CALIFICACIÓN DE IMDb
7.0/10
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TU CALIFICACIÓN
Un grupo de estudiantes del último año de la escuela secundaria asiático-estadounidenses con grandes logros disfrutan de un viaje de poder cuando se sumergen en actividades delictivas extrac... Leer todoUn grupo de estudiantes del último año de la escuela secundaria asiático-estadounidenses con grandes logros disfrutan de un viaje de poder cuando se sumergen en actividades delictivas extracurriculares.Un grupo de estudiantes del último año de la escuela secundaria asiático-estadounidenses con grandes logros disfrutan de un viaje de poder cuando se sumergen en actividades delictivas extracurriculares.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I picked this film up on a whim, and I thought that I knew what it was going to be about, but I was mistaken; I didn't expect the dark comedy/tragedy that the film ended up being. However, this was not bad. I have watched tons of films wherein at one point, you say to yourself, "Ok, this is just not possible", and you want to think that it's not, because the characters don't seem to deserve what you know what will happen to them. "Very bad things" with Jon Favreau comes to mind, but "Better Luck Tomorrow" actually connected me to the characters and made me really feel like I just wanted to scream at them and say tell them not to go down the road they were following! This is something that not many films can do ("Bad things" included).
This film is quite impressive, especially considering it was shot for a VERY shoestring budget, and had some great camera work and very solid editing. It did not in any way look like an amateur film, at all. I don't understand how this film has been branded "shallow"; it takes an original story and tells it in a convincing manner not characteristic of many films lately.
On one final note, all the acting is great, and I really don't care if anyone in it was thirty years old playing a seventeen year old, they were great performances and they had actual heart behind them.
If you have a chance, see this film, but be prepared to get a little more than what you thought you would.
This film is quite impressive, especially considering it was shot for a VERY shoestring budget, and had some great camera work and very solid editing. It did not in any way look like an amateur film, at all. I don't understand how this film has been branded "shallow"; it takes an original story and tells it in a convincing manner not characteristic of many films lately.
On one final note, all the acting is great, and I really don't care if anyone in it was thirty years old playing a seventeen year old, they were great performances and they had actual heart behind them.
If you have a chance, see this film, but be prepared to get a little more than what you thought you would.
Director Justin Lin's drama, Better Luck Tomorrow, brought back memories of seeing Larry Clark's Bully on TV, which was also about teens who looked for partying to have something to do with their time in the midst of dreary, same-temperature-all-the-time suburbia. But this time, Lin has his teenage characters not as aimless- these kids, and at least the lead, have futures and/or aspirations, thanks to rich families, and because of which feel secure in their side life's of drug-dealing and robbery.
The beginning sets a perfect mood, as two Asian-Americans lie in their backyard, basking in a hazing heat, think they hear one of their beepers, and realize that the sound is coming from under the soil, alongside with a body. This is set up not to spoil the story (this tale is inspired by true events some eleven years ago), but to set up the slick, if bleak, atmosphere.
The central character of Lin's film is Ben, a JV Basketball player who rarely gets picked to play, repeats words he picks up in the dictionary over and over in preparation for SAT's, and works a part-time job in a food court so he'll have something to put on college applications. Along with this are his friends, Virgil, Han, and Daric, the last of which being the most intriguing of the supporting characters.
Instead of Lin getting overtly cocky with his plot ideas and characters, he creates a study of them, and of the paths they are each on in their high times of adolescence. He does this in a style that is kinetic even in scenes that slow down or just have minor dialogue, and when things pick up they pick up (and slow down) at the right pace. We get a sense where the movie will take us, yet by the time it does it's surely not as expected.
When the last scene rolls around, and Ben has made decisions that will possibly effect the outcome of his life, it's clear that Lin has made a film for MTV that has a life-force, a cool if sorrowful spirit, and an understanding of the additudes of youth that skims close to the line of a soap, but never is stupid enough to even try it. Some will leave cheated; I think this it may be one of the best films of the year, a little gem for the Asian-American community. Between A and A+ (A because of a slightly weak side-plot with the character of Stephanie)
The beginning sets a perfect mood, as two Asian-Americans lie in their backyard, basking in a hazing heat, think they hear one of their beepers, and realize that the sound is coming from under the soil, alongside with a body. This is set up not to spoil the story (this tale is inspired by true events some eleven years ago), but to set up the slick, if bleak, atmosphere.
The central character of Lin's film is Ben, a JV Basketball player who rarely gets picked to play, repeats words he picks up in the dictionary over and over in preparation for SAT's, and works a part-time job in a food court so he'll have something to put on college applications. Along with this are his friends, Virgil, Han, and Daric, the last of which being the most intriguing of the supporting characters.
Instead of Lin getting overtly cocky with his plot ideas and characters, he creates a study of them, and of the paths they are each on in their high times of adolescence. He does this in a style that is kinetic even in scenes that slow down or just have minor dialogue, and when things pick up they pick up (and slow down) at the right pace. We get a sense where the movie will take us, yet by the time it does it's surely not as expected.
When the last scene rolls around, and Ben has made decisions that will possibly effect the outcome of his life, it's clear that Lin has made a film for MTV that has a life-force, a cool if sorrowful spirit, and an understanding of the additudes of youth that skims close to the line of a soap, but never is stupid enough to even try it. Some will leave cheated; I think this it may be one of the best films of the year, a little gem for the Asian-American community. Between A and A+ (A because of a slightly weak side-plot with the character of Stephanie)
4 Asian high school friends seem to have it all, good grades, a bright future where colleges are going to be fighting over their applications and the world is their oyster. But beneath the suburban undercurrent lies a group of the most jaded Asian-American kids who get in over their head in illicit activities.
The film is narrated by Ben, a smart kid who is going about his usual run of the mill life. Eventually he is approached by Derrick a born class leader who finally mentions to him, Why are you being a second class benchwarmer on a basketball team?? When you can be your own man?
It turns out Derrick first starts asking Ben to write up cheat sheets for $50 bucks, and then with the enlistment of scrawny Virgil and his no nonsense cousin Han, the guys end up with a reputation that leads to bigger and riskier things...
The film has a great fresh style and pace to it, Justin Lin's direction is impecable. Slow motion edits, fast cuts, perfect timing with the soundtrack, good cinematography are all apparant and enjoyable and not to annoying as they sometimes can be when they are thrown at you constantly. What's probably the most telling thing about this movie is the focus on Asian-Americans in a not so seen light. All these kids have the world ahead of them, perfect grades, homes, money, but they are all dead inside and lacking direction. It doesn't help also that their parents in the film are nowhere to be seen, and no doubt non existent. All the trappings of success and great intelligence that the kids have is no match for there lack of faith and spiritual deadness which Better Luck Tomorrow shows off impecably!
Most important is the camradare these kids share and the wonderful casting that was chosen. Derick exhudes confidence and smarts like a crooked politician, Han is the cool guy doesn't say much looks like he can break your face with his intesnse stare, and Ben is the guy we follow through all his dillemas and trials with much anticipation and hope. But the best is saved for the scrawny Virgil played AMAZINGLY by Jason J Tobin.
He's the small kid who ends up a lot like the whipping post, and over compensates his rash bravado and toughness to hide his obvious weaknesses and extreme vulnerability. He is the guy you can't help smile and appreciate but also pray for knowing that he is in someway doomed cause of his lack of self esteem.
Wonderful film
Rating 9 out of 10.
The film is narrated by Ben, a smart kid who is going about his usual run of the mill life. Eventually he is approached by Derrick a born class leader who finally mentions to him, Why are you being a second class benchwarmer on a basketball team?? When you can be your own man?
It turns out Derrick first starts asking Ben to write up cheat sheets for $50 bucks, and then with the enlistment of scrawny Virgil and his no nonsense cousin Han, the guys end up with a reputation that leads to bigger and riskier things...
The film has a great fresh style and pace to it, Justin Lin's direction is impecable. Slow motion edits, fast cuts, perfect timing with the soundtrack, good cinematography are all apparant and enjoyable and not to annoying as they sometimes can be when they are thrown at you constantly. What's probably the most telling thing about this movie is the focus on Asian-Americans in a not so seen light. All these kids have the world ahead of them, perfect grades, homes, money, but they are all dead inside and lacking direction. It doesn't help also that their parents in the film are nowhere to be seen, and no doubt non existent. All the trappings of success and great intelligence that the kids have is no match for there lack of faith and spiritual deadness which Better Luck Tomorrow shows off impecably!
Most important is the camradare these kids share and the wonderful casting that was chosen. Derick exhudes confidence and smarts like a crooked politician, Han is the cool guy doesn't say much looks like he can break your face with his intesnse stare, and Ben is the guy we follow through all his dillemas and trials with much anticipation and hope. But the best is saved for the scrawny Virgil played AMAZINGLY by Jason J Tobin.
He's the small kid who ends up a lot like the whipping post, and over compensates his rash bravado and toughness to hide his obvious weaknesses and extreme vulnerability. He is the guy you can't help smile and appreciate but also pray for knowing that he is in someway doomed cause of his lack of self esteem.
Wonderful film
Rating 9 out of 10.
wow is all i have to say. As an asian-american, i was blown away because everything i saw in the movie i connected to. It felt like i was watching my neighborhood, my school, my life, except i don't do drugs. But still, the movie itself was not wonderful, if i was not an asian-american, i would only give it 2 and a half stars, but since i am, i'm giving it 3 stars. Overall, the movie's plot was kind of cliche, the ending was not that good i'm telling you, they had some good parts, but it really didnt' make sense. I couldn't understand how they kept getting from one place to another or how the main characters ALWAYS ended up at the same place! And another thing, where were the parents? I know they are rich and all, but still, don't they have moms and dads? There were absolutely no trace of adults in that film, they need to make things clearer. But overall, a decent movie.
Its all well and good that this movie is attempting to break down stereotypes (perhaps by replacing them with other stereotypes), but that doesn't necessarily make for a good movie.
You could have changed a few names, used some different actors, and this would be an ordinary, bland movie about "rich youth gone bad". It has been done better.
I liked the characters, but the story just wasn't developed enough and they never really get into motivations. They tried to throw in a few lines of "what is the meaning of life", but that does *not* connect various scenes into an actual telling story and it does *not* a plot make.
Too many loose ends are left at the end of this movie. If they want to pretend they "meant to do that", well, I just don't believe 'em. You never really get into most of the characters deep enough to explain why you had to watch them run around for the previous 2 hours.
"Amongst Friends" was the same movie done several years back, but it was just better written.
You could have changed a few names, used some different actors, and this would be an ordinary, bland movie about "rich youth gone bad". It has been done better.
I liked the characters, but the story just wasn't developed enough and they never really get into motivations. They tried to throw in a few lines of "what is the meaning of life", but that does *not* connect various scenes into an actual telling story and it does *not* a plot make.
Too many loose ends are left at the end of this movie. If they want to pretend they "meant to do that", well, I just don't believe 'em. You never really get into most of the characters deep enough to explain why you had to watch them run around for the previous 2 hours.
"Amongst Friends" was the same movie done several years back, but it was just better written.
¿Sabías que…?
- TriviaAccording to an April 2003 NPR radio interview with Elvis Mitchell, Justin Lin's production company was on the verge of folding unless Lin could secure a certain amount of funding. Lin had essentially resigned himself to failure; but on a whim called a celebrity he had met once in Las Vegas. Lin got a call the day before the deadline from the celeb saying that he had read the script and wanted to provide some backing. Two hours later, the new investor had wired Lin the money and saved the production. The celebrity: M.C. Hammer.
- ErroresWhile Ben and Stephanie are studying, they're discussing biology and Ben flips through a textbook looking up an answer - but the diagrams in the book show that it's really a math book and not bio.
- Citas
Steve Choe: Are you happy?
Ben Manibag: I don't know.
Steve Choe: Fuck. That's the most truthful thing I've ever heard.
- Versiones alternativasIn the version shown at the 2002 Sundance Film Festival, Ben Manibag, played by Parry Shen, has taken part in the killing of a romantic rival, and towards the end he is heard saying, in effect, "Well, what I did wasn't right ...but I've got college to think about, and I've got a good life to look forward to, and I'm gonna move on."
- ConexionesFeatured in The 2004 IFP/West Independent Spirit Awards (2004)
- Bandas sonorasBlood on the Motorway
Written by Josh Paul Davis & Marc Z
Performed by DJ Shadow
Courtesy of Universal-MCA Music Publishing, a division of Universal Studios on behalf of Mo Wax Music,
Ltd. (ASCAP) and Universal-Island Records, Ltd.
Under license from Universal Music Enterprises
Contains a sample of "It's Easy" by Marc Z
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- How long is Better Luck Tomorrow?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- 火爆麻吉
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 250,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,802,390
- Fin de semana de estreno en EE. UU. y Canadá
- USD 360,772
- 13 abr 2003
- Total a nivel mundial
- USD 3,809,226
- Tiempo de ejecución
- 1h 41min(101 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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