CALIFICACIÓN DE IMDb
5.6/10
51 k
TU CALIFICACIÓN
Cuando un agente de la CIA formado en la Ivy League El agente muere durante una operación, y la agencia secreta recluta a su hermano gemelo.Cuando un agente de la CIA formado en la Ivy League El agente muere durante una operación, y la agencia secreta recluta a su hermano gemelo.Cuando un agente de la CIA formado en la Ivy League El agente muere durante una operación, y la agencia secreta recluta a su hermano gemelo.
- Dirección
- Guionistas
- Elenco
Garcelle Beauvais
- Nicole
- (as Garcelle Beauvais-Nilon)
Luke Dejahang
- Dragan Henchman #4
- (as Fuman Dar)
Opiniones destacadas
After reading so many negative reviews of this movie, I expected the worst and almost didn't see it. But I was in the mood for a movie and it was the only one showing that I hadn't already seen that was even remotely of interest to me. To my surprise I enjoyed the movie and where I think so many critics went wrong was to view this movie as a comedy, which it really isn't, except for a few humorous moments as might be expected in any such action movie. And Anthony Hopkins actually played his role the way it should have been played. It was not a role calling for a wild comic genius but one calling for a very serious-minded professional who is involved in trying to train a novice in just a few days for a deadly game involving a nuke. Chris Rock also played his role as it should have been played and restrained himself from his usual antics, as in "Lethal Weapon 4." Not a great movie but much better than the awful "The Sum Of All Fears."
Action-Comedy Directed by the Inconsistent Joel Schumacher.
Chris Rock is so Over-the-Top Annoying and He Pushes the "Comedy" so Much that the "Action" is Left Gasping for Oxygen.
Try as He Does to be the Center of this Popular Genre,
Schumacher Let's Him Run Amok with Over-Emphasis, Fourth-Wall-Breaking, and Decibel Defying Obnoxiousness.
It Turns-Out that the Action Parts are the Best Parts and Rock Becomes the Annoyance that just about Ruins the Whole Stew.
The Scene where He and Anthony Hopkins in a Car being Chased by the Baddies is so Loud, Irritating, and Unfunny that it is a Metaphor for the Movie and Stops the Show in its Tracks.
Hopkins Does Not Impress in the Least.
He is so Inert as to be Almost Invisible.
He Seems to Know that Rock is in Motor-Mouth Mode and Catching Up to Him to Balance Things is an Impossibility.
So He Lays Back and Watches as Chris Rock Embarrasses Himself, and seems almost Like an Actor, Given His Big Break has Stage-Fright.
In Later Years the Comedian has Settled Down and is more Confident.
But Looking Back at this Miss-Step Performance must seem Apparent that He Needed some Guidance.
If You are a Big Fan of Action-Comedy it's...
Worth a Watch
But Be Prepared for One of the Most Over-Done Displays by an Actor in a Major Motion Picture.
Chris Rock is so Over-the-Top Annoying and He Pushes the "Comedy" so Much that the "Action" is Left Gasping for Oxygen.
Try as He Does to be the Center of this Popular Genre,
Schumacher Let's Him Run Amok with Over-Emphasis, Fourth-Wall-Breaking, and Decibel Defying Obnoxiousness.
It Turns-Out that the Action Parts are the Best Parts and Rock Becomes the Annoyance that just about Ruins the Whole Stew.
The Scene where He and Anthony Hopkins in a Car being Chased by the Baddies is so Loud, Irritating, and Unfunny that it is a Metaphor for the Movie and Stops the Show in its Tracks.
Hopkins Does Not Impress in the Least.
He is so Inert as to be Almost Invisible.
He Seems to Know that Rock is in Motor-Mouth Mode and Catching Up to Him to Balance Things is an Impossibility.
So He Lays Back and Watches as Chris Rock Embarrasses Himself, and seems almost Like an Actor, Given His Big Break has Stage-Fright.
In Later Years the Comedian has Settled Down and is more Confident.
But Looking Back at this Miss-Step Performance must seem Apparent that He Needed some Guidance.
If You are a Big Fan of Action-Comedy it's...
Worth a Watch
But Be Prepared for One of the Most Over-Done Displays by an Actor in a Major Motion Picture.
Hayes is a suave, distinguished spy with the CIA who is part of a set up to buy a stolen nuclear weapon and then capture those involved. When he is killed mid-operation, his handler goes to the only man who can replace him, his twin brother. However his brother Jake is a hustler in New York City and not spy material. Oakes has nine days to get him ready to take over his brother's identity and take up the assignment.
Despite the awful reviews, I still decided to give this film a go because I was in the mood for a dumb film that really didn't require me to think even once: this was that film! The film deserved every bad review it got - the only thing you need to worry about is whether or not you can accept the massive weakness or not. The plot is a real shambles and if you think about it logically then it all goes to hell. The idea that this is a reasonable plot, even for this type of film, is absurd. The script backs this up with dialogue that is fitting for a stupid comedy but not for the situations in the plot (`does it play dvd's?' or dialogue about Dr's Dre and Irving while trying to stall terrorists). Some of it is funny, but to be honest, if you dislike Chris Rock then there will be practically nothing for you.
The plot brings the bomb back to the US towards the end in an effort to inject tension and urgency into the action, but it doesn't really work. The action is reasonably slick but it isn't ever really exciting - only polished like a product. The action, like everything else, is quite clichéd and not distinctive enough to really stand out from the crowd of other action movies. The gags about race are subtle but still quite broad in the style of Rock. I didn't find it offensive, but I never really understand why films have to constantly perpetuate racial myths such as all black people listen to hip hop and like certain sports etc. Some of it is funny though.
Rock is the main reason for this; as I said, if you like him then you should enjoy this as most of the comedy is driven by him (even if nothing is anywhere near the sharpness of his act). He is not very funny but he helps the film have an overall comic tone that works pretty well Hopkins is totally slumming it. He manages an air of cool detachment but the material is way below him and his autopilot light is on the whole time. Stomare is poor and none of the villains really bring genuine menace - Eastern European hoods and clichés that they are. Beauvais is sexy - but that is all she is here for, to put on black underwear! Her character breezes in and breezes out with no real reason or consequence, plainly all she is here for is to have a bit of sexy black ass in there - something that Washington doesn't bring.
Overall this is a slickly made film that is clichéd, absurd, undistinguished and not as entertaining as it intends to be. Despite the fact that the film is very average and not really one to stand out, it can be quite enjoyable if you are ready for that. If you can turn off your brain and lower your standards then this can be OK, however just don't expect it to be great no matter what you do.
Despite the awful reviews, I still decided to give this film a go because I was in the mood for a dumb film that really didn't require me to think even once: this was that film! The film deserved every bad review it got - the only thing you need to worry about is whether or not you can accept the massive weakness or not. The plot is a real shambles and if you think about it logically then it all goes to hell. The idea that this is a reasonable plot, even for this type of film, is absurd. The script backs this up with dialogue that is fitting for a stupid comedy but not for the situations in the plot (`does it play dvd's?' or dialogue about Dr's Dre and Irving while trying to stall terrorists). Some of it is funny, but to be honest, if you dislike Chris Rock then there will be practically nothing for you.
The plot brings the bomb back to the US towards the end in an effort to inject tension and urgency into the action, but it doesn't really work. The action is reasonably slick but it isn't ever really exciting - only polished like a product. The action, like everything else, is quite clichéd and not distinctive enough to really stand out from the crowd of other action movies. The gags about race are subtle but still quite broad in the style of Rock. I didn't find it offensive, but I never really understand why films have to constantly perpetuate racial myths such as all black people listen to hip hop and like certain sports etc. Some of it is funny though.
Rock is the main reason for this; as I said, if you like him then you should enjoy this as most of the comedy is driven by him (even if nothing is anywhere near the sharpness of his act). He is not very funny but he helps the film have an overall comic tone that works pretty well Hopkins is totally slumming it. He manages an air of cool detachment but the material is way below him and his autopilot light is on the whole time. Stomare is poor and none of the villains really bring genuine menace - Eastern European hoods and clichés that they are. Beauvais is sexy - but that is all she is here for, to put on black underwear! Her character breezes in and breezes out with no real reason or consequence, plainly all she is here for is to have a bit of sexy black ass in there - something that Washington doesn't bring.
Overall this is a slickly made film that is clichéd, absurd, undistinguished and not as entertaining as it intends to be. Despite the fact that the film is very average and not really one to stand out, it can be quite enjoyable if you are ready for that. If you can turn off your brain and lower your standards then this can be OK, however just don't expect it to be great no matter what you do.
In Prague, the CIA secret agent Kevin Pope (Chris Rock) is killed in a mission with Oakes (Anthony Hopkins). They were trying to recover a nuclear bomb from the hands of some mercenaries. In order to proceed with the operation, Jake Hayes (Chris Rock), twin of Kevin, is recruited by CIA to act as if he were his brother. Jake is a rascal ticker scalper and his dead brother was an exquisite man. The CIA agents have nine day to make Jake as refined as he brother was. Although having a plot very predictable and full of cliches, this movie is a funny action movie, almost a comedy. Therefore, it objective of entertainment is accomplished. My vote is seven.
This film, as far as action films goes, is really not all that bad. I normally don't like the genre too much for it's continuance of formula, but this film was a surprise. The choreography was very well done and there were some good one-liners contributing to some amusement along the way. Anthony Hopkins and Chris Rock act well in this film, alongside the twisted Russian mafia boss whom was brilliant, also to be found acting in the superb Guy Richie film 'Snatch'. The photography of Prague was stunning, great camera angles and a dramatic mood portrayed well in this beautiful city.
Regarding the Trevor Rabin track 'BMBBO'... I loved immediately it for its grace and sombre melancholic mood when I heard it in the film, but was so mistaken when finally getting hold of the track... what trickery! The beautiful strings and violin, the elegance and subtlety, gets butchered a minute in by tacky electronica. what a shame to have this masterpiece ruined. In the film obviously adaptations were made for particular scenes and I got the high-octane 'alternative' version, as released on the CD, which by the way, sounds like something from the 80's, a Jean-Michelle Jare lasertropic overdose.
Regarding the Trevor Rabin track 'BMBBO'... I loved immediately it for its grace and sombre melancholic mood when I heard it in the film, but was so mistaken when finally getting hold of the track... what trickery! The beautiful strings and violin, the elegance and subtlety, gets butchered a minute in by tacky electronica. what a shame to have this masterpiece ruined. In the film obviously adaptations were made for particular scenes and I got the high-octane 'alternative' version, as released on the CD, which by the way, sounds like something from the 80's, a Jean-Michelle Jare lasertropic overdose.
¿Sabías que…?
- TriviaThis was one of the last movies filmed in the World Trade Center (some of the subway scenes).
- ErroresWhen they fall down the laundry chute, Jake obviously misses the bin that the others land in (he hits the edge), but in the next shot he's sitting in it.
- Citas
Gaylord Oaks: Where are You?
Jake Hayes: At the corner of eat shit and fuck you.
- Bandas sonorasO muj drahy Jezu Kriste
Written by Bohuslav Korejs
Performed by Tynska Schola
Courtesy of Maximum Hannig
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Bad Company
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 70,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 30,160,161
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,007,367
- 9 jun 2002
- Total a nivel mundial
- USD 66,200,782
- Tiempo de ejecución
- 1h 56min(116 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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