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When does a knighted actor collect a paycheck? When he acts benightedly in a cliched spy thriller that is a virtual textbook of Hollywood expectations, right down to the scruffy mid-eastern terrorists and the oversized red digital readout on a nuclear bomb.

Anthony Hopkins plays a CIA veteran who must train a streetwise kid, played by Chris Rock, how to act like a real agent in 9 days. You can guess the outcome; in fact you can guess every scene before it unfolds. Movies like this make me know I couldn't do reviewing for a day job-I'd have to see bombs like this everyday. Did I say bomb again? Did we just have one come to America in `Sum of All Fears'?

I am committed to saying something favorable for all movies if I can. Hopkins is always interesting to watch: he underplays here with a `sang froid' that would make Hannibal Lecter proud. The bad side of `Bad Company' is the bug-eyed, monotone, hysterical Chris Rock, who may have been medicated for this role because I didn't have to cover my ears this time-I just bore up under his boring delivery.

Brooke Smith, who was the captured girl in `Silence of the Lambs', plays Hopkins' partner. `Lambs' this is not.

The film moves rapidly enough for espionage junkies. There, I said 2 good things. The movie still is `bad' company for the serious filmgoer.

Hayes is a suave, distinguished spy with the CIA who is part of a set up to buy a stolen nuclear weapon and then capture those involved. When he is killed mid-operation, his handler goes to the only man who can replace him, his twin brother. However his brother Jake is a hustler in New York City and not spy material. Oakes has nine days to get him ready to take over his brother's identity and take up the assignment.

Despite the awful reviews, I still decided to give this film a go because I was in the mood for a dumb film that really didn't require me to think even once: this was that film! The film deserved every bad review it got - the only thing you need to worry about is whether or not you can accept the massive weakness or not. The plot is a real shambles and if you think about it logically then it all goes to hell. The idea that this is a reasonable plot, even for this type of film, is absurd. The script backs this up with dialogue that is fitting for a stupid comedy but not for the situations in the plot (`does it play dvd's?' or dialogue about Dr's Dre and Irving while trying to stall terrorists). Some of it is funny, but to be honest, if you dislike Chris Rock then there will be practically nothing for you.

The plot brings the bomb back to the US towards the end in an effort to inject tension and urgency into the action, but it doesn't really work. The action is reasonably slick but it isn't ever really exciting - only polished like a product. The action, like everything else, is quite clichéd and not distinctive enough to really stand out from the crowd of other action movies. The gags about race are subtle but still quite broad in the style of Rock. I didn't find it offensive, but I never really understand why films have to constantly perpetuate racial myths such as all black people listen to hip hop and like certain sports etc. Some of it is funny though.

Rock is the main reason for this; as I said, if you like him then you should enjoy this as most of the comedy is driven by him (even if nothing is anywhere near the sharpness of his act). He is not very funny but he helps the film have an overall comic tone that works pretty well Hopkins is totally slumming it. He manages an air of cool detachment but the material is way below him and his autopilot light is on the whole time. Stomare is poor and none of the villains really bring genuine menace - Eastern European hoods and clichés that they are. Beauvais is sexy - but that is all she is here for, to put on black underwear! Her character breezes in and breezes out with no real reason or consequence, plainly all she is here for is to have a bit of sexy black ass in there - something that Washington doesn't bring.

Overall this is a slickly made film that is clichéd, absurd, undistinguished and not as entertaining as it intends to be. Despite the fact that the film is very average and not really one to stand out, it can be quite enjoyable if you are ready for that. If you can turn off your brain and lower your standards then this can be OK, however just don't expect it to be great no matter what you do.

Street punk (Chris Rock) discovers his stranged brother was a state agent who has just been killed . Then the African-American street-wise hustler is drafted into CIA Agency to carry out an operation , being experienced Agent Oakes (Anthony Hopkins) the Company's grey eminence to train him in place of the murdered twin he knew he had. He has nine days to fill his brother's place. Two Mismatched Partners. One Messed Up Case! The World is in Good Hands . These Two People Are In Bad Company!

Typical plot about identity replacement in which a roguish young is drafted by US agency honcho Hopkins to take over his bro' mission , which involves terrorists , destructive bomb , nuclear warhead , mayhem and the tourist cities of Prague and New York City . Considering these so-so elements , it's no wonder this one got delayed its premiere . Cue a crash course in spy school , knee-jerk thrills involving Eastern European terrorists in tight leather trousers , hilarious scenes , spurious intrigue with nuclear device ticking away at the heart of Manhattan and some of the least funny shtick this side of global meldown . Stars Chris Rock who deserved a better film , but he salvages this one, at times ; anyway , he gives a sympathetic acting . He's up against a standard issue plot that merely serves to get to the next action set piece which, this being a Jerry Bruckheimer lavish production, are done well , but done too often. The two likable main actors : Chris Rock and Anthony Hopkins , are well accompanied by a fine support cast with plenty of familiar faces , such as : John Slattery , Kerry Washington , Matthew Marsh , Gabriel Macht , Garcelle Beauvais, Peter Stormare, Brooke Smith, Irma P. Hall , Daniel Sunjata , among others.

It displays a climatic and moving musical score by composer Trevor Rabin . Likewise , colorful and brilliant cinematography by cameraman Dariusz Wolski, including a lot of sightseeing from bridge of Prague, Czech, Railway station Praha hlavni nadrazi, Wilsonova, Prague, Czech Republic, Grand Central Terminal, New York City, World Trade Center, Manhattan, New York City, Calvary Cemetery, Woodside, Queens, New York, USA. Made in usual syle by Joel Schumacher whose credits include some of the most egregious Hollywood codswallop of the last thirty years , such as : ¨Dying young¨, ¨A time to kill¨ , ¨Flatners¨, ¨Batman and Robin¨, ¨Batman Forver¨ and he also made a successful musical ¨Phantom of Opera¨ . As Schumacher manages to submit his worst insticts , but it doesn't really help. Rating : 5.5/10 . Acceptable and passable, but average . The flick will appeal to Chris Rock and Anthony Hopkins fans.

I don't really know what I expected from this film, but I certainly found much more than I had been looking for. Given that it stars Chris Rock, I did expect a great deal of irreverent, silly comedy. What I found, instead, was an interesting spy film and a very, very odd buddy picture.

The acting from both Rock and Hopkins is exceptional. The plot, while a bit thin, is interesting.

The film pulled me in and held me from beginning to end.

This film, as far as action films goes, is really not all that bad. I normally don't like the genre too much for it's continuance of formula, but this film was a surprise. The choreography was very well done and there were some good one-liners contributing to some amusement along the way. Anthony Hopkins and Chris Rock act well in this film, alongside the twisted Russian mafia boss whom was brilliant, also to be found acting in the superb Guy Richie film 'Snatch'. The photography of Prague was stunning, great camera angles and a dramatic mood portrayed well in this beautiful city.

Regarding the Trevor Rabin track 'BMBBO'... I loved immediately it for its grace and sombre melancholic mood when I heard it in the film, but was so mistaken when finally getting hold of the track... what trickery! The beautiful strings and violin, the elegance and subtlety, gets butchered a minute in by tacky electronica. what a shame to have this masterpiece ruined. In the film obviously adaptations were made for particular scenes and I got the high-octane 'alternative' version, as released on the CD, which by the way, sounds like something from the 80's, a Jean-Michelle Jare lasertropic overdose.