza, no colour TV), so everyone gets a fair suck of the sav (if you understand my meaning).

In 1969 Vietnam, handsome soldier Sam Worthington (as Darcy "Darce" Ryan) receives his release from war service. He goes home to live with the uncle who raised him as a son. Meanwhile, weighty gangster John Goodman (as Tony Testano) and his trigger-happy henchman Fred Williamson (as Sal Cassela) are dispatched from Chicago, USA to Sidney, Australia. Their mission is to take over the slot-machine racket run by crime boss Bryan Brown (as Barry Ryan) by infiltrating his organization. Experienced at killing people and blowing things up, Mr. Worthington's becomes Mr. Brown's young partner...

Worthington could follow in his uncle's footsteps, or open his own pizzeria. A romantic subplot involves amorous Kestie Morassi (as Margaret), who so predictably switches partners you have to wonder what writer/director David Caesar intended. There is no real evidence, but perhaps Brown was trying to save his marriage to older, but still beautiful Toni Collette (as Sharon)...

Not an Australian expert, but there isn't much here that looks like contemporary movies from 1969. Adept cinematographer Geoffrey Hall is employed to make up the difference by making the motion picture look like an aged Polaroid. It only makes you look for the "color restore" button. The original soundtrack is done well, but don't expect AC/DC's original "Dirty Deeds Done Dirt Cheap" or a 1969 parade of hits. Direction and editing (by Mark Perry) do help keep it moving. Most elevated in the cast credits is Sam Neill (as Ray Murphy). There is something extra to see within the end credit roll.

***** Dirty Deeds (7/18/02) David Caesar ~ Bryan Brown, Sam Worthington, John Goodman, Toni Collette

Saw this stumbling my way through OZ on holiday and really glad i did - it's fast, funny and full of action.

I had no idea before i saw this of the real history of the slot machine wars, so it was good to learn about that but FAR MORE IMPORTANTLY this is just a great night out and makes you leave the cinema wishing you could remember more of the many really good lines.

The acting is fantastic throughout but John Goodman is just brillant. Every time i see him in stuff i'm amazed at his ability and here he gives a really moving performance. The young bloke is really good too, and some of the guys the filmakers have found to play small time hoods have fantastic faces.

The direction is cool, the script really is fast and funny and its got a great soundtrack as well. Hope this gets shown in the UK so all my mates can see it to?

Sad to say, but despite a fantastic cast, great design and some genuine laughs, "Dirty Deeds" is ultimately a disappointment. A frenetic comedy set in the Sydney mob scene circa 1969, David Caesar's tale of cross and double-cross does admittedly have a lot going for it if you're not too picky. Bryan Brown has one of his most engaging roles in years as mobster Barry Ryan, head of the pokie rackets in Sydney. Toni Collette is equally good as his no-nonsense wife, while a solid cast of Aussie professionals such as William MacInnes, Sam Neil and Paul Chubb fill out an amusing ensemble. Even the get-a-US-release stunt casting of John Goodman, as a Brown's even-tempered American rival fits nicely.

In addition, the design of the film is wonderfully evocative of late sixties Australia, complete with garish curtains, funky wallpaper, beehives and bowler hats. The soundtrack, produced by You Am I frontman Tim Rogers, is an amusing combination of vintage Oz-rock oldies (the title tune, performed by AC/DC and covered in the end credits by You Am I with Tex Perkins)and knowing modern-day covers. But there are flaws, very big ones on both sides of the camera.

While he demonstrates a keen eye for local colour and ocker humour, (witness "Idiot Box" and "Mullet") David Caeser is no action filmmaker. The car chase scenes are very poorly shot and flatly edited, with little sense of perspective or coherence. The low budget shows in a severely unconvincing opening sequence, set in Vietnam, but looking all-too-obviously like rural New South Wales. His screenplay works hard to pull off a "Snatch"-style multiple-whammy climax, but the pacing is off and there isn't enough build-up for it to really work. The romantic sub-plot featuring Sam Worthington (as Brown's straight-arrow nephew) and Kestie Morassi (as Brown's mistress) is flat and entirely predictable.

Relative newcomer Worthington sadly sticks out like a sore thumb among the otherwise distinguished ensemble with an inexpressive, lifeless performance, which undermines certain crucial scenes. Morassi is however a definite find and will certainly be one to watch in the future.

A lot of excellent talent has gone into making "Dirty Deeds" and that only serves to make the end result an even greater disappointment.