Ash Wednesday

October 14, 2004. I viewed this film last night and I must say that I was in suspense the entire film. I truly believed that the younger brother was in imminent danger. The older brother (Ed Burns) was in danger as well. Trying to convince his brother of his stupidity was done not with yelling or shouting, but understated by a character who by his admissions had lived two lifetimes by the age of thirty.

I am a movie fan who does not expect "Gone With The Wind" or "To Kill a Mockingbird" with every film I watch. This film had an excellent cast who performed beautifully. The director kept an even pace throughout because of the impending double-twist surprise ending.

One gifted actor, who never gets enough credit from the public, only his peers and producers and directors is James Handy (Father Mahoney). I see him constantly appearing in one movie after another as well as numerous guest-starring appearances on TV. He was especially "despicable and conniving" on N.Y.P.D.Blue. Usually plays unsympathetic characters. He, like the rest of the cast were truly believable.

I don't know whether or not you'll be talking about this film for years and years. But I do know that most of you will enjoy this approximately 90 minutes of suspenseful entertainment, will recommend viewing to your friends and may watch this film a second and third time. I know I will!!

I'm sorry to sound so cynical, but I have almost nothing good to say for this film. The majority of the acting was superb, but I think Elijah Wood was cast wrong in this part. Firstly, he hasn't the proper accent for the film, secondly, he's to cute to possibly kill people and then run away, thirdly, he's just not mafia material. As much as I love Elijah Wood, he was this movies greatest flaw. The rest of the performers were well-cast and did a spectacular job.

It was a very freakish movie, filmed with a very gritty sensibility on the part of the director, Edward Burns. I did enjoy the film style, and the angles were very visually interesting.

The plot was not well thought out. I'm sorry to say it, but It looked like Edward Burns (also the writer) didn't take the needed time to go over his scrip and work out the screw-ups and enrich the plot a bit more. The film feels hastily written, and looks hastily made.

For enjoyability, I give it an "okay". They use far too much profanity and although the plot is captivating, it gets boring about the time of the first gunfight. I'd recommend this to a very small group of people, and only if they really want to see a weird film about death. If that's the case, I think you'd just be better off with "The Godfather" because this movie just isn't up to par. And the ending was horrible.

First of all, it could have been shorter due to the redundant establishment of the primary story line. A couple more scenes of Ed Burns walking around the streets with that boring musical theme and I may have given up on this film.

Elijah Wood was totally miscast. A more wrong casting of the role of Sean is not imaginable. OK, maybe imaginable if you include Pee Wee Herman. I agree with another writer here that Oliver Platt could've gotten some more dialog and scenes, but that's what it is. He probably liked the idea of playing a heavy for a change. He should do more I think.

I figured the closing scenes to a "T"... from the saloon showdown to the reason for the crew cap and peacoat. I claim no particular brilliance, it seemed pretty obvious.

All in all I'd say watch it when it appears on cable, save the rental fee. A 6.5 - 7.0 rating is generous but I like Ed Burns, stories about Irish street hoods and a plus when it's Hells Kitchen in NYC instead of the Southies. No offense Boston.

In "Ash Wednesday", Burns spins a yarn about a Hell's Kitchen bar owner with a checkered past (Burns) whose younger brother (Wood), who's supposed to be dead, has been seen in the neighborhood (duh) giving rise to inquires from all corners while igniting the plot. In typical Burns fashion, this story about low level Irish-American hoods, is a Mulligan stew of relationships and the non-stop yammering required to explain them and give them impetus. Burns keeps his story in a box, revealing a piece at a time, ostensibly to create suspense, while leaving a trail of gaping plot holes necessary to make the story work. In addition to such dents and dings as having the bro prep to leave town while conveniently leaving his wallet at home to be discovered by the bad guys (duh), Burns makes another huge mistake. The protagonists, whom we're supposed to care about otherwise there's no reason to watch, are all murders. (duh) "Ash Wednesday" is a dark, gritty shoot recommended only for fans of the principals and people into bottom of the marquee crimeland flicks. (C+)

Ash Wednesday so titled because the action takes place on that day of repentance in the Catholic faith and into Lent. Leading character Edward Burns who directed as well keeps the ash cross on his forehead until almost the end of the film. Almost as if he was looking for protection. He and brother Elijah Wood sure needed it.

They play the Sullivan brothers at one time sons of a prominent Irish mobster. Seems as though the Wood killed a pair of Italian hoodlums and their relations are looking for payback.

Burns and local priest James Handy have created a fiction that Wood is dead and spirited him out of town where he's lived in Texas for 3 years. Now Wood is back to get his wife Rosario Dawson who has thought her husband was dead, part of the plan to make the death story believable.

Burns is well out of the rackets, but in his effort to protect his brother he's being dragged back in. Wood doesn't make it easy for him either.

Ash Wednesday is a nice if cheaply made film about family loyalty and sacrifice in a working class Irish American family. Note that this is set in the early 80s when Hell's Kitchen still had some working class blocks. It's pretty yuppified now, so Brooklyn's Greenpoint neighborhood stands in. This was the same setting for the Sean Connery/Dustin Hoffman/Matthew Broderick film Family Business which was done in the late 80s and also about family as well.

The characters are well drawn with no stereotyping at all. James Handy is not a typical priest by any means. No comparison to him and Bing Crosby as Father O'Malley in another film which also was set in Hell's Kitchen when it really was Irish working class.

Burns and Wood have good chemistry as brothers. Ash Wednesday has some fine characterizations done by some talented players.