CALIFICACIÓN DE IMDb
5.8/10
3.2 k
TU CALIFICACIÓN
El Miércoles de Ceniza está ambientado en el Manhattan de principios de la década de 1980 y trata sobre un par de hermanos irlandeses-estadounidenses (Burns y Wood) que se ven envueltos en u... Leer todoEl Miércoles de Ceniza está ambientado en el Manhattan de principios de la década de 1980 y trata sobre un par de hermanos irlandeses-estadounidenses (Burns y Wood) que se ven envueltos en un conflicto con la mafia irlandesa.El Miércoles de Ceniza está ambientado en el Manhattan de principios de la década de 1980 y trata sobre un par de hermanos irlandeses-estadounidenses (Burns y Wood) que se ven envueltos en un conflicto con la mafia irlandesa.
James Michael Cummings
- J.C.
- (as James Cummings)
Chris McGovern
- Whitey's Driver
- (as Christopher McGovern)
Jimmy Burke
- Red Kelly
- (as James Burke)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I'm sorry to sound so cynical, but I have almost nothing good to say for this film. The majority of the acting was superb, but I think Elijah Wood was cast wrong in this part. Firstly, he hasn't the proper accent for the film, secondly, he's to cute to possibly kill people and then run away, thirdly, he's just not mafia material. As much as I love Elijah Wood, he was this movies greatest flaw. The rest of the performers were well-cast and did a spectacular job.
It was a very freakish movie, filmed with a very gritty sensibility on the part of the director, Edward Burns. I did enjoy the film style, and the angles were very visually interesting.
The plot was not well thought out. I'm sorry to say it, but It looked like Edward Burns (also the writer) didn't take the needed time to go over his scrip and work out the screw-ups and enrich the plot a bit more. The film feels hastily written, and looks hastily made.
For enjoyability, I give it an "okay". They use far too much profanity and although the plot is captivating, it gets boring about the time of the first gunfight. I'd recommend this to a very small group of people, and only if they really want to see a weird film about death. If that's the case, I think you'd just be better off with "The Godfather" because this movie just isn't up to par. And the ending was horrible.
It was a very freakish movie, filmed with a very gritty sensibility on the part of the director, Edward Burns. I did enjoy the film style, and the angles were very visually interesting.
The plot was not well thought out. I'm sorry to say it, but It looked like Edward Burns (also the writer) didn't take the needed time to go over his scrip and work out the screw-ups and enrich the plot a bit more. The film feels hastily written, and looks hastily made.
For enjoyability, I give it an "okay". They use far too much profanity and although the plot is captivating, it gets boring about the time of the first gunfight. I'd recommend this to a very small group of people, and only if they really want to see a weird film about death. If that's the case, I think you'd just be better off with "The Godfather" because this movie just isn't up to par. And the ending was horrible.
It's Ash Wednesday. You know that because everyone is running around with an ash cross on their foreheads.
The movie takes place on that single day in hell's Kitchen. Writer, actor, and director Edward Burns plays Francis, a reformed gangster, who spends most of the first part of the movie chasing down a rumor that his brother Sean (Elijah Wood) is still alive.
I thought I was watching Scarface. The language was just as bad. It was hard to find any line that could be repeated.
Fairly good story with great performances including the above and Rosario Dawson, as well as Oliver Platt.
The movie takes place on that single day in hell's Kitchen. Writer, actor, and director Edward Burns plays Francis, a reformed gangster, who spends most of the first part of the movie chasing down a rumor that his brother Sean (Elijah Wood) is still alive.
I thought I was watching Scarface. The language was just as bad. It was hard to find any line that could be repeated.
Fairly good story with great performances including the above and Rosario Dawson, as well as Oliver Platt.
Regardless of how you feel about gangster movies, its nice to see a new star come and and take it on his own to make the movie he wanted to make. Edward burns did that here with "Ash Wednesday". With a story-line that might be a little more interesting for catholics and Newyorkers, the movie moves along like a great story with no concern for the lead up that most big hollywood movies have to include. Its nice to a see a person leaving to go meet a character everyone in the audience thinks is going to really reveal the climax of the movie and then get swept away in the "real life like" sidetracks that run us through everyday. Without giving away any of the story here, Id like to say i applaud Burns' obvious conviction to the movie, at times it seems as if he doesnt care if the viewer is comfortable with unfolding events or not. A good suspense mob movie is supposed to do just that, like that first time you watched "Goodfellas" and went crazy when Loraine Bracco and Deniro go for that walk that she realizes will certainly end her life. "Ash Wednesday" doesn't do it as well as "Goodfellas" did but when you are digging around at the video store and cant decide whether to see "Miller's crossing" for the umpteenth time or take a chance; I say Chance AWAY!
6=G=
In "Ash Wednesday", Burns spins a yarn about a Hell's Kitchen bar owner with a checkered past (Burns) whose younger brother (Wood), who's supposed to be dead, has been seen in the neighborhood (duh) giving rise to inquires from all corners while igniting the plot. In typical Burns fashion, this story about low level Irish-American hoods, is a Mulligan stew of relationships and the non-stop yammering required to explain them and give them impetus. Burns keeps his story in a box, revealing a piece at a time, ostensibly to create suspense, while leaving a trail of gaping plot holes necessary to make the story work. In addition to such dents and dings as having the bro prep to leave town while conveniently leaving his wallet at home to be discovered by the bad guys (duh), Burns makes another huge mistake. The protagonists, whom we're supposed to care about otherwise there's no reason to watch, are all murders. (duh) "Ash Wednesday" is a dark, gritty shoot recommended only for fans of the principals and people into bottom of the marquee crimeland flicks. (C+)
This is a film about an ex mafia leader getting into trouble with gangs because his dead brother reappeared in the neighbourhood.
The film is initially boring because of poor character development. The film does not tell people what is happening very well, and only towards the middle do people get an idea what on earth was in fact happening. Elijah Wood is obviously miscast. Elijah Wood is very unconvincing as Edward Burns' younger brother, in fact he looks more like the son of Edward Burns. Looks, height, age and physique wise they are too different from each other. This makes the film a lot less credible than it should have been. Otherwise, the plot is not bad, the direction is good, and the sets are nicely done.
The film is initially boring because of poor character development. The film does not tell people what is happening very well, and only towards the middle do people get an idea what on earth was in fact happening. Elijah Wood is obviously miscast. Elijah Wood is very unconvincing as Edward Burns' younger brother, in fact he looks more like the son of Edward Burns. Looks, height, age and physique wise they are too different from each other. This makes the film a lot less credible than it should have been. Otherwise, the plot is not bad, the direction is good, and the sets are nicely done.
¿Sabías que…?
- TriviaElijah Wood made this straight after he'd completed the Lord of the Rings trilogy. He thoroughly enjoyed the novelty of making a film over just 27 days and spending only four minutes in make-up.
- ErroresThe black ash crosses on characters foreheads constantly change shape throughout the whole movie.
- ConexionesReferences Black & White (1999)
- Bandas sonorasRadar Love
Written by George Kooymans and Barry Hay
Performed by Golden Earring
Courtesy of MCA Records
Under license from Universal Music Enterprises
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- How long is Ash Wednesday?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Hell's Kitchen
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 2,942
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,942
- 13 oct 2002
- Total a nivel mundial
- USD 57,442
- Tiempo de ejecución1 hora 39 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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